New York Times reporter Hilarie Sheets spotlights Paul Ha, director of the List Visual Arts Center, and his successful efforts to increase awareness of the arts at MIT. Associate Provost Philip Khoury says that Ha has been “getting students and faculty over to the List and building up its reputation.”
The Boston Globe reports that the MIT List Visual Arts Center has received a gift of $200,000 from the Helen Frankenthaler Foundation to support Joan Jonas’ presentation at the Venice Biennale. Jonas is developing a new multimedia installation for the Biennale incorporating video, drawings, objects and sounds.
Kevin Hartnett writes for The Boston Globe about “Drawing Apart,” a new exhibition on display at the MIT List Visual Arts Center. The exhibit “deals with the fragmented way distant yet familiar places live on in our imaginations,” explains Hartnett.
Boston Globe reporter Cate McQuaid writes about the growing popularity of performance art at Boston-area museums, highlighting the MIT List Visual Arts Center’s long tradition of presenting the medium. “But the List, at an institution as forward-thinking as MIT, is exceptional,” writes McQuaid.
Matthew Guerrieri of The Boston Globe writes about “Open Tunings,” a three-month project at the MIT List Visual Arts Center to “explore the various ways in which the ephemeral forms of sound and performance can inhabit the exhibition space.”
In a piece for The Guardian, Charles Darwent looks back at the life and work of Professor Emeritus Otto Peine, the former director of the MIT Center for Advanced Visual Studies. Peine, who died last week in Berlin at the age of 86, was one of the pioneers of the ‘Zero’ art movement in postwar Germany.
Cate McQuaid of The Boston Globe writes about artist Sergei Tcherepnin’s multi-sensory installation at the MIT List Visual Arts Center. The exhibit features copper sculptures that emit sound and can be interacted with.
The exhibit “features work by an international array of artists who apply such critical awareness to their art and their place in society that they keep stepping away, to reappraise and to escape labels and easy reads,” writes Cate McQuaid of the “9 Artists” exhibit at the MIT List Visual Arts Center.
“The MIT List Visual Arts Center threw a party Wednesday for artist Joan Jonas, who was chosen recently to represent the United States in its national pavilion at the Venice Biennale,” write Mark Shanahan and Meredith Goldstein for The Boston Globe.
“On Wednesday, Jonas was announced as the artist who will officially represent the United States in its national pavilion at the Venice Biennale,” writes Sebastian Smee of The Boston Globe on Professor Joan Jonas’ selection for the prestigious art exhibition, which is widely regarded as the world’s most important exhibition of contemporary art.
“Artist and MIT professor emerita Joan Jonas, 77, has been chosen to represent the United States at the 56th Venice Biennale, the world’s most prestigious exhibition of contemporary art,” writes Sebastian Smee of The Boston Globe. Jonas is considered a pioneer in performance and video art.
New York Times reporter Carol Vogel writes that Professor Emerita Joan Jonas has been selected to represent the United States at the 2015 Venice Biennale. Paul C. Ha, director of the MIT List Visual Arts Center, nominated Jonas and will serve as commissioner of the exhibit.