On October 8, the MIT Museum is hosting a “Techno, Art, and Music Robots talk with artist and engineer Moritz Simon Geist,” reports The Boston Globe. The talk will focus on “the intersection of music and robotics,” writes The Boston Globe.
The MIT Museum is hosting “Game On!” – a free event aimed at providing gamers of all ages an opportunity to “face off against a robot in Connect 4, pick up skills from Doom-playing bacteria, see if a hacked oscilloscope can hit a 30-note streak on Guitar Hero,” and more, reports Emily Wyrwa for The Boston Globe. The event, which is part of the Cambridge Science Festival, will be held on September 26, 2024.
WBUR’s Erin Trahan highlights how the MIT Museum will be presenting selections from the Woods Hole Film Festival with “monthly titles that broadly encompass ‘science on screen.’” Trahan notes that on “Oct. 26, the MIT Glass Lab co-presents a documentary about a master Italian glass blower, ‘Sono Lino.’ Erik Demaine, MIT professor of computer science, and Peter Houk, MIT instructor and artistic director of the Glass Lab, will introduce the film.”
WHDH reporter Polikseni Manxhari spotlights the Kendall Square “Rollerama,” an outdoor roller-skating rink created by MIT. The rink “offers free skate rentals, free lessons, live music, vendors, concessions and more,” explains Manxhari. “It’s not just a roller skating rink,” says Kathryn Brown, director of real estate at MIT’s Investment Management Company. “There’s a lot of people that come into this space and enjoy just the music and being outdoors.”
WBZ NewsRadio’s Emma Friedman visits Rollerama, a free, outdoor pop-up roller skating rink that’s “all about bringing the community together and having fun in the space.” Now open for the summer in Cambridge's Kendall Square, Friedman reports that Rollerama at Kendall Common was put together by MIT's real estate group to bring the community to the newly-acquired space on the corner of Broadway and Third Street. “It’s been such a hit,” exclaims Sarah Gallop, director of government and community relations. "Over the last decade, MIT's been focused on bringing increased vibrancy to Kendall Square."
Boston Globe reporter Mark Feeney spotlights “Drawing After Modernism,” a new exhibit at the MIT Museum that showcases various architectural sketches in different mediums. “There are some 50 items on display, not just artworks but also colored pencils, an airbrush, and exhibition cards for a 1977 exhibition at New York’s Leo Castelli gallery,” explains Feeney. “The MIT show is pretty much an ideal size: small enough for a visitor to comfortably take everything in, big enough to be varied and wide-ranging.”
Boston Globe reporter Malcolm Gay spotlights the “AI: Mind the Gap” exhibition at the MIT Museum, “which explores the social, cultural, and political implications of deepfakes and other forms of generative AI.” The exhibit is “meant to address the idea that technology can manipulate what we perceive as true or false,” said Lindsay Bartholomew, exhibit content and experience developer for the MIT Museum. “But you also need to appreciate what you can do as a human, you have some agency here.”
Boston.com reporters Zipporah Osei, Alex Svenson, Annie Jonas, and Kristina DaPonte spotlight the MIT Press Bookstore in their guide to independent bookstores in the Greater Boston area. “In the heart of Kendall Square, MIT Press Bookstore is ‘one of the only retail bookstores owned and operated by a university press,’” they write. “Part of the MIT Kendall Gateway, you’ll also find the MIT Museum, which ‘seeks to demystify some of the school’s opaque inner workings.’”
Research Scientist Robert Ajemian, graduate student Greta Tuckute and MIT Museum Exhibit Content and Experience Developer Lindsay Bartholomew appear on The Economist’s Babbage podcast to discuss the development of generative AI. “The way that current AI works, whether it is object recognition or large language models, it’s trained on tons and tons and tons of data and what it’s essentially doing is comparing something it’s seen before to something it’s seeing now,” says Ajemian.
Boston Globe reporter Malcom Gay writes that Michael John Gorman, “a museum professional who has created and run several organizations devoted to science and the arts,” has been named the next director of the MIT Museum. At the MIT Museum, "Gorman inherits a dynamic new cultural venue replete with gallery space, forum areas, learning labs, a public maker hub, and collection of some 1.5 million objects,” Gay writes.
Keelin Caldwell, director of engagement for the MIT Museum, speaks with GBH host Jared Bowen about the MIT Museum’s After Dark series, including their upcoming event, “Beyond The Fold,” which will allow participants to explore the art and science of folding. Caldwell explains that the After Dark series happens monthly, noting “there is always a different theme, and that theme is an opportunity to both narrow in but stay broad, and we really try to have activities that appeal to a lot of different people.”
Chronicle visits the new MIT Museum, highlighting a number of exhibits, including one exploring the research behind the hunt for gravitational waves and another that examines the impacts humans are having on the environment. “We try to be a window, going both ways, between MIT and the rest of the public,” explains Prof. John Durant, director of the MIT Museum. “We’re also trying to get people to have a glimpse of how a world-class research institution actually works.”
PBS host Jared Bowen highlights the scientific advancements on display at the MIT Museum. “We’re here to turn MIT inside out,” says Prof. John Durant, director of the MIT Museum. “We want people to understand what contemporary research and innovation are all about and what they mean for everyday life.”
A new exhibit at the MIT Museum, “To Look and Learn: The Creative Photography Laboratory at MIT,” documents a “varied and vital visual era” at MIT," writes Mark Feeney for The Boston Globe. One legacy of MIT’s Creative Photography Laboratory is “the tradition of rewarding photography shows at the MIT Museum," Feeney notes. "'To Look and Learn' is the latest example.”
Fast Company reporter Nate Berg spotlights the grand opening of the redesigned MIT Museum. “Braiding the science and the art together, I think it places the science into the context that it is part of our culture and our lives, it’s not a white tower experience,” says Ann Neumann, director of exhibitions and galleries at the museum.