MIT’s Hayden Library held an event celebrating the 25th anniversary of Wikipedia, reports Dana Gerber for The Boston Globe. “It’s fun and it’s funny, and it often chronicles the totally ridiculous corners of the world, but we also take it super seriously,” says MIT librarian Pheobe Ayers. “I hope people realize that Wikipedia is imperfect. It's always in progress. It’s not finished. But we’re trying really hard to make it good.”
MIT librarian Phoebe Ayers speaks with Boston Globe reporter Rebecca Spiess about the importance of Wikipedia editors in ensuring the accuracy and integrity of the online encyclopedia. “People really want to be right,” says Ayers. “They want their source to be good. Let’s be real: It attracts the pedantic.”
In a video for CNN, graduate student Alex Kachkine explains his work developing a method using AI to create a reversible polymer film that could be used to restore damaged oil paintings, making the process faster than manual restoration. Kachkine explains that he hopes his work helps “get more paintings out of storage and into public view as there are many paintings that are damaged that I would love to see and it’s a real shame that there aren’t the resources necessary to restore them.”
Graduate student Alex Kachkine speaks with New York Times reporter Ephrat Livni about his work creating a new AI technique for restoring paintings, and how his research on microchips helped inspire the development. Microchips “require very high degrees of precision,” Kachkine explains. “And it turns out a lot of the techniques we use to achieve that level of precision are applicable to art restoration.” Kachkine adds that he hopes conservators will be able to “leverage the benefits” of the techniques he gleaned from engineering to preserve “really valuable cultural heritage.”
Graduate student Alex Kachkine has developed a new technique that “uses AI-generated polymer films to physically restore damaged paintings in hours,” reports Benj Edwards for Ars Technica. “Kachkine's method works by printing a transparent ‘mask’ containing thousands of precisely color-matched regions that conservators can apply directly to an original artwork,” explains Edwards. “Unlike traditional restoration, which permanently alters the painting, these masks can reportedly be removed whenever needed. So it's a reversible process that does not permanently change a painting.”
Guardian reporter Ian Sample highlights how graduate student Alex Kachkine has developed a new approach to restoring age-damaged artwork in hours. “The technique draws on artificial intelligence and other computer tools to create a digital reconstruction of the damaged painting,” explains Sample. “This is then printed on to a transparent polymer sheet that is carefully laid over the work.”
Graduate student Alex Kachkine speaks with Nature reporter Amanda Heidt about his work developing a new restoration method for restoring damaged artwork. The method uses “digital tools to create a ‘mask’ of pigments that can be printed and varnished onto damaged paintings,” explains Heidt. The method “reduces both the cost and time associated with art restoration and could one day give new life to many of the paintings held in institutional collections — perhaps as many as 70% — that remain hidden from public view owing to damage.”
Nature spotlights graduate student Alex Kachkine – an engineer, art collector and art conservator – on his quest to develop a new AI-powered, art restoration method, reports Geoff Marsh for Nature. “My hope is that conservators around the planet will be able to use these techniques to restore paintings that have never been seen by the general public,” says Kachkine. “Many institutions have paintings that arrived at them a century ago, have never been shown because they are so damaged and there are no resources to restore them. And hopefully this technique means we will be able to see more of those publicly.”
Wall Street Journal reporter Angelina Torre spotlights “Letterlocking: The Hidden History of the Letter,” a new book by MIT Libraries Conservator Jana Dambrogio and King’s College London Senior Lecturer Daniel Smith that explores the history and art of “folding a letter so it serves as its own envelope.” The book “calls on scholars to ‘read the folds’ of written correspondence – to peer into the historical, social or personal circumstances that might not be explicitly stated,” explains Torre.
Postdoctoral Fellow Lydia Harrington and Boston University Postdoctoral Associate Chloe Bordewich speak with WBUR reporter Yasmin Amer about their exhibit at the MIT Rotch Library on Boston's former Little Syria neighborhood. “We want to show very positive things that Syrians brought with them, as well as their contributions to Boston,” says Harrington. “We wanted to show things in the exhibit that showed everyday life and well-known people in the neighborhood.”
Nature Physics senior editor Silvia Milana spotlights “Carbon Queen: The Remarkable Life of Nanoscience Pioneer Mildred Dresselhaus” a new book written by MIT News Deputy Editorial Director Maia Weinstock. “Carbon Queen does not only capture the journey into the personal and professional life of an outstanding figure in carbon science, it is a careful account of the evolution of societal attitudes towards women from the 1950s to today” writes Milana.
Ariana Remmel spotlights “Carbon Queen,” a new book written by MIT News Deputy Editorial Director Maia Weinstock, which highlights the career of Institute Professor Mildred S. Dresselhaus. “Weinstock navigates the complexities of theoretical physics and research bureaucracy deftly,” writes Remmel. “She describes of carbon – from diamond to graphite – and their properties with sleek diagrams and colourful analogies that unpack basic principles and broader implications.”
Science writer Maia Weinstock, deputy editorial director at MIT News, has written a new book titled “Carbon Queen: The Remarkable Life of Nanoscience Pioneer Mildred Dresselhaus,” which highlights the career of Institute Professor Mildred S. Dresselhaus, reports Vijaysree Venkatraman for Science. “In “Carbon Queen,” Weinstock has pieced together Dresselhaus’s story using decades of profiles, print interviews, oral histories conducted with the scientists herself, and new interviews with her contemporaries,” writes Venkatraman.
Physics World reporter Jesse Wade spotlights “Carbon Queen: The Remarkable Life of Nanoscience Pioneer Mildred Dresselhaus,” a new book by Maia Weinstock, deputy editorial director at MIT News. “With Carbon Queen, Weinstock does more than tell the story of a brilliant scientist’s life,” writes Wade. “She transports you into a world of curiosity and wonder, driven by enthusiasm and persistence.”
An international team of scholars, including MIT researchers, has published a new study exploring the history and use of letterlocking, reports William J. Broad for The New York Times. The researchers note that they hope their work prompts “novel kinds of archival research, and allows even very well-known artefacts to be examined anew.”