Architecture

According to the 2026 QS World University Rankings, MIT has been earned a No. 1 global ranking in 12 subject areas, including chemical engineering; chemistry; civil and structural engineering; computer science and information systems; data science and artificial intelligence; electrical and electronic engineering; engineering and technology; linguistics; materials science; mechanical, aeronautical, and manufacturing engineering; mathematics; and physics and astronomy, reports Michael T. Nietzel for Forbes.

Researchers at MIT have “developed a housing concept that challenges how long homes can last and evolve through time,” reports Soo Kim for Newsweek. “Known as the Heirloom House, the project is designed to last for a millennium while remaining flexible enough to adapt to daily use, shifting climates, and generational change,” explains Kim. 

Designboom reporter Kat Barandy spotlights how a new video “traces the technical process behind ‘Remembering the Future,’ the woven work by Janet Echelman at the MIT Museum.” The piece, which was developed during Echelman’s MIT Center for Art, Science and Technology (CAST) residency in collaboration with Prof. Caitlin Mueller, “uses braided fibers to translate climate data into a suspended artwork.” The MIT Museum operates, in the words of Museum Director Michael John Gorman, as “a playground for ideas, as a living lab.”  

Researchers at MIT have used “recycled plastic to 3D-print construction-grade beams, trusses, and other structural elements,” reports Soo Kim for Newsweek. The new design method “could offer a lighter, modular, and more-sustainable alternatives to wood-based framing,” explains Kim.  

Researchers at MIT have made “recycled plastic into floor trusses for housing,” reports Rima Sabina Aouf for Deezen. The researchers “3D printed a functional, construction-grade element using a composite material they developed from recycled polyethylene terephthalate (rPET) plastic – mostly derived from discarded drinks bottles – mixed with glass fibers,” explains Aouf. 

MIT researchers have developed a system that uses recycled plastic to 3-D print plastic trusses, reports Alex Knapp for Forbes. The trusses could "support more than 4,000 pounds—exceeding typical building standards," Knapp explains. "The bonus? This took less than an hour to manufacture."

Researchers at MIT have “found a way to transform a flat sheet into a functional 3D object with a single pull of a string,” reports Luis Prada for Vice. “The team developed a computational method that lets users design three-dimensional objects that can be fabricated as flat grids and then deployed almost instantly with a single tug,” explains Prada. 

Researchers at MIT have developed a new type of material that can transform into a 3D structure with the simple pull of a string, reports Gayoung Lee for Gizmodo. The new material could “have an impressive range of applications, from transportable medical devices and foldable robots to modular space habitats on Mars,” Lee explains. 

Writing for Bloomberg, Prof. Carlo Ratti explores how street configuration and design can help reduce traffic speeds. “In studies we have conducted at our Senseable City Lab, we found that the posted speed limits often have little effect on how fast people drive,” writes Ratti. “Instead, the policies that work involve the design of the street itself.” 

Prof. Caitlin Mueller has been named Innovator of the Year by Architectural Record for her work advancing a “vision for building design and construction that unites these disciplines with computation to create structure that are sustainable, high performing, and delightful,” reports Architectural Record. “Her group develops computational design and digital fabrication methods that integrate efficiency, performance, material circularity, and architectural expression,” Architectural Record notes. “This work spans robotic assembly of optimized trusses, fabrication of low-cost earthen and concrete systems, and algorithmic strategies for reusing salvaged wood and reassembled concrete parts.” 

The MIT Museum presents “Remembering the Future,” a new installation by artist Janet Echelman in collaboration with Prof. Caitlin Mueller, reports Kat Barandy for DesignBoom. The installation suspends above the museum’s grand lobby and will be open to the public through fall 2027. “The work transforms climate data into a three-dimensional form that invites visitors to engage both visually and conceptually,” Barandy explains.

Dishita Turakhia SM '17, SMArchS '17, PhD '24 speaks with Huffpost reporter Brittany Wong to explore how people are using AI technologies. “Early adopters may help expand the creative boundaries of these technologies, but those who enter later, sometimes with more caution, often bring a critical lens that leads to more sustainable applications,” says Turakhia. 

New York Times reporter Catherine Porter spotlights Roofscapes, an MIT startup founded by Olivier Faber MArch '23, Tim Cousin MArch '23 and Eytan Levi MArch/MSRED '21 that aims to transform the zinc-roofed buildings in Paris into accessible green spaces as part of an effort to decrease building temperatures while improving quality of life. “We have an opportunity with all these untouched surfaces to do something that is virtually impossible anywhere else in a city like Paris,” explains Levi. “There’s a new way you can live.”

Writing for the Financial Times, Prof. Carlo Ratti explores the need for creativity in architecture. “More than ever, architecture needs experimentation,” explains Ratti. “In the face of a burning planet, we must draw on all forms of intelligence — natural, artificial and collective — to confront the challenges ahead. We need to try new materials, experiment with different ways to harness energy and test morphologies that will better sustain what the ancient Romans called civitas: the community of citizens. We need to explore new methods, engaging in a feedback loop of trial and error that mirrors the adaptive logic of nature itself.”

Prof. Carlo Ratti speaks with The Boston Globe columnist Jason Schwartz about how a proposed seven-story office building behind Fenway Park could make the beloved Green Monster wall appear a bit less monstrous. “The wall has always felt monumental not just because of its size, but because it stood against an open sky,” says Ratti. “When the backdrop becomes a building, the view compresses, and the Monster might lose some of its presence.”