In an article for The Atlantic about college museums, Jacoba Urist highlights MIT’s List Visual Arts Center as an example of a campus art institution that also serves as an experimental museum. Urist writes that the List "considers itself a research lab, engaged in a form of scientific inquiry."
Boston Globe reporter Sebastian Smee writes about Edgar Arceneaux’s new exhibit “Written in Smoke and Fire,” which is currently on display at the MIT List Visual Arts Center. Smee writes that Arceneaux’s installation “'Until, Until, Until. . .’ is a brilliant work.”
In a New York Times travel guide to Cambridge, Mass., Ethan Gilsdorf recommends that visitors explore the MIT campus, spotlighting the Ray and Maria Stata Center, the List Visual Arts Center and MIT’s collection of outdoor art. He also writes that “to study Cambridge’s innovative, D.I.Y. spirit, look no further than the MIT Museum.”
A Boston Magazine article highlighting 47 art exhibits this fall features the Edgar Arcenaux Exhibit at the List Visual Arts Center. The exhibit combines three Arcenaux installations that use “books by well-known black thinkers to construct a hybrid of catacomb and maze.” The exhibit is on display from October 14 until January 8, 2017.
Sebastian Smee writes for The Boston Globe about a new exhibit of work by Ethan Hayes-Chute on display at the MIT List Visual Arts Center. “The whole installation is a delight — witty, full of subtle details, uncanny,” writes Smee.
Sebastian Smee reviews Tala Madani’s show “First Light,” which is currently on display at the List Visual Arts Center. “This is a genuinely — and intelligently — provocative show,” writes Smee. “It is no surprise to me that it has been staged by the List Visual Arts Center.”
In a roundup of art exhibits to see this spring, WBUR reporter Greg Cook highlights an exhibition of Tala Madani’s work that will be on display at the MIT List Visual Arts Center starting May 20th. Cook writes that, “he Tehran-born, Los Angeles-based artist’s paintings, drawings and stop-motion animations often feel like political cartoons.”
Boston Globe reporter Cate McQuaid writes about a new exhibit at the MIT List Visual Arts Center that examines email spam. “Hadjithomas and Joreige, artist-filmmakers based in Lebanon, focus on the unseen and unexplored. E-mail scams fit the bill,” writes McQuaid. “The artists have been collecting them since the late 1990s, and have now archived and deconstructed more than 4,000.”
Writing for The Boston Globe, Sebastian Smee writes that 2015 “was a banner year for great artists and curators who just happened to be women.” In his article, Smee highlights the work of Prof. Emeritus Joan Jonas, who represented the U.S. at the Venice Biennale this year.
“MIT professor emerita Joan Jonas, who represented the United States at the Venice Biennale, has been named the next visual arts mentor for the Rolex Mentor and Protégé Arts Initiative,” writes Meredith Goldstein for The Boston Globe. Jonas was named to the initiative along with five other artists.
Sebastian Smee reviews Rosa Barba’s new “brilliant new show” at the List Visual Arts Center for The Boston Globe. Smee writes that the exhibit is, “terrifically satisfying to eye, ear, mind, and heart.”
Conceptual artist Lawrence Weiner has been commissioned in part by the MIT List Visual Arts Center to create a mural at Dewey Square Park, writes Malcolm Gay for The Boston Globe. “We hope that the viewers in Boston take away their own individual reading of the mural after seeing it,” said List director Paul Ha.
The Rose Kennedy Greenway Conservancy, in partnership with MIT List Visual Arts Center, announced that conceptual artist Lawrence Weiner has been commissioned to paint the Greenway’s fourth temporary mural, reports Olga Khvan for Boston Magazine. “[Weiner] is known for his typographic works, such as his 2008 ‘Dead Center’ installation at MIT,” Khvan explains.
Casey Quackenbush reviews MIT visiting artist Anicka Yi’s new olfactory exhibition ‘Aliens and Alzheimers’ for The New York Observer. "Her exhibit is supposed to challenge the way we overlook our sense of smell in favor of taste and sight," writes Quackenbush.
Boston Globe reporter Eryn Carlson writes about MIT visiting artist Anicka Yi’s exhibition, “6,070,430K of Digital Spit,” on display at the List Visual Arts Center. Yi explains that she wants the exhibit, “to be a totally encompassing experience, engaging the senses of taste, sight, smell, hearing.”