Art, Culture and Technology

Alumnus and lecturer Matthew Mazzotta joins NPR’s Ted Radio Hour to discuss the importance of public spaces, and how every community needs public spaces to gather, discuss, and address issues.

Students in Prof. Azra Akšamija’s class created Covid-19 masks that reflected their experiences and shared powerful messages with the world, reports 7 News. “Students learn how to articulate problems they see in the world and issues that we are facing,” says Akšamija. “And to communicate that and translate that through their designs.”

The MIT List Visual Arts Center is presenting a series of remote artist-designed walks and experiences, aimed at helping people re-engage with their world and environment, which can be enjoyed anywhere, reports Cate McQuaid for The Boston Globe. “Artists can be pivotal in bringing us to re-engage with the world around us,” says List curator Natalie Bell.

Writing for The Boston Globe, Prof. D. Fox Harrell, Francesca Panetta and Pakinam Amer of the MIT Center for Advanced Virtuality explore the potential dangers posed by deepfake videos. “Combatting misinformation in the media requires a shared commitment to human rights and dignity — a precondition for addressing many social ills, malevolent deepfakes included,” they write.

Researchers at MIT’s Center for Advanced Virtuality have created a deepfake video of President Richard Nixon discussing a failed moon landing. “[The video is] meant to serve as a warning of the coming wave of impressively realistic deepfake false videos about to hit us that use A.I. to convincingly reproduce the appearance and sound of real people,” write Aaron Pressman and David Z. Morris for Fortune.

Boston 25’s Chris Flanagan reports that MIT researchers developed a website aimed at educating the public about deepfake technology and misinformation. “This project is part of an awareness campaign to get people aware of what is possible with both AI technologies like our deepfake, but also really simple video editing technologies,” says Francesca Panetta, XR creative director at MIT’s Center for Advanced Virtuality.

MIT researchers created a deepfake video and website to help educate the public of the dangers of deepfakes and misinformation, reports Mike Wall for Space.com. “This alternative history shows how new technologies can obfuscate the truth around us, encouraging our audience to think carefully about the media they encounter daily,” says Francesca Panetta, XR creative director at MIT’s Center for Advanced Virtuality.

Scientific American explores how MIT researchers created a new website aimed at exploring the potential perils and possibilities of deepfakes. “One of the things I most love about this project is that it’s using deepfakes as a medium and the arts to address the issue of misinformation in our society,” says Prof. D. Fox Harrell.

Boston Magazine reporter Alyssa Vaughn spotlights Prof. Azra Aksamija’s design proposal for a piece of public art in Cambridge that would honor the passage of the 19^th Amendment. Aksamija’s project “takes the form of a three dimensional palimpsest,” writes Vaughn, “that is visible through an arrangement of concrete elements. These elements are inscribed with names and quotes from notable activists.”

Prof. Carlo Ratti speaks about the “Eyes of the City” exhibition he curated in Shenzhen, China, which offers “a rare public space for reflection on increasingly pervasive surveillance by tech companies and the government,” reports David Kirton for Reuters. “This is a global issue and the best way to deal with it is to open up these technologies and put them in the hands of the public," said Ratti.

Prof. Neri Oxman, the recipient of the Design Innovation Medal at the London Design Festival, speaks with Financial Times reporter Annalisa Quinn about her work, which melds art and science. The “imbalance between innovations achieved in fields such as synthetic biology and the primitive state of digital fabrication in product and architectural design shaped my ambition,” Oxman shares with Quinn.

The Boston Globe reports that Prof. Emerita Joan Jonas has been awarded the 2018 Kyoto Prize. The prize honors “important figures in the fields of advanced technology, basic sciences, and arts and philosophy.”

Allison Katz speaks with WBUR’s Pamela Reynolds about her new exhibit, “Diary w/o Dates,” which is on display through July 29^th at the MIT List Visual Arts Center. As Katz explains, the work is about “calibrating various ways of internalizing time,” particularly compared to “the evenly-paced grid of the calendar/clock/grid model.”

Mel King, who founded the Community Fellows Program in 1996, spoke to Crystal Haynes at Boston 25 News for a feature about his lifelong efforts to promote inclusion and equal access to technology. Haynes notes that King, a senior lecturer emeritus at MIT, “is credited with forming Boston into the city it is today; bringing groups separated by race, gender and sexuality together in a time when it was not only unexpected, but dangerous.”

Boston Globe reporter Cate McQuaid spotlights the new works Prof. Judith Barry created for the citywide collaboration, “Art + Tech.” The ICA’s chief curator Eva Respini says that, “Judith is a prescient thinker, working on a cutting edge with digital and video technology.”