Eleven fellows have been selected for the 2023-2024 Morningside Academy for Design (MIT MAD) program, reports Designboom, which is focused on offering “opportunities for students, faculty, and the general public to explore the intersection of design, technology, and social impact.” The fellowship program is aimed at helping designers have a “real-world impact in fields such as sustainability, architecture, health, and social justice.”
Popular Science spotlights a sampling of the winning pictures from this year’s MIT Koch Institute Image Awards, an annual competition showcasing some of the images produced as part of life science and biomedical research at MIT. “Today, high-magnification images can help design new medical tools, enrich our understanding of diseases, and explain how embryos develop. And, as shown by the 2023 winners from the MIT Koch Institute Image Awards, they can be works of art, too.”
Alum X Zhu-Nowell has been named the new artistic director of the Rockbund Art Musuem and will be relaunching the museum with a series of six solo-artist exhibitions, reports Caroline Roux for the Financial Times. “It’s a collection of solo projects that together form a group,” says Zhu-Nowell. “It shows the artists as individuals but not alone, and myself as part of a community.”
Chronicle visits the new MIT Museum, highlighting a number of exhibits, including one exploring the research behind the hunt for gravitational waves and another that examines the impacts humans are having on the environment. “We try to be a window, going both ways, between MIT and the rest of the public,” explains Prof. John Durant, director of the MIT Museum. “We’re also trying to get people to have a glimpse of how a world-class research institution actually works.”
New York Times reporter Thomas May spotlights Prof. Tod Machover’s chamber opera “Overstory Overture,” based on Richard Powers’s novel “The Overstory.” May notes that Machover “has developed novel approaches to electronics and is a trailblazer in the applications of artificial intelligence to music.” Of his desire to create an operatic adaptation of Powers’s book, Machover explains, “I’ve always wanted to write a theatrical work with many strands that come together in an unusual way.”
Artist Alison Nguyen’s exhibition, “History as Hypnosis” - a video installation that “surfaces themes of alienation and assimilation through three narratives” - opens this weekend at the MIT List Visual Arts Center, reports Jenn Stanley for WBUR. “Nguyen’s work explores digital media’s psychological effects on the public,” writes Stanley, “reflecting on how images are produced, circulated and consumed in mainstream U.S. culture.”
Graduate student Ziv Epstein speaks with Vice reporter Rachel Cheung about the legal implications of the development and use of AI tools being used to create art. “We need more both technical and social research, understanding how these things work, how people feel about them, and then we can make those decisions based on good science,” Epstein said. “Because right now, we’re just really at the brink of the beginning.”
Washington Post reporter Michael Andor Brodeur spotlights Prof. Tod Machover’s work exploring the concepts and techniques needed to advance the future of music, including using AI to help “exponentially increase access to music and creative tools for making it.” Machover explains that to him “pieces of music aren’t just pieces of sound. They’re because some human being thought something was important to communicate and express.”
Associate Prof. Sarah Williams speaks with Erin Langer at Metropolis about the Civic Data Design Lab’s Motivational Tapestry, a large woven art piece that uses data from the United Nations World Food Program to visually represent the individual motivations of 1,624 Central Americans who have migrated to the U.S. “By allowing a dialogue to open up and be less defensive, art allows us to understand and conceptualize an issue from a different vantage point,” explains Williams.
Prof. Sarah Williams speaks with Erin Langer at Metropolis about the Civic Data Design Lab’s Motivational Tapestry, a large woven art piece that uses data from the United Nations World Food Program to visually represent the individual motivations of 1,624 Central Americans who have migrated to the U.S. “By allowing a dialogue to open up and be less defensive, art allows us to understand and conceptualize an issue from a different vantage point,” explains Williams.
Stir World reporter Sunena Maju spotlights “Symbionts: Contemporary Artists and the Biosphere,” an exhibit at the MIT List Visual Arts Center that explores the “collaborative potential of living materials.” Maju writes that the exhibit “brings a new perspective to marrying science and art,” and “invites people to reexamine human relationships to the planet’s biosphere, through the lens of symbiosis.”
PBS host Jared Bowen highlights the scientific advancements on display at the MIT Museum. “We’re here to turn MIT inside out,” says Prof. John Durant, director of the MIT Museum. “We want people to understand what contemporary research and innovation are all about and what they mean for everyday life.”
A new exhibit at the MIT Museum, “To Look and Learn: The Creative Photography Laboratory at MIT,” documents a “varied and vital visual era” at MIT," writes Mark Feeney for The Boston Globe. One legacy of MIT’s Creative Photography Laboratory is “the tradition of rewarding photography shows at the MIT Museum," Feeney notes. "'To Look and Learn' is the latest example.”
Fast Company reporter Nate Berg spotlights the grand opening of the redesigned MIT Museum. “Braiding the science and the art together, I think it places the science into the context that it is part of our culture and our lives, it’s not a white tower experience,” says Ann Neumann, director of exhibitions and galleries at the museum.