Design

ABC News reporter Will Reeve spotlights the AGNES, a suit developed by MIT AgeLab researchers in an effort to help wearers experience the effects of aging on the body. “One of the greatest challenges that we’ve uncovered here at the AgeLab and elsewhere is that we really can’t envision our future self,” says Joseph Coughlin, director of the AgeLab. “If everyone could wear AGNES, they would be in better touch with what their future self is, and what I would hope is they would invest in themselves physically [and] cognitively.” 

Visiting Scholar Ariel Ekblaw SM '17, PhD '20 speaks with WBUR’s On Point host Meghna Chakrabarti about her academic career, the space industry and her new non-profit company the Aurelia Institute. The company is “dedicated to building humanity’s future in space for the benefit of the earth,” says Chakrabarti. Additionally, the company plans to use “space infrastructure, satellites, and large scale space structures in orbit to do really profound things for day-to-day life on Earth,” adds Ekblaw. 

Dishita Turakhia SM '17, SMArchS '17, PhD '24 speaks with Huffpost reporter Brittany Wong to explore how people are using AI technologies. “Early adopters may help expand the creative boundaries of these technologies, but those who enter later, sometimes with more caution, often bring a critical lens that leads to more sustainable applications,” says Turakhia. 

WBZ NewsRadio reporter Emma Friedman visits the MIT AgeLab to get a firsthand look at the body suit AgeLab researchers developed to replicate what aging feels like. The Age Gain Now Empathy System or AGNES suit “mimics the visual capability, motor ability, and strength of people in their 70s and 80s,” Friedman explains. Graduate student Sophia Ashebir notes that “essentially what AGNES is, is a series of equipment that you can put on to gain empathy for and experience what an older version of yourself might be like.” 

New York Times reporter Catherine Porter spotlights Roofscapes, an MIT startup founded by Olivier Faber MArch '23, Tim Cousin MArch '23 and Eytan Levi MArch/MSRED '21 that aims to transform the zinc-roofed buildings in Paris into accessible green spaces as part of an effort to decrease building temperatures while improving quality of life. “We have an opportunity with all these untouched surfaces to do something that is virtually impossible anywhere else in a city like Paris,” explains Levi. “There’s a new way you can live.”

To get a better sense of the physical and cognitive experience of aging, Wall Street Journal reporter Amy Dockser Marcus donned the MIT AgeLab’s age-simulation suit, called the “Age Gain Now Empathy System” or Agnes for short, and embarked on a number of activities, including shopping at the grocery store, riding the subway, crossing a busy street, and cooking a meal. Dockser Marcus notes that research at the MIT AgeLab is focused on “finding ways to improve life for the elderly,” and noted that the Agnes suit provided a “greater insight into what it is really like to age—and what I could do to prepare.”

Writing for the Financial Times, Prof. Carlo Ratti makes the case that “in a hotter world, trees should be considered more than decoration. This ancient infrastructure can cool not just our buildings but the cities themselves. And with AI, we can now plant better, with precision urban forestry. In a warming world, the smartest climate tech may be rooted in the ground — and it doesn’t strain the power grid.”

WBUR reporter Rachell Sanchez-Smith spotlights two health tech devices being developed by Prof. Yoel Fink and Prof. Canan Dağdeviren, respectively, that aim to “give the wearers — and their doctors — a clearer picture of their overall health.” Fink has created “a thread capable of storing data, running artificial intelligence algorithms, sensing motion and sound, and communication through Bluetooth,” while Dağdeviren’s wearable ultrasound scanner can be used to make breast cancer screening “more comfortable and more accurate,” explains Sanchez-Smith.  

Prof. Carlo Ratti speaks with The Boston Globe columnist Jason Schwartz about how a proposed seven-story office building behind Fenway Park could make the beloved Green Monster wall appear a bit less monstrous. “The wall has always felt monumental not just because of its size, but because it stood against an open sky,” says Ratti. “When the backdrop becomes a building, the view compresses, and the Monster might lose some of its presence.”  

Interesting Engineering reporter Saoirse Kerrigan spotlights a number of MIT research projects from the past decade. MIT has “long been a hub of innovation and ingenuity across multiple industries and disciplines,” writes Kerrigan. “Every year, the school’s best and brightest debut projects that push the boundaries of science and technology. From vehicles and furniture to exciting new breakthroughs in electricity generation, the school’s projects have tackled an impressive variety of subjects.” 

Writing for Bloomberg, Prof. Carlo Ratti, curator of the 2025 Venice Biennale, describes his vision for the exhibition and explains how this year’s theme of adaptation connects to the future of architecture. “The planet has changed, and institutions must change too, especially those devoted to the built environment,” explains Ratti. “A biennale can become a tool for exploration, for collaboration, for reckoning. This doesn’t mean giving up on spectacle or beauty. But it does mean rethinking what we celebrate.” 

ArchDaily reporter Reyyan Dogan explores the 2025 Venice Architecture Biennale with Prof. Carlo Ratti, this year’s curator. Dogan notes that “by fostering a forward-thinking dialogue on the intersection of architecture and global crises, the Biennale encourages both visitors and practitioners to think critically about the role of architecture in shaping the future.” Ratti explains that this year’s exhibit “is really about how architecture can bring together all different forms of intelligence, and bridge them, and actually help adapt to a changing climate.” 

Prof. Carlo Ratti, curator of the 2025 Architecture Venice Biennale, speaks with Sofia Lekka Angelopoulou of Designboom about his vision for this year’s showcase, which centers around reimagining the role of intelligence in shaping the built environment. ‘It’s basically about how we can use different disciplines and different forms of intelligence in order to tackle the most important problem today: adaptation,” Ratti explains. “In short, you could say architecture is survival.”

Prof. Carlo Ratti, curator of the 2025 Venice Biennale, speaks with Archinect reporter Niall Patrick Walsh about his vision for the biennale as a “living laboratory from which ideas and research can emerge to guide the evolution of the built environment.” Says Ratti: “We are hoping to use the biennale to convey the message that architecture is about survival. Architecture is central to how we can move from climate mitigation to adaptation. If we can use the biennale as a way to reorient how we work and practice, that will be its most important legacy.”

Kodiak Brush '17 speaks with Fast Company reporter Jesus Diaz about his work tackling football helmet design. The Apache helmet Brush designed for Light Helmets is the “lightest on the market—and yet it has achieved the highest safety score ever recorded by Virginia Tech’s independent helmet testing lab.” Diaz notes that for Brush, “success isn’t measured by sales figures or accolades—it’s about changing how people think about football safety and avoiding traumatic brain injuries.”