Have a damaged painting? Restore it in just hours with an AI-generated “mask”
A new method can physically restore original paintings using digitally constructed films, which can be removed if desired.
A new method can physically restore original paintings using digitally constructed films, which can be removed if desired.
SketchAgent, a drawing system developed by MIT CSAIL researchers, sketches up concepts stroke-by-stroke, teaching language models to visually express concepts on their own and collaborate with humans.
The professor of history expanded MIT’s arts infrastructure and championed its arts faculty, while providing new opportunities for students and faculty.
Researchers fuse the best of two popular methods to create an image generator that uses less energy and can run locally on a laptop or smartphone.
Gifted by Professor Lily Tsai, former chair of the faculty, and designed by Professor Brandon Clifford, the staff is a new, integral part of MIT Commencement.
Associate Professor Lydia Bourouiba and artist Argha Manna take readers through a series of discoveries in infectious disease.
“Making Art for Scientists” summer course at MIT invited scientists and engineers to explore new ways to visualize and represent their research.
TeleAbsence, a project from the MIT Media Lab, probes and imitates the way humans process feelings of belonging, love, and loss.
MIT postdoc Ziv Epstein SM ’19, PhD ’23 discusses issues arising from the use of generative AI to make art and other media.
The iconic MIT Press colophon symbolizes the legacy of its creator Muriel Cooper, a graphic design pioneer and longtime member of the MIT community.
Computational tool from MIT CSAIL enables color-changing cellulose-based designs for data visualization, education, fashion, and more.
Boston teen designers create fashion inspired by award-winning images from MIT laboratories.
Exhibit at MIT's Koch Institute attempts to make visible the luminary personalities behind major scientific and engineering advances.
An art-science collaboration tests the limits of visual technologies.
The series will examine understudied questions at the intersection of visual culture and subjects such as race, care, decolonization, privilege, and precarity.