Melik Kaylan writes for The Wall Street Journal about “Syria: A Living History,” an exhibit curated by Prof. Nasser Rabbat. Kaylan writes that the exhibit is “a poignant, cathartic show. The visitor can’t help feeling awe and veneration for the immortal works of art mixed with a bittersweet sense of what humans are capable of—at their best and worst.”
Prof. Nasser Rabbat curated an exhibit at the Aga Khan Museum in Toronto showcasing Syria’s legacy and important contributions to world heritage, reports Nigel Hunt for CBC News. Prof. Rabbat hopes the exhibit will “weave from the history of Syria a glimmer of hope for the future.”
Paola Cigui highlights how the MIT Museum offers free admission on the last Sunday of the month, from September through June, in Boston Magazine’s list of free things to in Boston. “Take a look at some of their current exhibitions involving photography, artificial intelligence, holography, and many other scientific fields,” Cigui suggests.
A Boston Magazine article highlighting 47 art exhibits this fall features the Edgar Arcenaux Exhibit at the List Visual Arts Center. The exhibit combines three Arcenaux installations that use “books by well-known black thinkers to construct a hybrid of catacomb and maze.” The exhibit is on display from October 14 until January 8, 2017.
Sebastian Smee writes for The Boston Globe about a new exhibit of work by Ethan Hayes-Chute on display at the MIT List Visual Arts Center. “The whole installation is a delight — witty, full of subtle details, uncanny,” writes Smee.
WBUR’s Will Sullivan spoke with Research Scientist Felice Frankel about the new MIT Museum exhibit on science photography, which features images by Frankel, the late MIT Prof. Harold "Doc" Edgerton and Berenice Abbott. Frankel explains that to her science photography is “an art of discovery.”
Sebastian Smee reviews Tala Madani’s show “First Light,” which is currently on display at the List Visual Arts Center. “This is a genuinely — and intelligently — provocative show,” writes Smee. “It is no surprise to me that it has been staged by the List Visual Arts Center.”
In a roundup of art exhibits to see this spring, WBUR reporter Greg Cook highlights an exhibition of Tala Madani’s work that will be on display at the MIT List Visual Arts Center starting May 20th. Cook writes that, “he Tehran-born, Los Angeles-based artist’s paintings, drawings and stop-motion animations often feel like political cartoons.”
Kevin Hartnett writes for The Boston Globe about an exhibition by the MIT Center for Advanced Urbanism that examines the future of suburban living. “Urban planning doesn’t focus enough attention on suburbia, it focuses on making dense cities denser, which is where a minority of the world’s population wants to live,” explains Prof. Alan Berger.
Prof. Neri Oxman’s “Wanderers” project is featured as part of the “Beauty — Cooper Hewitt Design Triennial” exhibition at the Cooper Hewitt, Smithsonian Design Museum. New York Times reporter Daniel McDermon writes that in her project, Oxman “imagines wearable objects to augment the human body’s capabilities, possibly enabling survival on distant planets.”
Boston Globe reporter Cate McQuaid writes about a new exhibit at the MIT List Visual Arts Center that examines email spam. “Hadjithomas and Joreige, artist-filmmakers based in Lebanon, focus on the unseen and unexplored. E-mail scams fit the bill,” writes McQuaid. “The artists have been collecting them since the late 1990s, and have now archived and deconstructed more than 4,000.”
Writing for The Boston Globe, Nancy Shohet West highlights Prof. Erik Demaine and Martin Demaine’s paper sculptures, which are on display at the Concord Center for the Visual Arts. “We started getting interested a number of years ago in curve creases and what was possible mathematically,” explains Prof. Demaine. “We started making models and then turned those into sculpture.”
Sebastian Smee reviews Rosa Barba’s new “brilliant new show” at the List Visual Arts Center for The Boston Globe. Smee writes that the exhibit is, “terrifically satisfying to eye, ear, mind, and heart.”
Boston Globe reporter Andrew Joseph writes about the public gallery at the Koch Center for Integrative Cancer Research at MIT, which features a rotating selection of life-science images captured by scientists during their research. “Microscopic images are blown up into a work of art almost 8 feet across, sharing a view of science rarely seen outside the lab,” writes Joseph.
Writing for The Boston Globe, Kevin Hartnett explores the work of Nathanael Greene Herreshoff, an MIT graduate widely regarded as one of the most influential yacht designers. Hartnett writes that in a sense, Herreshoff was the “Bill Belichick of yacht design, seeing possibilities within the existing rules that others didn’t.”