In this video, Prof. Heather Hendershot speaks with Mary Kissel of The Wall Street Journal about her new book examining the impact of William F. Buckley’s program the “Firing Line.” “He was the key player in forging a sophisticated, urban, elegant image for right wing conservatism. And that got me interested in him,” Hendershot explains.
Prof. Thomas Levenson writes for The Atlantic about the response to author Andrea Wulf winning the Royal Society Insight Investment Book Prize. “Discounting a great work at the moment it earns one of science writing’s highest honors based on the gender of its creator is just one more barrier women science writers have to deal with that men don’t.”
In an NPR piece about diversity in sci-fi, Jeff Young highlights a study by Prof. Edward Schiappa that found TV viewers became more accepting after watching shows that introduce them to different cultures. "At this point, it's a pretty unequivocal finding that TV can affect how people feel and think about others," says Schiappa.
In an article for TIME, Shane Parrish writes about and highlights excerpts from Prof. Alan Lightman’s book, “The Accidental Universe: The World You Thought You Knew.” Parrish writes that “‘The Accidental Universe’ is an amazing read, balancing the laws of nature and first principles with a philosophical exploration of the world around us.”
On NPR’s All Things Considered, Prof. Thomas Levenson speaks about his book on the 50-year search for a non-existent planet, an example, he explains, of how science really works. “It takes a great leap of the imagination to get from what you really know you know to the wacky thing that turns out to be more true.”
Prof. Thomas Levenson writes for The Boston Globe about the MRI Prof. Rebecca Saxe’s created of herself and her infant son. “Art does many things, but certainly one of them is to give us images that confront us with shards of the strange experience of being human,” writes Levenson. “Science, an artful craft, can do the same — as it does here.”
Matthew Price of The Boston Globe reviews “The Hunt for Vulcan” by Prof. Thomas Levenson, which chronicles the history of the search for the non-existent planet Vulcan. “The key question, as Levenson puts it, is ‘what happens when a prediction fails to find its match in nature?’” writes Price.
Prof. Thomas Levenson speaks with Boston Globe reporter Amy Sutherland ahead of the publication of his new book, “The Hunt for Vulcan” about the books he likes to read and what makes for good science writing. “Science writing should convey information, but in a literary form,” Levenson explains.
Carolina Morena writes for The Huffington Post about Prof. Junot Díaz's appearance on “Late Night With Seth Meyers,” where he discussed the importance of reading books by people from different backgrounds. "You look at this country and you look at this world and you need to understand it in complex ways," said Díaz.
Boston Globe reporter Jeremy Goodwin reviews “Einstein’s Dreams,” a play adapted from Prof. Alan Lightman’s 1993 novel. “The conceit behind Lightman’s deeply imaginative source material is that it presents a journal of Einstein’s nocturnal musings as he developed his theories of general and special relativity,” writes Goodwin.
Prof. Marcia Bartusiak writes for The Washington Post about Eileen Pollack’s book, “The Only Woman in the Room,” which examines the obstacles facing women in science. Bartusiak writes that, “Pollack draws attention to this important and vexing problem with a personal narrative, beautifully written and full of important insights on the changes needed to make those barriers crumble.”
Prof. Thomas Levenson writes for The Boston Globe about sexism in science. “Sadly and infuriatingly, the habits of mind that once almost entirely barred women from the lab remain, less potent, perhaps, but still at work,” writes Levenson.
Comparative Media Studies research affiliate Sam Ford writes for The Boston Globe about former Daily Show host Jon Stewart’s recent professional wrestling appearances. “I’m guessing Stewart finds something refreshing about a world where the performance comes with a wink and where fans are invited to be in on the con,” writes Ford.
Prof. Alan Lightman writes for The New York Times about the disillusionment he felt when he went to visit his childhood home and found that it had been taken down. “I try to put back the house where it was, the kitchen, the bedrooms, the closets, my father practicing his guitar, my mother dressing in front of her long mirror,” Lightman writes.
MIT Lecturer B.D. Colen speaks with Boston Magazine reporter Chris Sweeney about his new photography exhibit, “Alone, Together,” which looks at how people riding the MBTA attempt to find some privacy. Colen explains that the idea behind the exhibit “isn’t to invade people’s privacy. You’re in public, and I’m just documenting how people behave under these circumstances.”