Creative collisions: Crossing the art-science divide
A collaboration between ACT and MIT.nano, the class 4.373/4.374 (Creating Art, Thinking Science) asks what it really takes to cultivate dialogue between disciplines.
Center for Art Science and Technology (CAST)
Faces of MIT: Lydia Brosnahan
The associate producer shares how arts initiatives bring different departments together in collaboration and community.
Illustrating India’s complex environmental crises
A CAST Visiting Artist project traces the history of cause and effect that have led India to its current crossroads.
Opening the doorway to drawing
In the new interdisciplinary course 21A.513 (Drawing Human Experience), students look within themselves for artistic inspiration.
Turning history of science into a comic adventure
Associate Professor Lydia Bourouiba and artist Argha Manna take readers through a series of discoveries in infectious disease.
The creative future of generative AI
An MIT panel charts how artificial intelligence will impact art and design.
Hearing Amazônia: MIT musicians in Manaus, Brazil
In a new documentary film, music’s storytelling power illuminates cultural and environmental sustainability in Brazil.
Re-imagining the opera of the future
The iconic sci-fi opera “VALIS,” first composed by Professor Tod Machover in 1987, reboots at MIT for a new generation.
MIT at the 2023 Venice Biennale
“The Laboratory of Change” is the theme for the 18th International Architecture Exhibition.
Communicating across time
TeleAbsence, a project from the MIT Media Lab, probes and imitates the way humans process feelings of belonging, love, and loss.
Q&A: A high-tech take on Wagner’s “Parsifal” opera
Director and MIT Professor Jay Scheib’s production, at the Bayreuth Festival in Germany, features an apocalyptic theme and augmented reality headsets for the audience.
Pamela Z: Singing the body electric
Combining digital technology with the human voice, Eugene McDermott Award in the Arts at MIT winner Pamela Z creates layered music from everyday life.
First-of-its-kind Indigenous immersive incubator gathers on MIT campus
Over the course of four days, Indigenous delegates collaborated on immersive technology with MIT community members.
Architectural heritage like you haven’t seen it before
“Ways of Seeing” project documents endangered Afghan heritage sites through digital imaging, virtual reality, and hand-drawn professional renderings.
Taking the long view: The Deep Time Project
Architecture students address the urgent need to reframe the relationship between design and time.