Design

Writing for The Boston Globe, Prof. Carlo Ratti and Robert Muggah of the SecDev Group explore the pushback against 15-minute cities and how the concept behind creating more accessible neighborhoods could “facilitate the meaningful and sustained in-person connections that the internet cannot.” They note that "the concept could be the solution to bridging our divides. By creating more open, integrated, and healthy neighborhoods, it is possible to restore the in-person connections that are an antidote to polarization.”

Prof. Sarah Williams speaks with Erin Langer at Metropolis about the Civic Data Design Lab’s Motivational Tapestry, a large woven art piece that uses data from the United Nations World Food Program to visually represent the individual motivations of 1,624 Central Americans who have migrated to the U.S. “By allowing a dialogue to open up and be less defensive, art allows us to understand and conceptualize an issue from a different vantage point,” explains Williams.  

Boston.com reporter Melissa Ellin spotlights the MIT AgeLab’s Age Gain Now Empathy System (AGNES), “a suit that allows wearers to feel what it is like to be 80 years old with some chronic health conditions,” writes Ellin. The suit was recently featured in “Limitless with Chris Hemsworth,” a docuseries highlighting scientific research and insight into the human body.

Astronauts aboard the International Space Station completed an experiment to test a system developed by researchers from MIT’s Space Exploration Initiative that would allow astronauts to build parts in space, reports Pranshu Verma for The Washington Post. The new system could allow astronauts to build and modify space stations “quicker, cheaper and with less complexity,” explains Ariel Ekblaw, director and founder of the Space Exploration Initiative. “It starts to unlock more opportunities for exploration.”

MIT researchers developed a new system to build gravity-defying spare parts in space that is currently being tested aboard the International Space Station, reports Rahul Rao for Popular Science. “The MIT group’s process involves taking a flexible silicone skin, shaped like the part it will eventually create, and filling it with a liquid resin,” writes Rao. “These are going to be our first results for a really novel process in microgravity,” explains Ariel Ekblaw SM ’17, PhD ’20, director of the Space Exploration Initiative.

Alumnus Jeremy Bilotti co-founded Rarify, a design furniture retail company, reports Lauren Mowery for Forbes. “Rarify uses the history of design to tell a story, educate our audience about the importance of notable designers, and push toward the future, bringing to light noteworthy manufacturers and designers that aren’t known or recognized to the degree that they deserve,” explains Rarify co-founder David Rosenwasser. Alumnus Jeremy Bilotti co-founded Rarify, a design furniture retail company, reports Lauren Mowery for Forbes. “Rarify uses the history of design to tell a story, educate our audience about the importance of notable designers, and push toward the future, bringing to light noteworthy manufacturers and designers that aren’t known or recognized to the degree that they deserve,” explains Rarify co-founder David Rosenwasser.

Prof. Mary Anne Ocampo speaks with Madame Architect reporter Gail Kutac about what inspired her passion for architecture and urban planning, and her advice for new designers. “The impact I would like to have in this world is creating strong collaborations that promote inclusive and resilient design visions,” says Ocampo. “To me, there’s this combination of understanding design as a process, and design as a commitment that helps us to recognize the ways we value our environment and people.” 

Hasier Larrea MS ’15 - CEO of Ori, a company that creates expandable tiny apartments - writes for Newsweek about his journey and inspiration for developing expandable housing options. Larrea writes that Ori is focused on creating, “expandable urban apartments that are more flexible, functional, affordable and sustainable—in short, living spaces that can suit the amazing diversity of people who want to live in the world's most incredible cities.”

The Emerald Tutu, a climate resiliency project in Boston led by Gabriel Cira ’08, is developing a system of floating wetlands designed to reduce coastal flooding by knocking down waves, reports Hannah Chanatry for WBUR. The Emerald Tutu was the winning project at the 2018 MIT Climate Changed Ideas competition. “Fundamentally, it’s like a giant sponge that fits around urban coastlines like we have here in Boston,” said Cira. “It buffers those coastlines from the intense effects of coastal storms.”

Prof. Miho Mazereeuw speaks with Wall Street Journal reporter Lindsay Ellis about courses she is teaching at MIT focused on environmental risk and disaster-resilient design. During her course last semester, “students weighed how to build environments that can cope with a changing climate as well as the social inequities that disasters reveal,” writes Ellis.

Writing for Metropolis, James McCown highlights the architecture of the new MIT buildings in Kendall Square, particularly the property at 314 Main Street, which houses the new MIT Press Bookstore and MIT Museum. “To walk across the campus of the Massachusetts Institute of Technology is to get a crash course in 20th and early 21st-century architecture,” writes McCown. “Who wouldn’t want to add their signature to this splendid architectural canvas?”

Prof. Yoel Fink speaks with Washington Post reporter Pranshu Verma about the growing field of smart textiles and his work creating fabrics embedded with computational power. Fink and his colleagues “have created fibers with hundreds of silicon microchips to transmit digital signals — essential if clothes are to automatically track things like heart rate or foot swelling. These fibers are small enough to pass through a needle that can be sown into fabric and washed at least 10 times.”

The Economist spotlights how Prof. Carlo Ratti and researchers from the MIT Senseable City Lab are working on revitalizing neglected spaces in Kosovo’s capital. “We wanted to start something that could continue in the long term: small interventions that, little by little, could become part of the city,” says Ratti.

Professor Carlo Ratti participated in this year’s Manifesta 14 in Kosovo, where “artists show how they want to reconquer their city from traffic and big capital,” reports Sandra Smallenburg for NRC. “Together with students from the University of Pristina, he reclaimed the outdoor space by simply painting it with yellow paint and delimiting it with garden furniture,” said Smallenburg.

Professor Carlo Ratti and his colleagues developed the Urban Vision and Urban Program for Manifesta 14, a nomadic European biennale in Kosovo, which “proposes a new methodology for reclaiming public space in the city,” writes Maria-Cristina Florian for ArchDaily. “Cities around the world are currently going through an extraordinary time marked by crises but also potential for a renaissance,” said Ratti.