Re-imagining the opera of the future
The iconic sci-fi opera “VALIS,” first composed by Professor Tod Machover in 1987, reboots at MIT for a new generation.
The iconic sci-fi opera “VALIS,” first composed by Professor Tod Machover in 1987, reboots at MIT for a new generation.
“The Laboratory of Change” is the theme for the 18th International Architecture Exhibition.
TeleAbsence, a project from the MIT Media Lab, probes and imitates the way humans process feelings of belonging, love, and loss.
Director and MIT Professor Jay Scheib’s production, at the Bayreuth Festival in Germany, features an apocalyptic theme and augmented reality headsets for the audience.
Combining digital technology with the human voice, Eugene McDermott Award in the Arts at MIT winner Pamela Z creates layered music from everyday life.
Over the course of four days, Indigenous delegates collaborated on immersive technology with MIT community members.
“Ways of Seeing” project documents endangered Afghan heritage sites through digital imaging, virtual reality, and hand-drawn professional renderings.
Architecture students address the urgent need to reframe the relationship between design and time.
Frederick Harris Jr., MIT senior lecturer and creator of the It Must Be Now! initiative, reflects on music’s historic role in addressing racial issues.
Senior music lecturer Elena Ruehr turns Charles Babbage and Ada Lovelace, groundbreaking thinkers of modern computing, into crime fighters.
An MIT residency unlocks the dreamlike world of the dance-theater piece “The History of Empires.”
MIT professors collaborate at a whirlwind pace to create and stage a play inspired by advances in neurotechnology.
CAST Visiting Artist Andreas Refsgaard engages the MIT community in the ethics and play of creative coding.
A contemporary reinterpretation of an 18th century ballet reveals the fragility of orientalist fantasies.
Martin Luther King Jr. Visiting Professors and Scholars will enhance and enrich the MIT community through engagement with students and faculty.