WBUR’s Lloyd Schwartz spotlights Prof. Tod Machover’s revival of “VALIS” at MIT, staged by Prof. Jay Scheib. “The score is an inventive and often hauntingly beautiful arrangement of synthesizer, live instruments, and electronically expanded instruments,” writes Schwartz, “which Machover calls ‘hyper-instruments,’ a compelling amalgamation of minimalism, medieval, Wagner and rock.”
Popular Science reporter Andrew Paul writes that MIT researchers have developed a new long-range, low-power underwater communication system. Installing underwater communication networks “could help continuously measure a variety of oceanic datasets such as pressure, CO2, and temperature to refine climate change modeling,” writes Paul, “as well as analyze the efficacy of certain carbon capture technologies.”
In the 2024 Wall Street Journal/College Pulse ranking, MIT has been honored as one of the best colleges in the United States, reports Emily Sweeney for The Boston Globe. This year’s ranking put a new emphasis “on student outcomes, such as graduation rates and graduate salaries,” explains Sweeney.
MIT has been named one of the top colleges in America in the 2024 Wall Street Journal/College Pulse ranking, report Kevin McAllister and Tom Corrigan for The Wall Street Journal. “The Wall Street Journal/College Pulse ranking emphasizes how much a college improves its students’ chances of graduating on time, and how much it boosts the salaries they earn after graduation,” explain McAllister and Corrigan.
MIT AgeLab Director Joseph Coughlin speaks with New York Times opinion columnist Farhad Manjoo about why the tech industry tends to ignore older people. “The market is aging,” says Coughlin. “The market is numerous. The market has got more money than the people they have been building products for.”
Olivier Faber MArch ’23, Tim Cousin MArch ’23 and Eytan Levi MArch/MSRED ’21 co-founded Roofscapes Studio – an MIT startup that is transforming rooftops into green roofs to provide outdoor spaces in cities and combat the effects of climate change, reports Julia Chatterley for CNN.
MIT has been named one of America’s Top Colleges in Forbes’ annual roundup, reports Emma Whitford and Janet Novack for Forbes. The annual list “showcases 500 of the finest U.S. colleges, ranked using data on student success, return on investment and alumni influence,” explain Whitford and Novack.
Prof. Tod Machover speaks with Boston Globe reporter A.Z. Madonna about the restaging of his opera ‘VALIS’ at MIT, which features an AI-assisted musical instrument developed by Nina Masuelli ’23. “In all my career, I’ve never seen anything change as fast as AI is changing right now, period,” said Machover. “So to figure out how to steer it towards something productive and useful is a really important question right now.”
Prof. Carlo Ratti co-authors an article for The Boston Globe that examines the “power and pitfalls of condensing cities into small, specialized utopias,” like Barbie Land and Los Alamos. “To see diversity at work, we need look no further than Barbenheimer itself,” they write. “This accidental double feature turned our empty movie theaters into pop-up cities, tiny but diverse, with two tentpole films like adjacent storefronts on the street.”
Gus Solomons Jr. '61, a “groundbreaking force in modern dance” has died at 84, reports Bryan Marquard for The Boston Globe. “Teacher, student, dancer, and choreographer, [Solomons Jr.] was based in New York City and commuted to Boston to spend each Tuesday teaching,” writes Marquard. “Performances with numerous dance groups in both cities packed his calendar, even before he made history as the first Black member of the legendary Merce Cunningham Dance Company.”
Gus Solomons Jr. ’61, “a leading figure in modern and postmodern dance,” has died at 84, reports Gia Kourlas for The New York Times. Solomons began dancing at age 4, but didn’t begin training until he was a first year student at MIT, where he earned a degree in architecture. “Over his long career, Mr. Solomons danced with many companies and many choreographers, including Martha Graham and Merce Cunningham,” Kourlas notes. “He broke ground as the first Black dancer to join the Cunningham company.”
Nature reporter Andrew Robinson spotlights “Atlas of the Senseable City” a new book co-authored by Prof. Carlo Ratti. The book is a “highly illustrated collection of digital maps,” Robinson notes, adding that it “analyzes four essential urban dimensions: motion, connection, circulation and experience.”
Researchers at MIT have developed a wearable ultrasound device that can be used to detect early signs of breast cancer, reports Rachel Keller and Bob Dumas for Boston 25 News. “This technology will be able to let you know if there’s a question mark, if there’s an anomaly, in your breast tissue,” says Prof. Canan Dagdeviren.
This past spring, Prof. J. Phillip Thompson and MIT lecturer Elisabeth Reynolds taught a class at MIT that sent students to work with local officials across the country to help identify available federal funds for climate change mitigation, reports Farah Stockman for The New York Times. “We have to figure out how to use it. Because if we don’t, wealthy communities will go green, and low-income communities will stay brown,” says Thompson. “Unless we do something intentionally to make sure that it is fair, it will bypass poor communities.”
Prof. Carlo Ratti writes for Financial Times about how new AI algorithms can impact the property market. “To train a real estate bot, our lab at MIT used pictures of 20,000 houses around Boston, as well as data that measured how their prices changed over time,” write Ratti. “When other variables were added — such as structural information and neighbourhood amenities — our algorithm was able to make very accurate predictions of how prices would change over time.”