Jordan Graham of the Boston Herald writes that the Open Music Initiative - a new collaboration between MIT, Berklee College of Music, and the music industry - will create a new standard method of calculating and tracking how artists, rights holders, music labels, and distributors get paid in the internet era.
Andrea Shea reports for WBUR that researchers from the MIT Media Lab and the Berklee College of Music have started a new initiative aimed at tackling ownership, licensing and distribution rights within the music industry. Shea explains that the initiative is focused on “laying the groundwork for a shared, open database of ownership rights.”
Boston Globe reporter David Weininger writes about “Persona,” a new opera by Prof. Jay Scheib and Prof. Keeril Makan, based on a 1966 Ingmar Bergman film. The opera is staged as if the action is being filmed, which allows viewers to be “more involved with what’s happening than I think they’re expecting,” explains Makan.
A study by MIT researchers illustrates how the brain responds to music, writes Jill Suttie for The Huffington Post. "You want to know what is it about bluegrass music that makes it sound like bluegrass? We think that finding this neural population will help us to answer that question going forward,” explains postdoc Sam Norman-Haignere.
New York Times reporter Natalie Angier writes that MIT researchers have identified regions of the brain that react to music. “Why do we have music? Why do we enjoy it so much and want to dance when we hear it?” says Prof. Nancy Kanwisher. “These are the really cool first-order questions we can begin to address.”
Natalie Angier of The New York Times chronicles her experience having her brain scanned as part of an MIT experiment that reveled the pathways in the brain that respond to music. Angier writes that, “the neuroscience of music is just getting started, and our brains can’t help but stay tuned.”
Prof. Evan Ziporyn organized and conducted a tribute concert in honor of David Bowie. Boston Globe writer Matthew Guerrieri described the concert as “heartfelt, celebratory, just freewheeling enough.”
Prof. Tod Machover writes about the work of French composer Pierre Boulez, who died January 5, in an article for The Wall Street Journal. “[Boulez] has left a legacy as a bold fighter for the seriousness, sophistication and transformative power of music at a moment when we have often forgotten how…to really listen,” writes Machover.
MIT researchers have identified the region of the brain that perceives music, reports Emily Reynolds for Wired. The researchers found that one area of the brain “responded most to music, another to speech, and the other four to different acoustic properties such as pitch and frequency.”
In this AP TV video, Prof. Tod Machover discusses the development of his latest work, “Symphony in D,” a piece about the city of Detroit. “I really wanted it to be a portrait of the city so I invited everybody in the city, anybody who wanted to, to collaborate,” says Machover.
AP reporter Mike Householder writes about Prof. Tod Machover’s “Symphony in D,” which features the sounds of everyday Detroit. "It somehow sounds like something that could only have been done here. And that makes me really happy," says Machover.
The New York Times’ Zachary Woolfe writes about Prof. Tod Machover’s work “Symphony in D,” the latest in his series of city symphonies. Woolfe writes that the piece is “an explosion of energy, found sounds, live-music snippets and reminiscences featuring spoken and played interpolations from a range of Detroit artists.”
In an article for WBUR, Amelia Mason highlights the top musicians to see at the Outside the Box Festival, highlighting MIT’s Gamelan Galak Tika ensemble. Mason writes that the ensemble “infuses traditional Balinese gamelan music with experimental and modern classical sounds.”
Boston Magazine reporter Paul Albani-Burgio speaks with two of MIT’s newest Institute Professors, Sally “Penny” Chisholm and Marcus Thompson. Chisholm says that one of the most rewarding aspects of her job is working with MIT students. “They’re just a constant source of renewal and excitement,” she explains.
Shaula Clark writes for Boston Magazine about how members of the MIT Glass Band, an offshoot of the MIT Glass Lab, hand-blow glass instruments that "can be used to make a dizzying array of strange and ethereal sounds. Assembled, the band comes off like an orchestra from an alien planet.” The article features images and a video about the Glass Band.