Cate McQuaid writes for The Boston Globe about “Reanimation,” a piece of performance art created by Professor Emeritus Joan Jonas. “This densely layered piece deploys drawing, video projection, and passages read aloud from the novel ‘Under the Glacier,’ by Halldór Laxness, the Nobel Prize-winning Icelandic author,” writes McQuaid.
In a piece for The Guardian, Charles Darwent looks back at the life and work of Professor Emeritus Otto Peine, the former director of the MIT Center for Advanced Visual Studies. Peine, who died last week in Berlin at the age of 86, was one of the pioneers of the ‘Zero’ art movement in postwar Germany.
The exhibit “features work by an international array of artists who apply such critical awareness to their art and their place in society that they keep stepping away, to reappraise and to escape labels and easy reads,” writes Cate McQuaid of the “9 Artists” exhibit at the MIT List Visual Arts Center.
“The MIT List Visual Arts Center threw a party Wednesday for artist Joan Jonas, who was chosen recently to represent the United States in its national pavilion at the Venice Biennale,” write Mark Shanahan and Meredith Goldstein for The Boston Globe.
David Barnett of NPR speaks with Professor Tod Machover about the use of technology in modern opera. Machover’s most recent opera, Death and the Powers, tells the story of a man who wants to live forever and downloads himself into a computer consciousness called “The System.”
“Artist and MIT professor emerita Joan Jonas, 77, has been chosen to represent the United States at the 56th Venice Biennale, the world’s most prestigious exhibition of contemporary art,” writes Sebastian Smee of The Boston Globe. Jonas is considered a pioneer in performance and video art.
New York Times reporter Carol Vogel writes that Professor Emerita Joan Jonas has been selected to represent the United States at the 2015 Venice Biennale. Paul C. Ha, director of the MIT List Visual Arts Center, nominated Jonas and will serve as commissioner of the exhibit.