Community

A more than $40 million investment to add advanced nano-fabrication equipment and capabilities to MIT.nano will significantly expand the center’s nanofabrication capabilities, reports Jon Chesto for The Boston Globe. The new equipment, which will also be available to scientists outside MIT, will allow “startups and students access to wafer-making equipment used by larger companies. These tools will allow its researchers to make prototypes of an array of microelectronic devices.”

Maya Levy '21 speaks with Boston Globe reporter Steve Annear about “The 24-Hour T Ride,” a play written by Levy and friends as part of their work with the MIT Shakespeare Ensemble group. The group is “known to produce 24-hour shows in which only the title is decided on beforehand,” explains Levy. “You can expect silly incredibly local scenes that would not hold up if you performed it anywhere else. You can expect the actors to be having a wonderful time.”

Arthur Musah '04, MEng '05 and Philip Abel '15 speak with GBH “Under The Radar” host Callie Crossley about Musah’s documentary, “Brief Tender Light,” which follows the life of four African-born students on their personal and academic experiences at MIT. “The takeaway for me is about how we all belong in all spaces all around the world,” says Musah. “For me, the film has always been about celebrating the lives of African students and Black people at institutions like MIT.”

MIT irradiation facilities engineer Andriy Tuz and Prof. Jacopo Buongiorno speak with Jennifer Hiller of the Wall Street Journal about Tuz’s path from Ukraine to MIT. Tuz joined the Institute “through the U.S. government’s Uniting for Ukraine program, which provides a way for Ukrainian citizens displaced by the war to stay temporarily in the U.S.,” writes Hiller.

WBUR reporter Solon Kelleher spotlights “List Projects 29” – the final show in a series at the MIT List Visual Arts Center that focuses on “collaborations between artists.” The show features work from Brittni Ann Harvey and Harry Gould Harvey IV. “The artists co-founded the Fall River Museum of Contemporary Art and share a vision for artist-led spaces and art that engages with the wider community,” writes Kelleher.

Chronicle of Higher Ed reporter Karin Fischer spotlights “A Brief Tender Light,” a documentary created by Arthur Musah '04, MEng '05 that follows four African undergraduates at MIT on their journey as international students studying and working in Boston. Musah’s “dream scenario is that such screenings could facilitate dialogue between groups represented in the documentary, such as international and African students, students of color, and gay and lesbian students,” writes Fischer.

Tech reporters Tina Zhang and Russel Ismael spotlight MIT’s Winterfest celebration, which brought the MIT community together to enjoy tasty treats and revelry. Graduate student Josh Marchant noted that the festivities were “a fun way to destress.” President Sally Kornbluth said that Winterfest is a “wonderful MIT tradition to mark the end of the fall semester and kick off the winter season by gathering with colleagues and friends for a well-deserved break.” Events like this, observed Kornbluth, “where we can be together as a community, are always important, but they are especially meaningful in difficult times.”
 

Boston Globe reporter Steve Annear spotlights MITHenge – a bi-annual occurrence where the sunset aligns with the Infinite Corridor. “A blast of orange sunlight spills through a window, lighting up the lengthy space with a warming glow,” explains Annear. “The phenomenon, which has amassed ‘a cult-like following,’ has been highly celebrated for years by both members of the school community and the public.”

In a cartoon for The Boston Globe, Sage Stossel spotlights how during the Cambridge Science Festival researchers from the MIT AgeLab spoke about their work during a special presentation at the Cambridge Senior Center. As part of an effort to spur innovations aimed at improving the quality of life for people in their later years, AgeLab researchers have “pursued an array of projects, from researching safer, more automated driving systems to collaborating on ‘smart home’ innovations for facilitating aging in place to the development of interactive robo-pets.”

“Brief Tender Light,” a documentary by Arthur Musah '04, MEng '05, spotlights four African-born MIT students and their experiences with adapting to the culture and challenges in and out of the classroom, reports Celina Colby for The Bay State Banner. “The story of international students, or specifically African students, in the U.S. hadn’t really been told,” says Musah. “Stats that I’ve learned more recently say there are about a million international students in any given year studying in the U.S., of which about 40,000 are African. That seems like a substantial portion of the fabric of American society.”

Holly Metcalf, head coach for the MIT women’s openweight rowing team, speaks with Esteban Bustillos of GBH News about the Survivor Rowing Network, a program aimed at introducing the sport of rowing to cancer survivors. Metcalf is coaching two boats from the Survivor Rowing in the 2023 Head of the Charles Regatta. “What I love about being here is students are visionary. And big world problems, they want to solve them. So maybe here at MIT one of my students may have an answer to getting rid of cancer,” she said. “That’s here. It’s all about finding answers through collaboration and that’s what rowing is, it’s a collaboration of mind, of body.”

MIT's Women's Rowing Coach Holly Metcalf speaks with CBS Boston about the Survivors Rowing Network, a team of breast cancer survivors who are rowing in the Head of the Charles Regatta. Metcalf, who is serving as the team’s coach, says that: "I am here to cheer them on. To see the strength and the trust that comes back for people who are surviving cancer. Trust in their bodies.” 

Arthur Musah '04, MEng '05 and graduate student Philip Abel Adama speak with WBUR host Tiziana Dearing about Musah’s documentary, “Brief Tender Light,” which follows the lives of four African-born MIT students, who “were driven to study in the U.S. and create change at home.” Musah explains, “I made this film because I felt having gone through the experience of studying in the U.S. and gone through a transformative experience, I felt that there were questions that were unanswered that I didn’t know I would have after the experience and so it was a way to go back and answer those questions or look for answers.” 

Boston Globe reporter Macie Parker spotlights the new John A. Volpe National Transportation Systems Center in Kendall Square, the first building to open in MIT’s redevelopment of the 14-acre Volpe site that will ultimately include “research labs, retail, affordable housing, and open space, with the goal of not only encouraging innovation, but also enhancing the surrounding community.” Parker highlights the green technology included in the new Volpe Center: solar panels; triple-paned glass; electric vehicle charging stations; a rainwater reclamation and reuse system; and green and cool roof technology to lower energy use. 

Arthur Musah '04, MEng '05 speaks with Boston Globe reporter Kajsa Kedefors about his new documentary, “Brief Tender Light,” which follows the lives of several African-born students from their first year at MIT through graduation and to their first jobs. Musah, “weaves in his own reflections in voice-overs throughout the film, exploring what it means to be an international African student at an elite American institution,” explains Kedefors. “He speaks to the pressure the students in the film share from back home: the idea that education is valuable and rare — that they should bring back what they learned to better the community.”