MIT Museum

Designboom reporter Kat Barandy spotlights how a new video “traces the technical process behind ‘Remembering the Future,’ the woven work by Janet Echelman at the MIT Museum.” The piece, which was developed during Echelman’s MIT Center for Art, Science and Technology (CAST) residency in collaboration with Prof. Caitlin Mueller, “uses braided fibers to translate climate data into a suspended artwork.” The MIT Museum operates, in the words of Museum Director Michael John Gorman, as “a playground for ideas, as a living lab.”  

Florencia Pierri, associate curator of Science and Technology at the MIT Museum, speaks with NPR’s All Things Considered host Andrea Shea about the 150^th anniversary of the world’s first telephone call. Alexander Graham Bell, the inventor of the telephone, “didn’t set out to create a telephone,” explains Pierri. “He set out to create a better telegraph. But still had this idea of, like, ‘wouldn’t it be cool if I could talk to somebody, even if I wasn’t right there in the room with them?’”

Vogue editor Lisa Wong Macabasco spotlights “Lighten Up! On Biology and Time,” a new exhibit at the MIT Museum that “traces the rhythms of life itself: circadian patterns, light’s command over the body, and the delicate architecture of alertness and rest.” The exhibit features “18 works that blend science and art, from immersive soundscapes to visualizations of circadian patterns and reflective spaces where you observe your own heartbeat and alertness in new ways,” explains Macabasco. 

Boston Globe reporter Annie Sarlin spotlights the MIT Museum’s digital collection “dedicated to the life and work of Harold ‘Doc’ Edgerton.” The collection is available for viewing online and “includes digitized copies of his notebooks, historical photographs, and informational text and videos about his industry-shaping role in the evolution of high-speed, flash photography,” explains Sarlin. 

Boston Globe reporters Patricia Harris and David Lyon highlight their recent visits to the MIT Museum, List Visual Arts Center, and the Hart Nautical Gallery. “We always feel at least marginally smarter after a day in the galleries at MIT,” they write. “Setting aside high-school anxieties about an upcoming science lab, it turns out that many of the exhibits are engagingly interactive and — dare we say it — even fun.” 

“In Event of Moon Disaster,” a short deepfake film on display at the MIT Museum’s “AI: Mind the Gap” exhibit depicts an alternate reality where the Apollo 11 mission ended in disaster, reports Mark Feeney for The Boston Globe. The “unnervingly realistic deepfake” depicts President Richard Nixon addressing the nation regarding the failed mission. The film “manages to be both frightening, in showing how convincing deepfakes can be, and, however paradoxically, inspiring,” writes Feeney. 

Aesthetica Magazine reporter Eleanor Sutherland spotlights “Freezing Time,” a new exhibit at the MIT Museum featuring the work of Harold “Doc” Edgerton, a “pioneer of high-speed imaging who made it possible to see what the human eye cannot.” This is “the first exhibition to really interrogate Edgerton’s experimental journey in developing his innovative image-making processes,” says Michael John Gorman, director of the MIT Museum. 

"No photographer so clearly, or memorably, demonstrated the relationship between time and technology as did Harold ‘Doc' Edgerton,” writes Boston Globe reporter Mark Feeney. "The stroboscopic cameras he developed...could register almost-infinitesimal gradations of motion.” A new exhibit at the MIT Museum called “Freezing Time: Edgerton and the Beauty of the Machine Age,” showcases the breadth of Edgerton’s work, featuring “20 Edgerton photographs, some later works by others inspired by his example, a dozen pages from his notebooks, a selection of his photographic equipment."

Surface reporter David Graver highlights “Lighten Up! On Biology and Time,” an MIT Museum exhibit exploring the “connection between living creatures and circadian rhythm through 18 contemporary artworks and experiential environments.” "The ‘Lighten Up!’ exhibition begins with awakening and ends with sleep,” says MIT Museum Director Michael John Gorman. “It is a whole-body experience and rewards those who take the time to linger.” 

GBH reporter Renuka Balakrishnan spotlights “True or False,” a game featured in the MIT Museum’s “AI: Mind the Gap” exhibit, which invites visitors to guess the difference between a real and deepfake video. The exhibit “provides tips visitors can use outside the walls of the museum to improve media literacy in real life,” writes Balakrishnan. 

The MIT Museum is hosting its latest After Dark event on January 8 with a new program called “Making Time,” reports Shira Laucharoen for WBUR. The evening’s activities “will explore what it means to slow down,” writes Laucharoen. “Activities include collaborating with others on a rag rug-making project and practicing yoga and meditation with MIT’s Yes Plus Club.” 

“Made to Measure,” a permanent exhibit at the MIT Museum, offers visitors a peek at the science of measurement, showcasing instruments that have been central to scientific research and discovery at MIT and beyond, reports Mark Feeney for The Boston Globe. The exhibit’s displays explore strength, temperature, length and more. The "How Far?" display “includes a taffrail log (used by sailors to measure distance), pedometers, a surveyor’s tape, a transit theodolite, several rulers, and a Smoot bar," Feeney explains, “a unit of measurement based on the height of MIT undergraduate Oliver Smoot.” 

Boston Globe reporter Kelly Broder spotlights the opening of “Lighten Up! On Biology and Time,” a new exhibit at the MIT Museum. The exhibit features “eighteen immersive pieces [that] will explore the relationship between living organisms and the natural cycle of light and dark,” explains Broder. 

New York Times reporter Annabel Keenan highlights the “Remembering the Future” exhibit at the MIT Museum, a sculptural installation created by Janet Echelman that uses “climate data from the last ice age to the present, as well as projected future environments, to create a geometric design.” Echelman worked with MIT faculty, including Prof. Raffaele Ferrari and Prof. Caitlin Mueller, to bring the project to life. Mueller explains that she developed a “high-fidelity digital twin of the sculpture generated through our computational simulation that you can orbit and pan through to get perspectives that you can’t see physically in the space.” 

The MIT Museum presents “Remembering the Future,” a new installation by artist Janet Echelman in collaboration with Prof. Caitlin Mueller, reports Kat Barandy for DesignBoom. The installation suspends above the museum’s grand lobby and will be open to the public through fall 2027. “The work transforms climate data into a three-dimensional form that invites visitors to engage both visually and conceptually,” Barandy explains.