Olympian Alexis Sablone ’16 will be the new head coach for the United States women’s skateboarding team in the upcoming Olympic Games, reports Michelle Bruton for Forbes. Sablone “has one of the most decorated careers of any female street skater, with seven X games medals and a 2015 World Skateboarding Championship,” writes Bruton.
Forbes has named Raya Ani ’94, Ngozi Okonjo-Iweala MCP PhD ’81, ’78, and former postdoc Shulamit Levenberg to their 50 Over 50 list, which highlights women from Europe, the Middle East and Asia who are leading the way, reports Maggie McGrath for Forbes. “Women around the world are proving that 50 and beyond is the new golden age,” writes McGrath.
CNN reporter Jacopo Prisco spotlights Prof. Carlo Ratti and architect Italo Rota on their eco-friendly design of Italy’s pavilion at the Dubai Expo 2020. “One thing I do not like about temporary events – like various international exhibitions or the Olympic Games – is that a huge amount of waste ends up in landfills after just a few weeks or months,” says Ratti. “This is why we wanted the Italian Pavilion to address the temporary nature of the Dubai Expo 2020. Most architectural elements are recycled or recyclable, refused or reusable.”
Prof. Azra Aksamija speaks with NPR’s Scott Simon about her book "Design to Live: Everyday Inventions from a Refugee Camp," which spotlights the inventions and designs created by Syrian refugees at the Azraq refugee camp in Jordan. “For me, you know, what's so powerful about them is they visualize, on the one hand, this ingenuity of human spirit, yes, and resilience but, on the other hand, really, what is missing because people invent what is not provided,” says Aksamija, “and what is not provided are basic ideas of what constitutes human - essential human needs.”
Writing for Times Higher Ed, Agustín Rayo, interim dean of MIT’s School of Humanities, Arts and Social Sciences, and Hashim Sarkis, dean of the School of Architecture and Planning, underscore the importance of the arts, humanities, and design fields as “an essential part of an MIT education, critical to the Institute’s capacity for innovation and vital to its mission to make a better world." They add that "the MIT mission is to serve humankind, and the arts and humanities are essential resources for knowledge and understanding of the human condition.”
Prof. Azra Akšamija, founder of the MIT Future Heritage Lab, speaks with Guardian reporter Greta Rainbow about her new book “Design to Live: Everyday Inventions from a Refugee Camp,” which spotlights inventions created by residents of the Azraq refugee camp in Jordan. “In a disaster, it is really important to support the cultural revitalization of affected communities, not just the empty symbols of physical monuments,” says Akšamija. “And isn’t the culture they are producing while being displaced a heritage of the future?”
Alexis Sablone ’16, a professional skateboarded who competed in the 2021 Olympics, speaks with New York Times reporter Allie Conti about how she spends a typical Sunday in New York, “where she currently builds public art projects and furniture. And skates. A lot.”
Prof. Nida Sinnokrot speaks with Artform editor-in-chief David Velasco about his piece KA (Oslo), which is currently on display at the Palestinian Museum. “Hacking technologies and infrastructures of control that give rise to the social, political, environmental instabilities has always been a driving force in my practice,” says Sinnokrot.
NPR’s Mandalit Del Barco spotlights alumna Alexia Sablone M. Arch ’16, who is competing in street skateboarding at this year’s Olympics. Sablone notes that skateboarding has always been about self-expression, creativity and style, not winning medals. "At the end of the day, it's still skateboarding, but there's the nostalgic younger part of me that kind of wants to rebel against this new format of skateboarding," says Sablone. "The thought that people will grow up skateboarding in the future with an Olympic gold medal in mind is so foreign to me, you know?"
Alexis Sablone M. Arch ’16 speaks with Washington Post reporter Les Carpenter about street skateboarding, competing at this year’s Olympic Games, and why she is uncomfortable with being defined. “To me, I’m just always like trying to be myself and do things that I love to do and not try to fit into these categories in ways that I don’t feel comfortable with,” says Sablone.
Provost Marty Schmidt speaks with TopUniversities.com reporter Chloe Lane about how MIT has maintained its position as the top university in the world on the QS World University Rankings for 10 consecutive years. “I am honored to have been a part of the MIT community for almost 40 years,” says Schmidt. “It’s a truly interdisciplinary, collaborative, thought-provoking place that encourages experimentation and pushes you to expand your mind. I think it’s a wonderful place to call home.”
In an interview with of CBC Radio, graduate student Carmelo Ignaccolo discusses the need to better understand how to make cities good places for residents and tourists to coexist. "There are very different ways in which data can really help us plan better cities," says Ignaccolo.
Students in Prof. Azra Akšamija’s class created Covid-19 masks that reflected their experiences and shared powerful messages with the world, reports 7 News. “Students learn how to articulate problems they see in the world and issues that we are facing,” says Akšamija. “And to communicate that and translate that through their designs.”
Prof. John Fernández, Director of the MIT Environmental Solutions Initiative, partnered with Handel Architects on the design of a new Boston high-rise that will be the largest office building with Passive House-certification, an exacting sustainability standard. “This is exactly the kind of building that cities need to consider facilitating, because cities now have very aggressive carbon emissions reduction goals,” Fernández explains to Adele Peters of Fast Company.
As the curator of this year’s Venice Architecture Biennale, Hashim Sarkis, dean of the School of Architecture and Planning, addressed how we can live together and how architecture is responding to longstanding global issues that contributed to Covid-19’s global spread, from climate change and migration to political polarization and inequality, reports Elisabetta Povoledo for The New York Times. “The pandemic will hopefully go away,” said Sarkis. “But unless we address these causes, we will not be able to move forward.”