Boston Globe reporter Annie Sarlin spotlights the MIT Museum’s digital collection “dedicated to the life and work of Harold ‘Doc’ Edgerton.” The collection is available for viewing online and “includes digitized copies of his notebooks, historical photographs, and informational text and videos about his industry-shaping role in the evolution of high-speed, flash photography,” explains Sarlin.
Boston Globe reporters Patricia Harris and David Lyon highlight their recent visits to the MIT Museum, List Visual Arts Center, and the Hart Nautical Gallery. “We always feel at least marginally smarter after a day in the galleries at MIT,” they write. “Setting aside high-school anxieties about an upcoming science lab, it turns out that many of the exhibits are engagingly interactive and — dare we say it — even fun.”
“In Event of Moon Disaster,” a short deepfake film on display at the MIT Museum’s “AI: Mind the Gap” exhibit depicts an alternate reality where the Apollo 11 mission ended in disaster, reports Mark Feeney for The Boston Globe. The “unnervingly realistic deepfake” depicts President Richard Nixon addressing the nation regarding the failed mission. The film “manages to be both frightening, in showing how convincing deepfakes can be, and, however paradoxically, inspiring,” writes Feeney.
"No photographer so clearly, or memorably, demonstrated the relationship between time and technology as did Harold ‘Doc' Edgerton,” writes Boston Globe reporter Mark Feeney. "The stroboscopic cameras he developed...could register almost-infinitesimal gradations of motion.” A new exhibit at the MIT Museum called “Freezing Time: Edgerton and the Beauty of the Machine Age,” showcases the breadth of Edgerton’s work, featuring “20 Edgerton photographs, some later works by others inspired by his example, a dozen pages from his notebooks, a selection of his photographic equipment."
Surface reporter David Graver highlights “Lighten Up! On Biology and Time,” an MIT Museum exhibit exploring the “connection between living creatures and circadian rhythm through 18 contemporary artworks and experiential environments.” "The ‘Lighten Up!’ exhibition begins with awakening and ends with sleep,” says MIT Museum Director Michael John Gorman. “It is a whole-body experience and rewards those who take the time to linger.”
GBH reporter Renuka Balakrishnan spotlights “True or False,” a game featured in the MIT Museum’s “AI: Mind the Gap” exhibit, which invites visitors to guess the difference between a real and deepfake video. The exhibit “provides tips visitors can use outside the walls of the museum to improve media literacy in real life,” writes Balakrishnan.
The MIT Museum is hosting its latest After Dark event on January 8 with a new program called “Making Time,” reports Shira Laucharoen for WBUR. The evening’s activities “will explore what it means to slow down,” writes Laucharoen. “Activities include collaborating with others on a rag rug-making project and practicing yoga and meditation with MIT’s Yes Plus Club.”
“Made to Measure,” a permanent exhibit at the MIT Museum, offers visitors a peek at the science of measurement, showcasing instruments that have been central to scientific research and discovery at MIT and beyond, reports Mark Feeney for The Boston Globe. The exhibit’s displays explore strength, temperature, length and more. The "How Far?" display “includes a taffrail log (used by sailors to measure distance), pedometers, a surveyor’s tape, a transit theodolite, several rulers, and a Smoot bar," Feeney explains, “a unit of measurement based on the height of MIT undergraduate Oliver Smoot.”
Boston Globe reporter Kelly Broder spotlights the opening of “Lighten Up! On Biology and Time,” a new exhibit at the MIT Museum. The exhibit features “eighteen immersive pieces [that] will explore the relationship between living organisms and the natural cycle of light and dark,” explains Broder.
New York Times reporter Annabel Keenan highlights the “Remembering the Future” exhibit at the MIT Museum, a sculptural installation created by Janet Echelman that uses “climate data from the last ice age to the present, as well as projected future environments, to create a geometric design.” Echelman worked with MIT faculty, including Prof. Raffaele Ferrari and Prof. Caitlin Mueller, to bring the project to life. Mueller explains that she developed a “high-fidelity digital twin of the sculpture generated through our computational simulation that you can orbit and pan through to get perspectives that you can’t see physically in the space.”
The MIT Museum presents “Remembering the Future,” a new installation by artist Janet Echelman in collaboration with Prof. Caitlin Mueller, reports Kat Barandy for DesignBoom. The installation suspends above the museum’s grand lobby and will be open to the public through fall 2027. “The work transforms climate data into a three-dimensional form that invites visitors to engage both visually and conceptually,” Barandy explains.
Fast Company reporter Elizabeth Segran spotlights “Remembering the Future,” a sculpture on display at the MIT Museum. The piece was created by artist Janet Echelman and “inspired by climate data guided scientists at MIT,” writes Segran. “The sculpture is “made from thousands of feet of plastic twine falls from the ceiling. Each strand of fiber represents the temperature of the planet over a period of time and the color signifies how hot it is, with blue and greens reflecting cooler climates than the reds and oranges. The sculpture goes all the way back to the ice age, but the most thought provoking part is our current moment, represented by a single yellow piece of twine. It then spreads out into a broad web that represents future centuries: Based on how we act right now, the future could look shockingly red or a calmer blue.”
At the 18th annual Cambridge Science Carnival, attendees were able to visit a Robot Petting Zoo, find DNA in a strawberry, explore how satellites work, and discover how to give trash a second life, reports Kyle Bray for WBZ NewsRadio. “Sometimes people think that science is very removed and abstract and hidden behind closed doors of labs. At an event like this, you can see actually the human face of science; these are people like you and me, they may well be your neighbors, and they are making discoveries that can benefit people across the world,” explains MIT Museum Director Michael John Gorman.
The MIT Museum will kickstart their “Time Travel on Screen” movie screening series on September 26 with an outdoor showing of the 1979 sci-fi film, “Time After Time,” reports Ryan Yau for The Boston Globe.
The Cambridge Science Carnival, founded by the MIT Museum, will take place on September 21, 2025, in the Kendall/MIT Open Space, reports The Boston Globe. The event features “more than 100 booths with science and art based activities and demonstrations,” writes The Boston Globe. From a STEAM-themed playground to “live, interactive music from the MIT physics departments,” kids are welcome to play, learn and enjoy.