The New York Times’ Christopher Hawthorne highlights the Metropolitan Warehouse as “the new central hub for the School of Architecture and Planning.” Hawthorne notes that by “slicing into the brick exterior of the warehouse a la Gordon Matta-Clark, the architects have added giant windows while hanging new studio spaces from the existing ceiling. This is adaptive reuse with some bite.”
In a video short, The Boston Globe’s Daniel Kool spotlights “The Living Bucentaur,” a parade of 250 people dressed in repurposed sail cloth to celebrate the opening of the School of Architecture and Plannings’ new home in the Metropolitan Warehouse. “In 1916, when MIT moved from Boston to Cambridge, they built this elaborate barge called Bucentaur. It was white and it had this beautiful decoration with angels and stucco and everyone was wearing costumes and waving tea squares,” says Prof. Azra Aksamija. “This project is in a way a reenactment.”
MIT’s School of Architecture and Planning (SA+P) Dean Hashim Sarkis speaks to WBZ News Radio’s Emma Friedman about “The Living Bucentaur,” the Sept. 8 procession made up of 250 people, to SA+P’s new home in the redesigned Metropolitan Warehouse. “This is really a very conscious reenactment of the moment that MIT decided to move to Cambridge from Boston,” says Sarkis. “After all, moving into this building is an act of renewal.”
The Boston Globe’s Mark Feeney chronicles MIT’s adaptive reuse of the historic Metropolitan Warehouse into the new home of the School of Architecture and Planning. “As spaces, our studios used to be a lot more like labs, but now they are grand and full of light and celebratory in a way that hopefully enables better work,” says Prof. Ana Miljački, Head of the Department of Architecture.
Dezeen’s Ellen Eberhardt describes how the renovation of the historic Metropolitan Warehouse, the new home of MIT’s School of Architecture and Planning, maintains “details such as the building's fortress-like corner towers and crenellated corbeled cornices, while punching new windows into its two-foot-thick walls.” Eberhardt highlights how “the project included careful ‘cutting strategies’ and the application of new support systems to shift existing loads within the building to make room for modern academic spaces such as studios and makerspaces.”
For The Architect’s Newspaper, reporter Fred A. Bernstein details the renovation of the Metropolitan Warehouse, the new home of MIT’s School of Architecture and Planning, transforming the fortress-like storage warehouse into “light-filled classrooms and studios.” The building is “going to be a living laboratory and a teaching tool for generations of students,” shares Prof. John Ochsendorf. “Twenty years ago, MIT took me inside and asked if I could see a way to reuse the building. And I said, ‘Absolutely not.’ It was hard to imagine it could be as open and light-filled as it is. That took heroics.”
In a “radical example of adaptive reuse” and a reimagining of a historic Cambridge landmark, MIT has transformed the Metropolitan Storage Warehouse into the new home of the School of Architecture and Planning, bringing together MIT’s architecture and design programs into one connected academic hub, reports Boston Business Journal reporter Maya Shavit. “There will be new installations and new manifestations of our students’ creativity every single week,” explains Prof. John Ochsendorf. “That’s unpredictable and messy, but it’s also part of the fun of being at a place like MIT where people are constantly inventing the future.”
For Archinect, reporter Niall Patrick Walsh spotlights how the full archive of architect and alumnus I.M. Pei ‘40 has been donated to the MIT Museum. “Among the materials are drawings and documents from some of Pei’s best-known works, including the Louvre Museum modernization project in Paris, the John F. Kennedy Presidential Library and Museum in Boston, and the Rock and Roll Hall of Fame in Cleveland,” writes Walsh. “The archive also contains records relating to four buildings designed by Pei on the MIT campus: the Green Building, Dreyfus Building, Landau Building, and Wiesner Building.”
Boston Globe reporters Patricia Harris and David Lyon highlight their recent visits to the MIT Museum, List Visual Arts Center, and the Hart Nautical Gallery. “We always feel at least marginally smarter after a day in the galleries at MIT,” they write. “Setting aside high-school anxieties about an upcoming science lab, it turns out that many of the exhibits are engagingly interactive and — dare we say it — even fun.”
Eastern Edge, a food hall bordering the MIT campus, has debuted in Kendall Square, featuring nine local food vendors with roots in the Cambridge community, reports Kara Baskin for The Boston Globe. “It’s built to be a gathering space, and that’s something that we really enjoy at Clover,” says Julia Wrin Piper, CEO of Clover. “At MIT, it’s a privilege to be in a space where every great idea that humankind has ever had has been debated. That’s something that’s very unique to this specific food hall – to be in this hyper-intellectual space and be very grounded by these delicious experiences.”
Boston Magazine reporter Rachel Leah Blumenthal spotlights the opening of Eastern Edge, a new food hall debuting in Kendall Square. The venue, which borders the MIT campus, features a variety of vendors over its 11,000-square-foot space, and accepts TechCash.
Prof. Behnaz Farahi speaks with GBH’s The Culture Show host Jared Bowen about her new eye-catching work “Gaze to the Stars,” an exhibit that will transform the MIT Dome into a living canvas, showcasing video projections of eyes gazing at the stars, as part of the Artfinity art festival. “We are very excited about the possibility of bringing the community at MIT together and the question was how the community, MIT and beyond, can get the sense of community, the sense of unity, the sense of connectedness,” says Farahi on the inspiration behind her work.
As part of MIT’s Artfinity festival - a new festival of the arts at MIT featuring 80 free performing and visual arts events, celebrating creativity and community – this month’s After Dark event on Thursday, March 13th at the MIT Museum will be free and open to the public, reports Marianna Orozco for The Boston Globe. Attendees will be able to enjoy “a night of activities, including a ‘Flash Portrait’ drawing and textile design, as well as live DJ sets, open exhibits by faculty, and a talk from Behnaz Farahi, the interdisciplinary designer behind ‘Gaze to the Stars,’ which has brought the MIT dome to life,” explains Orozco.
The nondenominational MIT Chapel was named by Financial Times readers as one of the best places of worship in the world. “The Eero Saarinen-designed chapel at MIT is otherworldly,” they write. “This is what spiritual contemplation probably looks like in another galaxy.”
MIT’s Artfinity festival kicked off with a performance of “SONIC JUBILANCE” at the newly opened Edward and Joyce Linde Music Building, reports Maddie Browning for WBUR. The campus-wide festival, which runs through May 2, is open to the public and features student, faculty and staff participation in “concerts, augmented reality experiences, exhibitions, films and more,” writes Browning. Artfinity is an opportunity "to show that the arts are very important and very central to the lives of people at MIT,” said Prof. Marcus Thompson, festival co-lead.