The art of science and the science of art
“Making Art for Scientists” summer course at MIT invited scientists and engineers to explore new ways to visualize and represent their research.
“Making Art for Scientists” summer course at MIT invited scientists and engineers to explore new ways to visualize and represent their research.
TeleAbsence, a project from the MIT Media Lab, probes and imitates the way humans process feelings of belonging, love, and loss.
MIT postdoc Ziv Epstein SM ’19, PhD ’23 discusses issues arising from the use of generative AI to make art and other media.
The iconic MIT Press colophon symbolizes the legacy of its creator Muriel Cooper, a graphic design pioneer and longtime member of the MIT community.
Computational tool from MIT CSAIL enables color-changing cellulose-based designs for data visualization, education, fashion, and more.
Boston teen designers create fashion inspired by award-winning images from MIT laboratories.
Exhibit at MIT's Koch Institute attempts to make visible the luminary personalities behind major scientific and engineering advances.
An art-science collaboration tests the limits of visual technologies.
The series will examine understudied questions at the intersection of visual culture and subjects such as race, care, decolonization, privilege, and precarity.
Condensed-matter theory PhD candidate Makinde Ogunnaike is featured in the Poetry of Science project.
PhD students discuss their participation in The Poetry of Science project and the importance of bringing the arts into science communication.
Made from carbon nanotubes, the new coating is 10 times darker than other very black materials.
Artist and scholar cited for her “immeasurable impact” in pioneering the integration of performance art and new media.
First large-scale exhibition in Southeast Asia for pioneering artist and professor emerita
MIT report represents the first thorough mapping of the ongoing convergence between interactive and participatory practices within digital journalism.