Architecture

Prof. Caitlin Mueller has been named Innovator of the Year by Architectural Record for her work advancing a “vision for building design and construction that unites these disciplines with computation to create structure that are sustainable, high performing, and delightful,” reports Architectural Record. “Her group develops computational design and digital fabrication methods that integrate efficiency, performance, material circularity, and architectural expression,” Architectural Record notes. “This work spans robotic assembly of optimized trusses, fabrication of low-cost earthen and concrete systems, and algorithmic strategies for reusing salvaged wood and reassembled concrete parts.” 

The MIT Museum presents “Remembering the Future,” a new installation by artist Janet Echelman in collaboration with Prof. Caitlin Mueller, reports Kat Barandy for DesignBoom. The installation suspends above the museum’s grand lobby and will be open to the public through fall 2027. “The work transforms climate data into a three-dimensional form that invites visitors to engage both visually and conceptually,” Barandy explains.

Dishita Turakhia SM '17, SMArchS '17, PhD '24 speaks with Huffpost reporter Brittany Wong to explore how people are using AI technologies. “Early adopters may help expand the creative boundaries of these technologies, but those who enter later, sometimes with more caution, often bring a critical lens that leads to more sustainable applications,” says Turakhia. 

New York Times reporter Catherine Porter spotlights Roofscapes, an MIT startup founded by Olivier Faber MArch '23, Tim Cousin MArch '23 and Eytan Levi MArch/MSRED '21 that aims to transform the zinc-roofed buildings in Paris into accessible green spaces as part of an effort to decrease building temperatures while improving quality of life. “We have an opportunity with all these untouched surfaces to do something that is virtually impossible anywhere else in a city like Paris,” explains Levi. “There’s a new way you can live.”

Writing for the Financial Times, Prof. Carlo Ratti explores the need for creativity in architecture. “More than ever, architecture needs experimentation,” explains Ratti. “In the face of a burning planet, we must draw on all forms of intelligence — natural, artificial and collective — to confront the challenges ahead. We need to try new materials, experiment with different ways to harness energy and test morphologies that will better sustain what the ancient Romans called civitas: the community of citizens. We need to explore new methods, engaging in a feedback loop of trial and error that mirrors the adaptive logic of nature itself.”

Prof. Carlo Ratti speaks with The Boston Globe columnist Jason Schwartz about how a proposed seven-story office building behind Fenway Park could make the beloved Green Monster wall appear a bit less monstrous. “The wall has always felt monumental not just because of its size, but because it stood against an open sky,” says Ratti. “When the backdrop becomes a building, the view compresses, and the Monster might lose some of its presence.”  

Interesting Engineering reporter Saoirse Kerrigan spotlights a number of MIT research projects from the past decade. MIT has “long been a hub of innovation and ingenuity across multiple industries and disciplines,” writes Kerrigan. “Every year, the school’s best and brightest debut projects that push the boundaries of science and technology. From vehicles and furniture to exciting new breakthroughs in electricity generation, the school’s projects have tackled an impressive variety of subjects.” 

Chronicle spotlights Miguel Rosales SM '87 and his work developing over 12 bridges in Boston, including the Leonard P. Zakim Bunker Hill Memorial Bridge. “Boston is my city,” says Rosales. “I’ve been here over 40 years. How these bridges have changed so many parts of the city… that is very important in my life.” 

Writing for Bloomberg, Prof. Carlo Ratti, curator of the 2025 Venice Biennale, describes his vision for the exhibition and explains how this year’s theme of adaptation connects to the future of architecture. “The planet has changed, and institutions must change too, especially those devoted to the built environment,” explains Ratti. “A biennale can become a tool for exploration, for collaboration, for reckoning. This doesn’t mean giving up on spectacle or beauty. But it does mean rethinking what we celebrate.” 

Architect reporter Blaine Brownell spotlights Prof. Caitlin Mueller’s work repurposing “discarded tree forks from urban forestry projects [and] repurposing the nodes as structural joints in hybrid reclaimed-engineered wood constructions.” Mueller and her team have “developed computer programs to catalog 3D scans of the tree forks as well as determine the appropriate cuts for their intended structural applications,” explains Brownell. “An algorithm matches prepared tree forks to three-dimensional intersections in the intended structural framework, streamlining the design process.” 

Diane Hoskins '79, global co-chair of architectural design firm Gensler, speaks with CNBC reporter Julia Boorstin after being named to the CNBC 2025 Changemakers list about “her path to success and lessons learned along the way.” “Solutions need to be framed by more than one discipline,” says Hoskins. “More people in our tech companies would benefit from having been in other domains, bringing more perspective to these tools across our daily lives.”

ArchDaily reporter Reyyan Dogan explores the 2025 Venice Architecture Biennale with Prof. Carlo Ratti, this year’s curator. Dogan notes that “by fostering a forward-thinking dialogue on the intersection of architecture and global crises, the Biennale encourages both visitors and practitioners to think critically about the role of architecture in shaping the future.” Ratti explains that this year’s exhibit “is really about how architecture can bring together all different forms of intelligence, and bridge them, and actually help adapt to a changing climate.” 

Prof. Carlo Ratti, curator of the 2025 Architecture Venice Biennale, speaks with Sofia Lekka Angelopoulou of Designboom about his vision for this year’s showcase, which centers around reimagining the role of intelligence in shaping the built environment. ‘It’s basically about how we can use different disciplines and different forms of intelligence in order to tackle the most important problem today: adaptation,” Ratti explains. “In short, you could say architecture is survival.”

Prof. Carlo Ratti, curator of the 2025 Venice Biennale, speaks with Archinect reporter Niall Patrick Walsh about his vision for the biennale as a “living laboratory from which ideas and research can emerge to guide the evolution of the built environment.” Says Ratti: “We are hoping to use the biennale to convey the message that architecture is about survival. Architecture is central to how we can move from climate mitigation to adaptation. If we can use the biennale as a way to reorient how we work and practice, that will be its most important legacy.”

Six MIT faculty members – Prof. Emerita Lotte Bailyn, Prof. Gareth McKinley, Prof. Nasser Rabbat, Prof. Susan Silbey, Prof. Anne Whiston Spirn, and Prof. Catherine Wolfram – have been elected to the American Academy of Arts and Sciences, reports Sarah Mesdjian for The Boston Globe. “The academy aims to honor accomplished leaders in a wide array of fields and ‘cultivate every art and science which may tend to advance the interest, honor, dignity, and happiness of a free, independent, and virtuous people,’” explains Mesdjian.