MIT Libraries

Graduate student Alex Kachkine has developed a new technique that “uses AI-generated polymer films to physically restore damaged paintings in hours,” reports Benj Edwards for Ars Technica. “Kachkine's method works by printing a transparent ‘mask’ containing thousands of precisely color-matched regions that conservators can apply directly to an original artwork,” explains Edwards. “Unlike traditional restoration, which permanently alters the painting, these masks can reportedly be removed whenever needed. So it's a reversible process that does not permanently change a painting.” 

Guardian reporter Ian Sample highlights how graduate student Alex Kachkine has developed a new approach to restoring age-damaged artwork in hours. “The technique draws on artificial intelligence and other computer tools to create a digital reconstruction of the damaged painting,” explains Sample. “This is then printed on to a transparent polymer sheet that is carefully laid over the work.” 

Graduate student Alex Kachkine speaks with Nature reporter Amanda Heidt about his work developing a new restoration method for restoring damaged artwork. The method uses “digital tools to create a ‘mask’ of pigments that can be printed and varnished onto damaged paintings,” explains Heidt. The method “reduces both the cost and time associated with art restoration and could one day give new life to many of the paintings held in institutional collections — perhaps as many as 70% — that remain hidden from public view owing to damage.” 

Nature spotlights graduate student Alex Kachkine – an engineer, art collector and art conservator – on his quest to develop a new AI-powered, art restoration method, reports Geoff Marsh for Nature. “My hope is that conservators around the planet will be able to use these techniques to restore paintings that have never been seen by the general public,” says Kachkine. “Many institutions have paintings that arrived at them a century ago, have never been shown because they are so damaged and there are no resources to restore them. And hopefully this technique means we will be able to see more of those publicly.” 

Wall Street Journal reporter Angelina Torre spotlights “Letterlocking: The Hidden History of the Letter,” a new book by MIT Libraries Conservator Jana Dambrogio and King’s College London Senior Lecturer Daniel Smith that explores the history and art of “folding a letter so it serves as its own envelope.” The book “calls on scholars to ‘read the folds’ of written correspondence – to peer into the historical, social or personal circumstances that might not be explicitly stated,” explains Torre. 

Postdoctoral Fellow Lydia Harrington and Boston University Postdoctoral Associate Chloe Bordewich speak with WBUR reporter Yasmin Amer about their exhibit at the MIT Rotch Library on Boston's former Little Syria neighborhood. “We want to show very positive things that Syrians brought with them, as well as their contributions to Boston,” says Harrington. “We wanted to show things in the exhibit that showed everyday life and well-known people in the neighborhood.”

Nature Physics senior editor Silvia Milana spotlights “Carbon Queen: The Remarkable Life of Nanoscience Pioneer Mildred Dresselhaus” a new book written by MIT News Deputy Editorial Director Maia Weinstock. “Carbon Queen does not only capture the journey into the personal and professional life of an outstanding figure in carbon science, it is a careful account of the evolution of societal attitudes towards women from the 1950s to today” writes Milana.

Ariana Remmel spotlights “Carbon Queen,” a new book written by MIT News Deputy Editorial Director Maia Weinstock, which highlights the career of Institute Professor Mildred S. Dresselhaus. “Weinstock navigates the complexities of theoretical physics and research bureaucracy deftly,” writes Remmel. “She describes of carbon – from diamond to graphite – and their properties with sleek diagrams and colourful analogies that unpack basic principles and broader implications.”

Science writer Maia Weinstock, deputy editorial director at MIT News, has written a new book titled “Carbon Queen: The Remarkable Life of Nanoscience Pioneer Mildred Dresselhaus,” which highlights the career of Institute Professor Mildred S. Dresselhaus, reports Vijaysree Venkatraman for Science. “In “Carbon Queen,” Weinstock has pieced together Dresselhaus’s story using decades of profiles, print interviews, oral histories conducted with the scientists herself, and new interviews with her contemporaries,” writes Venkatraman.

Physics World reporter Jesse Wade spotlights “Carbon Queen: The Remarkable Life of Nanoscience Pioneer Mildred Dresselhaus,” a new book by Maia Weinstock, deputy editorial director at MIT News. “With Carbon Queen, Weinstock does more than tell the story of a brilliant scientist’s life,” writes Wade. “She transports you into a world of curiosity and wonder, driven by enthusiasm and persistence.”

An international team of scholars, including MIT researchers, has published a new study exploring the history and use of letterlocking, reports William J. Broad for The New York Times. The researchers note that they hope their work prompts “novel kinds of archival research, and allows even very well-known artefacts to be examined anew.”

Researchers from MIT and other institutions have successfully uncovered the letterlocking technique that Mary, Queen of Scots, used to seal her final letter, reports NPR’s Tien Le. “The spiral lock requires more than 30 steps and involves cutting out a ‘lock,’ often resembling a dagger or sword, out of the blank margin of the letter,” writes Le. “The lock acts as a needle and is sewn through the letter after folding it.”

The MIT Press will publish all monographs and edited collections on an open-source access basis this upcoming spring, reports Suzanne Smalley for Inside Higher Ed. The move presents a “model that scholars and librarians say could be revolutionary for cash-strapped libraries, university presses and a dwindling number of humanities scholars,” writes Smalley.

An international team of researchers has found that Mary, Queen of Scots, used a complicated paper-folding technique called letterlocking to conceal the contents of her final letter, reports Alison Flood for The Guardian. MIT Libraries Conservator Jana Dambrogio explains that working on Mary's last letter “and figuring out its unique spiral lock was thrilling as a researcher – and a real a-ha! moment in the study of letterlocking.”

The Economist spotlights how MIT researchers created a virtual technique to decipher the contents of a letter that was sealed 300 years ago. The letter was originally sealed by its sender using the historical practice of securing correspondence called letterlocking. The new virtual technique “seems to hold plenty of promise for future research into a fascinating historical practice.”