Boston Globe reporter Mark Feeney spotlights “Freezing Time: Edgerton and the Beauty of the Machine Age,” a new exhibit on display at the MIT Museum highlighting the late Prof. Harold “Doc” Edgerton's photography. The show features “55 items… and manages to cover a lot of ground: 20 Edgerton photographs, some later works by others inspired by his example, a dozen pages from his notebooks, a selection of his photographic equipment,” writes Feeney.
Surface reporter David Graver highlights “Lighten Up! On Biology and Time,” an MIT Museum exhibit exploring the “connection between living creatures and circadian rhythm through 18 contemporary artworks and experiential environments.” "The ‘Lighten Up!’ exhibition begins with awakening and ends with sleep,” says MIT Museum Director Michael John Gorman. “It is a whole-body experience and rewards those who take the time to linger.”
GBH reporter Renuka Balakrishnan spotlights “True or False,” a game featured in the MIT Museum’s “AI: Mind the Gap” exhibit, which invites visitors to guess the difference between a real and deepfake video. The exhibit “provides tips visitors can use outside the walls of the museum to improve media literacy in real life,” writes Balakrishnan.
The MIT Museum is hosting its latest After Dark event on January 8 with a new program called “Making Time,” reports Shira Laucharoen for WBUR. The evening’s activities “will explore what it means to slow down,” writes Laucharoen. “Activities include collaborating with others on a rag rug-making project and practicing yoga and meditation with MIT’s Yes Plus Club.”
“Made to Measure,” a permanent exhibit at the MIT Museum, offers visitors a peek at the science of measurement, showcasing instruments that have been central to scientific research and discovery at MIT and beyond, reports Mark Feeney for The Boston Globe. The exhibit’s displays explore strength, temperature, length and more. The "How Far?" display “includes a taffrail log (used by sailors to measure distance), pedometers, a surveyor’s tape, a transit theodolite, several rulers, and a Smoot bar," Feeney explains, “a unit of measurement based on the height of MIT undergraduate Oliver Smoot.”
Boston Globe reporter Kelly Broder spotlights the opening of “Lighten Up! On Biology and Time,” a new exhibit at the MIT Museum. The exhibit features “eighteen immersive pieces [that] will explore the relationship between living organisms and the natural cycle of light and dark,” explains Broder.
New York Times reporter Annabel Keenan highlights the “Remembering the Future” exhibit at the MIT Museum, a sculptural installation created by Janet Echelman that uses “climate data from the last ice age to the present, as well as projected future environments, to create a geometric design.” Echelman worked with MIT faculty, including Prof. Raffaele Ferrari and Prof. Caitlin Mueller, to bring the project to life. Mueller explains that she developed a “high-fidelity digital twin of the sculpture generated through our computational simulation that you can orbit and pan through to get perspectives that you can’t see physically in the space.”
The MIT Museum presents “Remembering the Future,” a new installation by artist Janet Echelman in collaboration with Prof. Caitlin Mueller, reports Kat Barandy for DesignBoom. The installation suspends above the museum’s grand lobby and will be open to the public through fall 2027. “The work transforms climate data into a three-dimensional form that invites visitors to engage both visually and conceptually,” Barandy explains.
Fast Company reporter Elizabeth Segran spotlights “Remembering the Future,” a sculpture on display at the MIT Museum. The piece was created by artist Janet Echelman and “inspired by climate data guided scientists at MIT,” writes Segran. “The sculpture is “made from thousands of feet of plastic twine falls from the ceiling. Each strand of fiber represents the temperature of the planet over a period of time and the color signifies how hot it is, with blue and greens reflecting cooler climates than the reds and oranges. The sculpture goes all the way back to the ice age, but the most thought provoking part is our current moment, represented by a single yellow piece of twine. It then spreads out into a broad web that represents future centuries: Based on how we act right now, the future could look shockingly red or a calmer blue.”
At the 18th annual Cambridge Science Carnival, attendees were able to visit a Robot Petting Zoo, find DNA in a strawberry, explore how satellites work, and discover how to give trash a second life, reports Kyle Bray for WBZ NewsRadio. “Sometimes people think that science is very removed and abstract and hidden behind closed doors of labs. At an event like this, you can see actually the human face of science; these are people like you and me, they may well be your neighbors, and they are making discoveries that can benefit people across the world,” explains MIT Museum Director Michael John Gorman.
The MIT Museum will kickstart their “Time Travel on Screen” movie screening series on September 26 with an outdoor showing of the 1979 sci-fi film, “Time After Time,” reports Ryan Yau for The Boston Globe.
The Cambridge Science Carnival, founded by the MIT Museum, will take place on September 21, 2025, in the Kendall/MIT Open Space, reports The Boston Globe. The event features “more than 100 booths with science and art based activities and demonstrations,” writes The Boston Globe. From a STEAM-themed playground to “live, interactive music from the MIT physics departments,” kids are welcome to play, learn and enjoy.
On Tuesday, May 6, the MIT Museum is hosting “Seeing and Understanding the Unknown,” a panel discussion to celebrate the opening of their latest exhibit, “Monsters of the Deep,” reports Adelaide Parker for The Boston Globe. “MIT physicists and curators will guide you through centuries of scientists’ work picturing the unseen — from 16th-century zoologists exploring life underwater to modern physicists modeling black holes,” explains Parker.
Boston Globe reporter Mark Feeney spotlights“Monsters of the Deep: Between Imagination and Science,” a new exhibit at the MIT Museum that offers “views of whales and related sea creatures, monstrous and otherwise, afforded by more than 40 maps and prints and books, some dating to the 16th century.” Feeney notes that the exhibit dives into the “conceptual and stimulating: a kind of case study in the nature of our knowledge about nature. In this particular case, that natural knowledge concerns whales.”
As part of MIT’s Artfinity festival - a new festival of the arts at MIT featuring 80 free performing and visual arts events, celebrating creativity and community – this month’s After Dark event on Thursday, March 13th at the MIT Museum will be free and open to the public, reports Marianna Orozco for The Boston Globe. Attendees will be able to enjoy “a night of activities, including a ‘Flash Portrait’ drawing and textile design, as well as live DJ sets, open exhibits by faculty, and a talk from Behnaz Farahi, the interdisciplinary designer behind ‘Gaze to the Stars,’ which has brought the MIT dome to life,” explains Orozco.