Center for Art, Science and Technology

Janet Echelman, the 2022-2023 Mellon Distinguished Visiting Artist at CAST, speaks with The Conversation about her journey to becoming a sculptor, her creative process, and future projects. “It’s important to me that each person can create their own meaning from art,” says Echelman. “They are the expert in their own experience. If my work offers a moment of contemplation and allows you to feel a sense of calm and your own interconnection with the wind, sun, people and city, then that’s all I could hope for.”

Boston Globe reporter A.Z. Madonna spotlights “The Thrilling Adventures of Lovelace and Babbage,” an opera with music by MIT lecturer Elena Ruehr, presented by the MIT Center for Art, Science and Technology, MIT Music and Theater Arts, and Guerilla Opera. Madonna writes that the show “may be the rarest of rare birds in modern opera: an actual comedy!”

Lecturer Mikael Jakobsson, Rosa Colón Guerra (a resident at MIT’s Visiting Artists program), and graduate student Aziria Rodríguez Arce have created a new board game, called Promesa, that more accurately reflects the reality of Puerto Rico’s history and people, reports Maria Parazo Rose for Popular Science. “The game is based on the real-life PROMESA act, which was established by the US government in 2016 in response to the island’s debt crisis, putting American lawmakers in charge of the country’s finances,” explains Rose. “To win, you must settle Puerto Rico’s bills and build up the country’s infrastructure, education, and social services.” 

New York Times Style Magazine reporter Zoë Lescaze explores the work of artist Agnieszka Kurant and her new installation at MIT. “Looping black lines composed of high-tech lights were designed to simulate the flow of ink scrawl across the facades of two new buildings, as though an invisible hand were repeatedly signing the walls,” writes Lescaze. “Kurant worked with computer scientists to create two collective signatures — one for the scientific and academic community at MIT and another for Cambridge residents.”

Alexa Vazquez of WBUR writes about a new MIT Museum exhibit that uses virtual reality to place visitors face-to-face with fighters who have experienced lifelong conflict. “The aim was to go for more kind of intimate conversations that you wouldn’t normally have access to, with people from diverse sides of these diverse conflicts,” says Prof. Fox Harrell, who worked on the VR aspect of the exhibit.

PRI The World’s Lydia Emmanouilidou spotlights a virtual reality exhibit at the MIT Museum by photojournalist Karim Ben Khelifa that allows visitors to explore both sides of international conflicts. “What is the point of images of war if they don’t change people’s attitudes towards armed conflicts, violence and the suffering they produce?” says Khelifa of the inspiration for his work. 

Prof. Evan Ziporyn and Visiting Artist Maya Beiser speak to Arun Rath of WGBH about their work at MIT’s Center for Art, Science & Technology (CAST) and their performance of David Bowie’s final album. Ziporyn explains that CAST’s purpose is to “energize cross relations between those disciplines, which is something MIT has had going on basically since it was MIT.”

New York Times reporter Hilarie Sheets spotlights the artwork and collaborations developed through MIT's Center for Science, Art and Technology (CAST). Sheets writes that CAST, “revitalized an M.I.T. model…of bringing in artists to humanize technology and create more expansive-thinking scientists. M.I.T. is at the forefront of this cross-disciplinary movement.”

Architect David Adjaye has been named the recipient of the 2016 Eugene McDermott Award in the Arts at MIT, writes Mark Shanahan for The Boston Globe. The prize “includes an artist residency at MIT next spring during which Adjaye will participate in four programs open to the public.”

Casey Quackenbush reviews MIT visiting artist Anicka Yi’s new olfactory exhibition ‘Aliens and Alzheimers’ for The New York Observer. "Her exhibit is supposed to challenge the way we overlook our sense of smell in favor of taste and sight," writes Quackenbush.

In an article for The Boston Globe, Meredith Goldstein writes that MIT’s Center for Art, Science & Technology’s will receive a $1.5 million grant from the Andrew W. Mellon Foundation. The funding “will pay for concerts, artist residencies, courses, and other programs that bring together the arts, science, and technology,” Goldstein explains. 

Boston Globe reporter Jeremy Eichler reviews the final concert performed this year as part of Sounding, a new annual concert series at MIT, which featured a celebration of American experimental music. The annual series concluded on Saturday night with a “roiling and joyful 80th birthday tribute to minimalist pioneer Terry Riley,” Eichler writes.