Seeing sounds
Mariano Salcedo ’25, a master’s student in the new Music Technology and Computation Graduate Program, is designing an AI to visualize and express music and other sounds.
Recreating the forms and sounds of historical musical instruments
Through an interdisciplinary collaboration between MIT and the Museum of Fine Arts, Boston, researchers are creating playable physical and synthesized replicas.
Times Higher Education ranks MIT No. 1 in arts and humanities, business and economics, and social sciences for 2026
Top worldwide honors span disciplines across three MIT schools for the second year in a row.
“Essential” torch heralds the start of the 2026 Winter Olympics
Professor of the practice Carlo Ratti designed this year’s Olympic torch with the ethos and principles he brings to his work at MIT.
Rhea Vedro brings community wishes to life in Boston sculpture
The MIT lecturer and artist-in-residence transformed hundreds of inscribed and hammered steel plates into “Amulet,” a soaring public artwork at City Hall Plaza.
Keeril Makan named vice provost for the arts
An acclaimed composer and longtime MIT faculty member, Makan will direct the next act in MIT’s story of artistic leadership.
MIT community in 2025: A year in review
Top stories highlighted the Institute’s leading positions in world and national rankings; new collaboratives tackling manufacturing, generative AI, and quantum; how one professor influenced hundreds of thousands of students around the world; and more.
Revisiting a revolution through poetry
In “American Independence in verse,” MIT philosopher Brad Skow uses poems to explore the American Revolution from multiple perspectives.
Remembering Professor Emerita Jeanne Shapiro Bamberger, a pioneer in music education
The former department chair was an early innovator in the use of artificial intelligence to both study and influence how children learn music.
MIT software tool turns everyday objects into animated, eye-catching displays
The FabObscura system helps users design and print barrier-grid animations without electronics, and can help produce dynamic household, workplace, and artistic objects.
MIT tool visualizes and edits “physically impossible” objects
By visualizing Escher-like optical illusions in 2.5 dimensions, the “Meschers” tool could help scientists understand physics-defying shapes and spark new designs.
“FUTURE PHASES” showcases new frontiers in music technology and interactive performance
Groundbreaking MIT concert, featuring electronic and computer-generated music, was a part of the 2025 International Computer Music Conference.
At MIT, musicians make new tools for new tunes
From the classroom to expanding research opportunities, students at MIT Music Technology use design to push the frontier of digital instruments and software for human expression and empowerment.
Professor Emeritus Barry Vercoe, a pioneering force in computer music, dies at 87
Widely known for his Synthetic Performer, Csound language, and work on the MPEG-4 audio standard, Vercoe positioned MIT as a hub for music technology through leadership roles with the Media Lab and Music and Theater Arts Section.
How repetition helps art speak to us
Jay Keyser’s new book, “Play It Again, Sam,” makes the case that repeated motifs enhance our experience of artistic works.