Professor Markus Buehler composed it, and a South Korean orchestra performed it; it’s the latest in a series of artistic collaborations sparked by Buehler’s exploration of the structure of SARS-CoV-2.
Senior Alberto Naveira has found himself and his community as a member of the a cappella group the Chorallaries.
Marshalling forces from across the Institute, MIT will deliver an online celebration worthy of the Class of 2020.
Cross-disciplinary projects at MIT probe the technological and aesthetic limits of sound.
Commitment signals transformative moment for the Institute’s music programming.
![“The whole goal of my life is to fix all the people problems. I sincerely think that the biggest problems we have are how we deal with each other, and how we treat each other. [We need to be] promoting empathy and understanding, and technology is an enormous power to influence that in a good way,” senior Garrett Parrish says.](/sites/default/files/styles/term_page__news_article/public/images/201701/A1-MIT-Garrett-Parrish-02.jpg?itok=Dny0_GHc)
Senior Garrett Parrish combines art and technology, with dramatic effects.
The city offers an ideal home for MIT alumni whose work spans disciplines and continents.
Harmonix co-founder Eran Egozy returns to MIT as professor of the practice in music technology.
Collection of photographs and quotes from the School of Humanities, Arts, and Social Sciences celebrates music and the MIT mission.
Technology developed by two MIT alumni entrepreneurs is helping developers create smarter online music-streaming services.
Lady Gaga collaborator and Interscope executive highlights do.it@MIT’s wide-ranging approach.
The inventor of FM synthesis, Chowning revolutionized the music industry; saw a glimpsing into the future of music at the Institute.
Media Lab associate professor’s massive modular synthesizer now on exhibit in the MIT Museum.
Tod Machover’s Death and the Powers, which features robots as performers, premieres this month. Is this the future of opera?