MIT launches new Music Technology and Computation Graduate Program
The program will invite students to investigate new vistas at the intersection of music, computing, and technology.
The program will invite students to investigate new vistas at the intersection of music, computing, and technology.
MIT Theater faculty invite students to draw upon their personal experiences to create evocative set, sound, and lighting designs.
New professors join anthropology, economics, history, linguistics, music and theater arts, and philosophy departments, as well as the Program in Science, Technology, and Society.
School of Humanities, Arts, and Social Sciences appoints new heads across multiple academic units.
Fifteen new faculty members join six of the school’s academic departments.
Christopher Wang, a senior in EECS, shares his favorite study spaces, how he discovered theater at the Institute, and what he'll miss most.
The MIT Schwarzman College of Computing building will form a new cluster of connectivity across a spectrum of disciplines in computing and artificial intelligence.
The renowned saxophonist won Best Latin Jazz Album along with pianist Luis Perdomo for their album, “El Arte Del Bolero Vol. 2.”
A renowned classical musician and MIT faculty member for more than two decades, Buttrick taught and performed extensively around the world.
Keeril Makan describes how a new facility, now under construction, features rehearsal and performance spaces, a recording studio, classrooms, and music technology laboratories.
Kwesi Afrifa, a senior majoring in urban planning and computer science, wants to create cultural hubs that are inviting to everyone.
In a new documentary film, music’s storytelling power illuminates cultural and environmental sustainability in Brazil.
The iconic sci-fi opera “VALIS,” first composed by Professor Tod Machover in 1987, reboots at MIT for a new generation.
New professors join Comparative Media Studies/Writing; Economics; Literature; Music and Theater Arts; Science, Technology, and Society; and Political Science.
Director and MIT Professor Jay Scheib’s production, at the Bayreuth Festival in Germany, features an apocalyptic theme and augmented reality headsets for the audience.