MIT Press

Boston Globe correspondent Scott Kirsner explores the development underway in Kendall Square with Michael Owu, managing director of real estate for the MIT Investment Management Company, and Sarah Gallop, co-director of the MIT Office of Government and Community Relations. “If you haven’t been to Kendall recently, it’s turning into a real neighborhood,” writes Kirsner. “On our walk, we passed two barber shops, a florist, a grocery store, and a Dig restaurant I hadn’t noticed. We also ducked into the subterranean MIT Press Bookstore, recently relocated and newly renovated.”

MIT Press has published In The Black Fantastic by Ekow Eshun, reports Nina MacLaughlin for The Boston Globe. Eshun defines the book as “works of speculative fiction that draw from history and myth to conjure new visions of Africa diasporic culture and identity.” 

Boston Globe reporter Brittany Bowker spotlights the work of Amy Brand, director and publisher of the MIT Press, which is celebrating its 60^th anniversary this month. “I feel like I have one of the best jobs in the world because I’m living in this realm of exciting ideas and discoveries,” Brand says. “I’m getting to walk and work with such brilliant and amazing people at the press, but also in general. Authors who are passionate about what they do and passionate about the potential for knowledge.”

Nature Physics senior editor Silvia Milana spotlights “Carbon Queen: The Remarkable Life of Nanoscience Pioneer Mildred Dresselhaus” a new book written by MIT News Deputy Editorial Director Maia Weinstock. “Carbon Queen does not only capture the journey into the personal and professional life of an outstanding figure in carbon science, it is a careful account of the evolution of societal attitudes towards women from the 1950s to today” writes Milana.

Boston Globe reporter Nina MacLaughlin spotlights how the MIT Press, MIT Press Bookstore and the MIT Libraries have launched a new reading series called authors@mit. The series will kick off with Maia Weinstock, deputy editorial director at MIT News, and her new book, “Carbon Queen: The Remarkable Life of Nanoscience Pioneer Mildred Dresselhaus.”

Ariana Remmel spotlights “Carbon Queen,” a new book written by MIT News Deputy Editorial Director Maia Weinstock, which highlights the career of Institute Professor Mildred S. Dresselhaus. “Weinstock navigates the complexities of theoretical physics and research bureaucracy deftly,” writes Remmel. “She describes of carbon – from diamond to graphite – and their properties with sleek diagrams and colourful analogies that unpack basic principles and broader implications.”

Science writer Maia Weinstock, deputy editorial director at MIT News, has written a new book titled “Carbon Queen: The Remarkable Life of Nanoscience Pioneer Mildred Dresselhaus,” which highlights the career of Institute Professor Mildred S. Dresselhaus, reports Vijaysree Venkatraman for Science. “In “Carbon Queen,” Weinstock has pieced together Dresselhaus’s story using decades of profiles, print interviews, oral histories conducted with the scientists herself, and new interviews with her contemporaries,” writes Venkatraman.

Physics World reporter Jesse Wade spotlights “Carbon Queen: The Remarkable Life of Nanoscience Pioneer Mildred Dresselhaus,” a new book by Maia Weinstock, deputy editorial director at MIT News. “With Carbon Queen, Weinstock does more than tell the story of a brilliant scientist’s life,” writes Wade. “She transports you into a world of curiosity and wonder, driven by enthusiasm and persistence.”

MIT Press and Brown University Library have announced a new book series called “On Seeing," reports Nina MacLaughlin for The Boston Globe. The series is “'committed to centering underrepresented perspectives in visual culture,’ exploring places where visual culture intersects with questions of race, care, decolonization, privilege, and precarity,” writes MacLaughlin.

The MIT Press will publish all monographs and edited collections on an open-source access basis this upcoming spring, reports Suzanne Smalley for Inside Higher Ed. The move presents a “model that scholars and librarians say could be revolutionary for cash-strapped libraries, university presses and a dwindling number of humanities scholars,” writes Smalley.

Boston Globe reporter Nina MacLaughlin spotlights the MIT Press Bookstore, which has reopened in a new space in the MIT Kendall Gateway. “The new space has more square footage than its previous home, and besides offering the books and journals published by the titular press, the bookstore also carries a selection of academic and general interest titles,” writes MacLaughlin, “including a space dedicated to STEAM books for kids, with special attention on the new MIT Kids Press and MITeen Press titles.”

MIT Press is making its academic titles free to view as part of a new open access model called Direct to Open, reports Jack Grove for Times Higher Ed. “From 2022, all new scholarly monographs and edited collections published by MIT Press will be openly available on its e-book platform rather than sold directly to libraries or readers as single titles,” writes Grove.

MIT Press and the University of California at Berkeley are launching a journal that will offer peer reviews of Covid-19 research, reports Paul Baskin for Times Higher Education. “We want to align with what the research community is doing and what it wants,” says Amy Brand, director of MIT Press. “But we also want to build in more quality control and more accountability.”

National Geographic reporter Catherine Zuckerman spotlights the work of research scientist Felice Frankel, a photographer who captures images that are intended to captivate and inform viewers about complex scientific advances. Frankel explains that the goal of her new book is to help scientists “understand that beautiful images can engage the public.”

Writing for Inside Higher Ed, research scientist Felice Frankel explains the importance of scientists learning how to communicate their work. “I am convinced that learning how to make technically accurate, interesting and honest images and graphics of science should be part of every scientist’s education,” writes Frankel.