Writing for The Boston Globe, Cate McQuaid spotlights “Gwenneth Boelens: At Odds” and “Charlotte Moth: Seeing While Moving,” two exhibits on display at the MIT List Visual Arts Center. McQuaid writes that “individual works in the exhibitions prompt bittersweet responses to lost utopias, uncanny associations of place and time, and heightened attunement to the senses.”
Forbes reporter Christina Wallace speaks with MIT alumna Kathleen Stetson about Trill, the app she developed to provide arts recommendations, and why she felt having an MBA would help further her career promoting the arts. Stetson notes that “At MIT, I not only found massive support and encouragement for Trill, but I also co-founded Hacking Arts."
The Atlantic spotlights MIT’s Hacking Arts event, which is aimed at igniting innovation within the creative arts, as part of their "Saturday Night in America" video series. “Something like a hackathon is releasing this pent up hunger, to stretch the imagination, to work with a lot of people, to get down and just build something,” says grad student Helen Smith, co-director of Hacking Arts.
Pimploy Phongsirivech of Boston Magazine writes about MIT’s Hacking Arts Festival, which brought together artists, entrepreneurs, engineers, designers and scientists working at the intersection of art and technology. Phongsirivech writes that the event was a “collaborative effort to not only envision but also to actualize the future.”
MIT has been named the top university in the world in the latest QS World University Rankings, reports Nick Morrison for Forbes. This is the fifth consecutive year that MIT has earned the number one spot in the QS rankings.
In his latest project, Alan Kwan, a student in MIT’s Art, Culture and Technology program, makes umbrellas float through the air like jellyfish using drones, writes Thom Leavy for Popular Science. “People have this perception of drones as weapons and I’m trying to push this work in the direction of the poetic,” says Kwan.
In a BBC News article about the Venice Architecture Biennale, Will Gompertz highlights a "drone-port" developed in collaboration with MIT researchers. “With the aid of cutting edge computer science and buried steel tension ropes, the largely self-supporting structure uses a fraction of the materials such a building would normally need.”
Hashim Sarkis, dean of SA+P, speaks with Vanessa Quirk of Metropolis about MIT’s widespread presence at the 2016 Venice Biennale, the Institute’s approach to architectural challenges and its interdisciplinary ethos. “MIT thrives on what it calls complex societal problems,” says Sarkis. “And what better complex societal problems are there today than cities and architecture and the environment.”
In a roundup of art exhibits to see this spring, WBUR reporter Greg Cook highlights an exhibition of Tala Madani’s work that will be on display at the MIT List Visual Arts Center starting May 20th. Cook writes that, “he Tehran-born, Los Angeles-based artist’s paintings, drawings and stop-motion animations often feel like political cartoons.”
Boston Globe reporter Cate McQuaid writes about a new exhibit at the MIT List Visual Arts Center that examines email spam. “Hadjithomas and Joreige, artist-filmmakers based in Lebanon, focus on the unseen and unexplored. E-mail scams fit the bill,” writes McQuaid. “The artists have been collecting them since the late 1990s, and have now archived and deconstructed more than 4,000.”
New York Times reporter Hilarie Sheets spotlights the artwork and collaborations developed through MIT's Center for Science, Art and Technology (CAST). Sheets writes that CAST, “revitalized an M.I.T. model…of bringing in artists to humanize technology and create more expansive-thinking scientists. M.I.T. is at the forefront of this cross-disciplinary movement.”
Writing for The Boston Globe, Sebastian Smee writes that 2015 “was a banner year for great artists and curators who just happened to be women.” In his article, Smee highlights the work of Prof. Emeritus Joan Jonas, who represented the U.S. at the Venice Biennale this year.
Boston Globe reporter Kevin Hartnett speaks with MIT conservator Jana Dambrogio about a collection of letters from 1689-1707. “It’s not like when you fold a letter three times and stick it in an envelope,” says Dambrogio. “When these things are folded, some areas of the rectangle could have 8 or 10 folds in one spot.”
“MIT professor emerita Joan Jonas, who represented the United States at the Venice Biennale, has been named the next visual arts mentor for the Rolex Mentor and Protégé Arts Initiative,” writes Meredith Goldstein for The Boston Globe. Jonas was named to the initiative along with five other artists.
LiveScience reporter Megan Gannon writes that MIT conservator Jana Dambrogio will virtually unfold a trove of unopened letterlocked notes from the 17th century. The researchers will use techniques like “3D X-ray microtomography to scan the letters and reconstruct the letterlocking strategies,” Gannon explains. “They'll also use scans to detect the ink and reconstruct the text inside.”