Architecture

Dezeen’s Ellen Eberhardt describes how the renovation of the historic Metropolitan Warehouse, the new home of MIT’s School of Architecture and Planning, maintains “details such as the building's fortress-like corner towers and crenellated corbeled cornices, while punching new windows into its two-foot-thick walls.” Eberhardt highlights how “the project included careful ‘cutting strategies’ and the application of new support systems to shift existing loads within the building to make room for modern academic spaces such as studios and makerspaces.”  

For The Architect’s Newspaper, reporter Fred A. Bernstein details the renovation of the Metropolitan Warehouse, the new home of MIT’s School of Architecture and Planning, transforming the fortress-like storage warehouse into “light-filled classrooms and studios.” The building is “going to be a living laboratory and a teaching tool for generations of students,” shares Prof. John Ochsendorf. “Twenty years ago, MIT took me inside and asked if I could see a way to reuse the building. And I said, ‘Absolutely not.’ It was hard to imagine it could be as open and light-filled as it is. That took heroics.” 

In a “radical example of adaptive reuse” and a reimagining of a historic Cambridge landmark, MIT has transformed the Metropolitan Storage Warehouse into the new home of the School of Architecture and Planning, bringing together MIT’s architecture and design programs into one connected academic hub, reports Boston Business Journal reporter Maya Shavit. “There will be new installations and new manifestations of our students’ creativity every single week,” explains Prof. John Ochsendorf. “That’s unpredictable and messy, but it’s also part of the fun of being at a place like MIT where people are constantly inventing the future.”

In a Los Angeles Times opinion piece, Prof. Carlo Ratti and contributor Mario Carpo make the case that AI is built to imitate human creativity and is less capable of original design. “In a profession that defines itself through invention, GenAI increasingly is seen less as a creative genius and more as a ‘stochastic parrot’ — a term introduced in 2021 by leading AI researchers to describe a technology that learns to repeat the most likely sequences found in whatever data it’s been shown,” write Ratti and Carpo. 

Prof. Daniela Rus, director of CSAIL, joins Hakeem Oluseyi, host of GBH’s “Particles of Thought,” to discuss the lab’s work utilizing AI to enhance robots’ ability to move, reason, and act like humans. “The objective is to bring AI’s ability to understand text, images, and other online information to make physical machines intelligent, and if we achieve this then AI will not just reside in our computers—it will drive, it will walk it will fly, it will interact with us in the physical world.” 

WBUR’s Amelia Mason highlights the MIT Museum’s acquisition of the project archives of renowned architect I.M. Pei ’40, which includes details from some of Pei’s most famous works, such as the Louvre’s glass pyramid and the John F. Kennedy Presidential Library and Museum. “ It's an exciting moment for MIT,” says Jonathan Duval, MIT Museum assistant curator of architecture. “I.M. Pei's archive really belongs here. This is where he started his architectural career and education. It’s a homecoming.”

For Archinect, reporter Niall Patrick Walsh spotlights how the full archive of architect and alumnus I.M. Pei ‘40 has been donated to the MIT Museum. “Among the materials are drawings and documents from some of Pei’s best-known works, including the Louvre Museum modernization project in Paris, the John F. Kennedy Presidential Library and Museum in Boston, and the Rock and Roll Hall of Fame in Cleveland,” writes Walsh. “The archive also contains records relating to four buildings designed by Pei on the MIT campus: the Green Building, Dreyfus Building, Landau Building, and Wiesner Building.”

The archive of the renowned architect and alumnus I.M. Pei ’40 - including 1,500 rolls of architectural drawings, 50 models, and 1,000 linear feet of manuscripts – will be coming to the MIT Museum, reports Mark Feeney for The Boston Globe. “This landmark donation marks the homecoming of I.M. Pei to MIT,” says MIT Museum Director Michael John Gorman. “The MIT Museum is thrilled to steward his legacy and, together with MIT’s School of Architecture and Planning, establish a global hub for the study of I.M. Pei.”

Fast Company reporter Nate Berg spotlights how the full archive of architect and alumnus I.M. Pei ‘40  will be housed at the MIT Museum, noting that the collection will be the largest single repository of works by Pei. “I think there’s something really fascinating about architectural projects that are not necessarily burdened by the realities of building,” says Jonathan Duval, assistant curator of architecture and design at the MIT Museum. “Those are moments where you can really see what an architect’s priorities and intentions might have been.” 

During a live interview in the GBH studios with Curiosity Desk host Edgar B. Herwick III, Research Scientist AJ Perez shares his work developing a new method to reuse recycled plastic to 3D print construction-grade materials for home building, which could help reduce home construction costs. “This all started with the idea of trying to build the roughly one billion homes the world needs,” says Perez. 

Donlyn Lyndon, a former MIT professor who also served as head of MIT’s Department of Architecture and was known for his work designing an icon of modern architecture on a bluff in Northern California, has died at age 90, reports Penelope Green for The New York Times. 

According to the 2026 QS World University Rankings, MIT has been earned a No. 1 global ranking in 12 subject areas, including chemical engineering; chemistry; civil and structural engineering; computer science and information systems; data science and artificial intelligence; electrical and electronic engineering; engineering and technology; linguistics; materials science; mechanical, aeronautical, and manufacturing engineering; mathematics; and physics and astronomy, reports Michael T. Nietzel for Forbes.

Researchers at MIT have “developed a housing concept that challenges how long homes can last and evolve through time,” reports Soo Kim for Newsweek. “Known as the Heirloom House, the project is designed to last for a millennium while remaining flexible enough to adapt to daily use, shifting climates, and generational change,” explains Kim. 

Designboom reporter Kat Barandy spotlights how a new video “traces the technical process behind ‘Remembering the Future,’ the woven work by Janet Echelman at the MIT Museum.” The piece, which was developed during Echelman’s MIT Center for Art, Science and Technology (CAST) residency in collaboration with Prof. Caitlin Mueller, “uses braided fibers to translate climate data into a suspended artwork.” The MIT Museum operates, in the words of Museum Director Michael John Gorman, as “a playground for ideas, as a living lab.”  

Researchers at MIT have used “recycled plastic to 3D-print construction-grade beams, trusses, and other structural elements,” reports Soo Kim for Newsweek. The new design method “could offer a lighter, modular, and more-sustainable alternatives to wood-based framing,” explains Kim.