On Tuesday, May 6, the MIT Museum is hosting “Seeing and Understanding the Unknown,” a panel discussion to celebrate the opening of their latest exhibit, “Monsters of the Deep,” reports Adelaide Parker for The Boston Globe. “MIT physicists and curators will guide you through centuries of scientists’ work picturing the unseen — from 16th-century zoologists exploring life underwater to modern physicists modeling black holes,” explains Parker.
Working with the List Visual Arts Center, MIT Visiting Scholar Wasalu Jaco (Lupe Fiasco) has created GHOTIING MIT: Public Art, “nine original compositions using ghotiing, a term of his own invention, which proves that rap is a reactive form of expression,” reports Candace McDuffie for The Boston Globe. “Ghotiing (pronounced “fishing”) encourages students to engross themselves in different art forms and environments to devise original work,” explains McDuffie. “According to Fiasco, inspiration is taken from appreciating the landscape and outdoor painting as opposed to a recording studio. The result is usually music that feels deeper and more organic.”
The Guardian reporter Veronica Esposito spotlights GHOTIING MIT: Public Art, a collection of raps inspired by seven of the Institute’s public artworks developed by MIT Visiting Scholar Wasalu Jaco (Lupe Fiasco) in collaboration with the MIT List Visual Arts Center. “The nine-track effort (seven of which are currently available) is a cohesive collection of music with a distinct jazz flavor that feels like a throwback to the Native Tongues era of hip-hop,” writes Espositio. For Jaco, “these tracks are an emanation of the environment that he fished them from.”
Boston Globe reporter Mark Feeney spotlights“Monsters of the Deep: Between Imagination and Science,” a new exhibit at the MIT Museum that offers “views of whales and related sea creatures, monstrous and otherwise, afforded by more than 40 maps and prints and books, some dating to the 16th century.” Feeney notes that the exhibit dives into the “conceptual and stimulating: a kind of case study in the nature of our knowledge about nature. In this particular case, that natural knowledge concerns whales.”
“AT MIT innovation ranges from awe-inspiring technology to down-to-earth creativity,” notes Chronicle during a visit to campus to peek behind the scenes at the innovations underway at the Institute. Classes taught by Prof. Erik Demaine are a “mix of rigorous math and creative collaboration,” host Anthony Everett explains, highlighting how Demaine’s work in computational origami has found its way into practical applications in such fields as medicine, architecture and space exploration. “I think origami provides a really powerful tool for making transformable shapes,” Demaine relates.
President Sally Kornbluth shares her love of the Boston Pops with Boston Globe reporter Ian Prasad Philbrick in a roundup of the Greater Boston area’s historical sights, restaurants, art museums, and more. “They’re a great mixture of playful and serious," says Kornbluth of what makes the Pops such a standout cultural experience, "sort of a good microcosm of Boston.”
WBUR’s Maddie Browning spotlights “List Projects 32: Elif Saydam,” a new exhibit at the MIT List Visual Arts Center by Elif Saydam that explores gentrification through art. Saydam paints “urban scenes like gas stations and apartment buildings, then layers them with gold,” explains Browning. “Saydam’s work references historical painting traditions like miniature painting and illuminated manuscripts.”
Prof. Behnaz Farahi and her team have created “Gaze to the Stars,” an art installation that features video projections of eyes onto the MIT Dome while sharing stories of aspiration, struggle, longing, and hope, reports Emily Maher for WCVB. “Farahi and her team created a space, a pod, where people looked into a screen of stars as their eyes were scanned,” explains Maher. “Next, an AI voice began encouraging them to share their stories.”
Prof. Behnaz Farahi speaks with WBUR reporter Maddie Browning about her “Gaze to the Stars” exhibit, which will bring illuminated projections of eyes to the MIT Dome. “This is an incredible time to really use art and technology, not to just create something which is provocative, but also have a meaningful experience to share stories that matters,” says Farahi.
Prof. Behnaz Farahi speaks with GBH’s The Culture Show host Jared Bowen about her new eye-catching work “Gaze to the Stars,” an exhibit that will transform the MIT Dome into a living canvas, showcasing video projections of eyes gazing at the stars, as part of the Artfinity art festival. “We are very excited about the possibility of bringing the community at MIT together and the question was how the community, MIT and beyond, can get the sense of community, the sense of unity, the sense of connectedness,” says Farahi on the inspiration behind her work.
As part of MIT’s Artfinity festival - a new festival of the arts at MIT featuring 80 free performing and visual arts events, celebrating creativity and community – this month’s After Dark event on Thursday, March 13th at the MIT Museum will be free and open to the public, reports Marianna Orozco for The Boston Globe. Attendees will be able to enjoy “a night of activities, including a ‘Flash Portrait’ drawing and textile design, as well as live DJ sets, open exhibits by faculty, and a talk from Behnaz Farahi, the interdisciplinary designer behind ‘Gaze to the Stars,’ which has brought the MIT dome to life,” explains Orozco.
CBS News reporter Chris Tanaka spotlights the 20th anniversary of the Catalyst Collaborative – a collaboration between MIT and two non-profit theater companies aimed at creating and presenting plays that deepen public understanding of science and technology. "I think some of the scientists gave ideas, stories of science to the theater people, some of which later became plays,” says Prof. Alan Lightman on the Catlyst Collaborative. “And I think the scientists learned the way that artists think.”
“Pedro Gómez-Egaña: The Great Learning,” the newest exhibition at the List Visual Arts Center, features “an orchestra of sculptures meticulously curated with hidden instruments to create sound,” reports Marianna Orozco for The Boston Globe. The show will be on display through July 2025.
MIT’s Artfinity festival kicked off with a performance of “SONIC JUBILANCE” at the newly opened Edward and Joyce Linde Music Building, reports Maddie Browning for WBUR. The campus-wide festival, which runs through May 2, is open to the public and features student, faculty and staff participation in “concerts, augmented reality experiences, exhibitions, films and more,” writes Browning. Artfinity is an opportunity "to show that the arts are very important and very central to the lives of people at MIT,” said Prof. Marcus Thompson, festival co-lead.
Prof. Carlo Ratti, curator of the 2025 Venice Architecture Biennale, speaks with Dezeen reporter Lizzie Crook about how this year’s event will be a “science-heavy edition of the festival examining the changing role of architecture at a time of environmental instability.” Says Ratti: "Architecture starts when the environment is against us and we adapt it to somewhere where we can live. We can look at this through science. There's going to be a lot of science in this year's biennale.”