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Yuly Fuentes-Medel of the MIT Climate Project speaks with GBH Boston Public Radio hosts Jim Braude and Margery Eagan about her work focused on improving sustainability in the footwear industry, and making running shoes more eco-friendly.
Yuly Fuentes-Medel of the MIT Climate Project speaks with GBH Boston Public Radio hosts Jim Braude and Margery Eagan about her work focused on improving sustainability in the footwear industry, and making running shoes more eco-friendly.
Researchers at MIT have developed an “AI-driven optimization method that works like ‘ChatGPT for spreadsheets’ – a tabular foundation model designed to handle spreadsheet-style data common in engineering design problems,” reports Gene Marks for Forbes. “The AI system identifies which design variables matter most and focuses search efforts on those, making problem solving less cumbersome,” writes Marks.
Prof. Carlo Ratti speaks with Matt Fortin of NBC Boston about his work designing this year’s Olympic torch. “For us it’s very exciting to do this,” says Ratti, “because it’s a way you can actually push design beyond what you normally do.”
The torch for this year’s Winter Olympics was designed by Prof. Carlo Ratti, reports Laura Baisas for Popular Science. Dubbed “Essential,” the torch clocks in at just under 2.5 pounds, and "boasts a unique internal mechanism that can be seen through a vertical opening along its side. This means that audiences can peek inside and see the burner in action. From a design perspective, that reinforces Ratti’s desire to keep the emphasis on the flame itself and not the object.”
Researchers at MIT have “found a way to transform a flat sheet into a functional 3D object with a single pull of a string,” reports Luis Prada for Vice. “The team developed a computational method that lets users design three-dimensional objects that can be fabricated as flat grids and then deployed almost instantly with a single tug,” explains Prada.
The Wall Street Journal features reporter Amy Dockser Marcus’ visit to the MIT AgeLab and her time using the AGNES age-simulation suit on the The Future of Everything’s Best of 2025 list, reports Conor Grant for The Wall Street Journal. Grant highlights Marcus’ newfound awareness “of challenges faced by the elderly – and a new motivation to prepare for old age.”
Researchers at MIT have developed a new type of material that can transform into a 3D structure with the simple pull of a string, reports Gayoung Lee for Gizmodo. The new material could “have an impressive range of applications, from transportable medical devices and foldable robots to modular space habitats on Mars,” Lee explains.
Boston 25 reporter Rachel Keller visits the MIT AgeLab and dons the AGNES suit, “an innovative tool designed to simulate the physical and cognitive challenges of aging, allowing users to experience what it feels like to be 80 years old.” Lauren Cerino, a technical associate at the AgeLab, explains that “the intention of the suit is really to help people to think about how can I make the built environment better or how can I make these little changes that can actually make it really much easier for people to navigate spaces.”
Yuly Fuentes-Medel of the MIT Climate Project speaks with Fast Company reporter Elizabeth Segran about how encouraging collaboration between shoe manufacturers could help increase shoe recycling. “The shoe industry is competitive, and these brands are rivals,” says Fuentes-Medel. “But by sharing costs, data, and infrastructure, they can achieve the sustainability goals that have eluded them for years.”
Writing for Meteorological Technology International, Alex Pack explores how MIT researchers have developed a new “lightning-prediction model that could help protect more unconventional aircraft designs – such as blended-wing bodies or truss-braced configurations – as aviation moves beyond traditional tube-and-wing designs.”
ABC News reporter Will Reeve spotlights the AGNES, a suit developed by MIT AgeLab researchers in an effort to help wearers experience the effects of aging on the body. “One of the greatest challenges that we’ve uncovered here at the AgeLab and elsewhere is that we really can’t envision our future self,” says Joseph Coughlin, director of the AgeLab. “If everyone could wear AGNES, they would be in better touch with what their future self is, and what I would hope is they would invest in themselves physically [and] cognitively.”
Visiting Scholar Ariel Ekblaw SM '17, PhD '20 speaks with WBUR’s On Point host Meghna Chakrabarti about her academic career, the space industry and her new non-profit company the Aurelia Institute. The company is “dedicated to building humanity’s future in space for the benefit of the earth,” says Chakrabarti. Additionally, the company plans to use “space infrastructure, satellites, and large scale space structures in orbit to do really profound things for day-to-day life on Earth,” adds Ekblaw.
Dishita Turakhia SM '17, SMArchS '17, PhD '24 speaks with Huffpost reporter Brittany Wong to explore how people are using AI technologies. “Early adopters may help expand the creative boundaries of these technologies, but those who enter later, sometimes with more caution, often bring a critical lens that leads to more sustainable applications,” says Turakhia.
WBZ NewsRadio reporter Emma Friedman visits the MIT AgeLab to get a firsthand look at the body suit AgeLab researchers developed to replicate what aging feels like. The Age Gain Now Empathy System or AGNES suit “mimics the visual capability, motor ability, and strength of people in their 70s and 80s,” Friedman explains. Graduate student Sophia Ashebir notes that “essentially what AGNES is, is a series of equipment that you can put on to gain empathy for and experience what an older version of yourself might be like.”
New York Times reporter Catherine Porter spotlights Roofscapes, an MIT startup founded by Olivier Faber MArch '23, Tim Cousin MArch '23 and Eytan Levi MArch/MSRED '21 that aims to transform the zinc-roofed buildings in Paris into accessible green spaces as part of an effort to decrease building temperatures while improving quality of life. “We have an opportunity with all these untouched surfaces to do something that is virtually impossible anywhere else in a city like Paris,” explains Levi. “There’s a new way you can live.”