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The Conversation

Janet Echelman, the 2022-2023 Mellon Distinguished Visiting Artist at CAST, speaks with The Conversation about her journey to becoming a sculptor, her creative process, and future projects. “It’s important to me that each person can create their own meaning from art,” says Echelman. “They are the expert in their own experience. If my work offers a moment of contemplation and allows you to feel a sense of calm and your own interconnection with the wind, sun, people and city, then that’s all I could hope for.”

The Boston Globe

Prof. Daniela Rus, director of CSAIL, emphasizes the central role universities play in fostering innovation and the importance of ensuring universities have the computing resources necessary to help tackle major global challenges. Rus writes, “academia needs a large-scale research cloud that allows researchers to efficiently share resources” to address hot-button issues like generative AI. “It would provide an integrated platform for large-scale data management, encourage collaborative studies across research organizations, and offer access to cutting-edge technologies, while ensuring cost efficiency,” Rus explains.

The Boston Globe

In an article for The Boston Globe, Prof. Emeritus Ernest Moniz explores the risks associated with the cesium-137 devices used in hospitals. “Boston hospitals have an opportunity to receive tens of thousands of dollars of grants toward the purchase of new equipment that is just as effective for medical and research purposes as the radiological devices they have been using for decades,” writes Moniz, “while shedding the liabilities and security costs associated with cesium sources.”

Wired

In this video for Wired, Prof. Anne White explains the nature of nuclear fusion in five levels of increasing difficulty to a child, a teen, a college student, a grad student, and an expert. “Fusion is so exciting because it is extraordinarily beautiful physics, which underpins some of the most basic processes in our universe," says White. “Nuclear processes have a tremendously valuable application for humankind, a virtually limitless, clean, safe, carbon-free form of energy.”

The New York Times

Writing for The New York Times, MIT Prof. Amy Finkelstein and Stanford Prof. Liran Einav note that health insurance coverage for the Americans "who are fortunate enough to have insurance is deeply flawed.” Finkelstein and Einav make the case that the solution to health insurance reform is “universal coverage that is automatic, free and basic.”

Marketplace

Prof. Yossi Sheffi speaks with Marketplace host Meghan McCarty Carino about how AI has impacted the workplace, highlighting the wide deployment of robots in warehouses. “Instead of people running around the warehouses, the people stand and the robots run around the warehouses,” Sheffi said. “But they bring the work to the people who then put it in boxes, package them.”

Forbes

Lecturer Guadalupe Hayes-Mota SB '08, MS '16, MBA '16 writes for Forbes about the ethical framework needed to mitigate risks in artificial intelligence. “[A]s we continue to unlock AI's capabilities, it is crucial to address the ethical challenges that emerge,” writes Hayes-Mota. “By establishing a comprehensive ethical framework grounded in beneficence, non-maleficence, autonomy, justice and responsibility, we can ensure that AI's deployment in life sciences aligns with humanity's best interests.”

Forbes

Writing for Forbes, Prof. Daniela Rus, director of CSAIL, makes the case that liquid neural networks “offer an elegant and efficient computational framework for training and inference in machine learning. With their compactness, adaptability, and streamlined computation, these networks have the potential to reshape the landscape of artificial intelligence and drive further breakthroughs in the field.”

Financial Times

Prof. Yang Shao-Horn spoke at the State of the Art Jewelry Summit to discuss the jewelry industry’s impact on carbon emissions and sustainability efforts, reports Caroline Palmer for the Financial Times. Shao-Horn's suggestions to tackle the problem involved a mix of a carbon tax, “which could encourage the use of new technology, including electric vehicles, as well as shifting mining practices away from open site to the development of mobile mining vehicles powered by renewable energy or hydrogen,” writes Palmer.

The Boston Globe

Prof. Helen Elaine Lee speaks with Boston Globe reporter Renée Loth about the importance of writing, especially for incarcerated individuals. “In the wasteland of boredom and absence that is incarceration, it’s something to be devoted to that’s powerful and productive,” says Lee. Writing “is an assertion of humanity and abundance,” says Lee.

Financial Times

Writing for the Financial Times, Prof. Robert Pindyck makes the case that households, private businesses and governments must "invest in adaptation to climate change, in order to counter its possible impact.” Pindyck writes, “Now is the time to put more effort into efficient CO₂ emission reduction, and invest in adaptation to limit the impacts of climate change.”

Financial Times

Professor Roberto Rigobon, Research Scientist Florian Berg and Research Affiliate Julian Kölbel write for the Financial Times about the pressing need for tougher scrutiny, regulation and reform of ESG rating agencies. “The solution is greater transparency about what a rating seeks to measure, and the methodology behind it,” they write. “Users should be able to scrutinize the way the data is collected and aggregated, and whether that is consistent with the rating’s objective.”

The Boston Globe

Herbert Kalmus ‘03 and former MIT Prof. Daniel Frost Comstock ‘04 co-founded Technicolor, the company that helped bring color to the movies. Boston Globe correspondent Scott Kirsner notes that the company’s name was “an homage to MIT, which publishes a yearbook called Technique.” Kirsner adds that Technicolor engineers “had to develop their own cameras, shooting and lighting techniques on set, film processing, and add-ons to the movie projector... Technicolor became one of the giants of 20th-century Hollywood.”