7 News spotlights how CSAIL researchers have developed two new software systems that are aimed at allowing anyone to customize and design their own knitted design patterns. “The researchers tested the software by having people with no knitting experience design gloves and hats,” explains 7 News reporter Keke Vencill.
Graduate student Alexandre Kaspar speaks with BBC Click about two new systems that ease the process of designing and making knitted clothing items. Kaspar explains that the systems allow users to “create building blocks of parts that are being knit.”
TechCrunch reporter Catherine Shu writes that CSAIL researchers have developed two new systems that enable users to design and customize their own knitted items, no knitting experience required. Shu explains that the researchers want “to make designing and making machine-knitted garments as accessible as 3D printing is now.”
MIT researchers have created an app that translates proteins into music, reports Eva Amsen of Forbes. This method could potentially be used to “make it easier to process very subtle changes that would be less obvious if you looked at the data visually,” Amsen explains.
Prof. Markus Buehler speaks with Ira Flatow of Science Friday about his research, which attempts to better understand and create new proteins by translating them into music. Buehler explains that they were able to listen to proteins after discovering that “amino acids have a unique frequency spectrum which we could then make audible using a concept of transposition.”
Diana Cai writes for STAT about Prof. Markus Buehler’s new research to turn amino acids into music. “Buehler thinks the technology could help in understanding genetic diseases caused by misfolded proteins,” writes Cai, noting that, “AI may conceivably ‘hear’ patterns of misfolding that could distinguish dangerous mutations from harmless ones.”
In a new study, Prof. Markus Buehler converted 20 types of amino acids into a 20-tone scale to create musical compositions. “Those altered compositions were converted back into a conceptual amino acid chain, which enabled the team to generate variations of proteins that have never been seen in nature,” writes Becky Ferreira for Motherboard.
WGBH reporter Jared Bowen spotlights the Ericka Beckman exhibition at the List Visual Arts Center. Henriette Huldisch, director of exhibitions and curator at the List, explains that Beckman employed, “bright primary colors, she used toy-like props and she structured her films very deliberately around games and gaming rather than following traditional dramatic structure or narrative.”
The MIT Chorallaries, a co-ed a cappella group at MIT, compete in WGBH’s Sing That Thing! competition. “I have always been really interested in music, but also really enjoyed doing math and science in school,” explains third-year student Madeline Wong. “I feel like they are both integral parts of my life and I couldn’t have one without the other.”
Reporting for WBUR, Pamela Reynolds spotlights “Ericka Beckman: Double Reverse,” on display at the List Visual Arts Center. Reynolds writes that through the exhibit Beckman explores “connections between games and gambling, the larger structures of capital, as well as the gamification of a culture which has given itself over to scores, challenges, tokens and rewards as a means of control.”
In an article for The Boston Globe about how the city of Cambridge is trying to bring ad-hoc art galleries into empty commercial spaces, Max Reyes highlights Spaceus, a startup founded by two MIT alumna that transforms unused shops into galleries and studio space for artists. “People are stoked that these spaces are no longer empty,” explains MIT graduate and Spaceus co-founder Stephanie Lee.
Boston Globe reporter Cate McQuaid writes that a new exhibit of Otto Piene’s work at the Fitchburg Art Museum spotlights the late artist’s work with light and fire. McQuaid writes that through his art Piene, who served as director of MIT’s Center for Advanced Visual Studies, “insisted on a better, more hopeful future.”
Boston Globe reporter Murray Whyte spotlights Kapwani Kiwanga’s new exhibit, “Safe Passage,” which is on display at the MIT List Visual Arts Center. Whyte writes that “‘Safe Passage’ is about a moment, not so long ago, when high art opted out of a divisive national argument.”
Graduate students Stephanie Lee and Ellen Shakespear speak with WBUR’s Hadley Green about Spaceus, a collaborative work and exhibition space they created for artists in the greater Boston area. Lee explains that Spaceus is committed to nurturing artists in the “heart of cities, because local creativity is what makes a place, gives it identity and meaning.”
Wall Street Journal reporter Sara Castellanos spotlights how researchers from MIT and Microsoft participated in a two-day hackathon with curators and digital experts from the Metropolitan Museum of Art. Together, they aimed to develop new AI technologies that could deliver new and personalized experiences “with a view toward deepening user engagement.”