The Andrew W. Mellon Foundation has awarded a grant of $157,000 to support the digitization and open accessibility of landmark out-of-print architecture and urban studies titles published by the MIT Press. By digitizing a cohesive set of classic architecture and urban studies texts from formative and influential moments in these fields, the MIT Press will be surfacing a significant set of works for discovery and research by the scholarly community.
“Bringing these out-of-print texts to the scholarly community and making them accessible to a wider public reflects their importance as intellectual resources and our mission to re-imagine university-based publishing,” says MIT Press Director Amy Brand. “The MIT Press has a longstanding commitment to architecture and urban studies, and we are honored to have The Andrew W. Mellon Foundation supporting this project under the Humanities Open Book Program.”
The award is jointly sponsored by the National Endowment for the Humanities (NEH) and the Mellon Foundation. It provides the MIT Press with a unique opportunity to digitize a collection of image-rich and intellectually prized architecture and urban studies titles with complex and costly third-party permissions requirements. Drawing from the expertise of an advisory board of editors, librarians, and scholars who will finalize the list of titles to be digitized, the MIT Press will also commission new forewords for these distinctive works.
Among the titles that the press will digitize are sought-after classics like Francoise Choay’s “The Rule and the Model: On the Theory of Architecture and Urbanism,” which bridges classical and Renaissance architecture with modern theory, and John Templer’s two-volume “The Staircase” — the first theoretical, historical, and scientific analysis of one of the most basic and universal building elements: the stair. The press will also make available works by or about leading figures in modern architecture, notably Donald Leslie Johnson’s “Frank Lloyd Wright vs. America: The 1930s,” an examination of a difficult but important decade in the life of the architect; “H.H. Richardson and His Office,” focused on the drawings of the architect by one of the leading Richardson historians; and Grant Hildebrand’s “Designing for Industry: The Architecture of Albert Kahn” and several of his important books on classical architecture, including “On Leon Battista Alberti: His Literary and Aesthetic Theories,” a study of a quintessential man of the Renaissance.
Bridging the MIT Press architecture list with the press’s focus on technology are two important works by professor of architecture and MIT Media Lab co-founder Nicholas Negroponte: “The Architecture Machine: Toward a More Human Environment,” and its companion “Soft Architecture Machines.” These long out-of-print books — which operate at the intersection of architecture, systems theory, and artificial intelligence — are early exemplars of the MIT Press’s interdisciplinary publishing program.
Once the project is complete, MIT Press intends to distribute a minimum of 25-30 titles under Creative Commons licenses via several channels, including its own institutional ebook platform.
“We are excited by the MIT Press’ vision to make these texts accessible. The press has an excellent list of titles in architectural theory, landscape architecture building on the legacy of Frederick Law Olmstead, and urban studies and planning, to name a few of their strengths,” says Anna Boutin-Cooper, MIT’s librarian for the School of Architecture and Planning and an advisory board member on the project. “The project’s focus on titles of the greatest importance and highest quality in architecture and urban studies, and the fact that image-rich materials will be prominent in this project, is a highly anticipated moment for scholars and students.”