Special events and guest speakers

Prof. Tod Machover’s composition “already and not yet,” was performed by members of the Boston Symphony Orchestra along with an AI system that listens to musicians and adds improvisations, reports A.Z. Madonna for The Boston Globe. “Music is something that’s meant to plumb your soul, and have you discover things,” says Machover. The composition is “about my view of where we are, how to take a deep breath and figure out, gather strength to go somewhere else, and then what a possible future of democracy might be.”  

Prof. Tod Machover speaks to WBUR’s Andrea Shea about “already and not yet” an interactive composition he wrote for the Boston Symphony Orchestra and an AI instrument developed by Machover and graduate student Manaswi Mishra. Machover explains that they designed the AI tools so that they’re “always going to make a kind of variation, a coloration, an extension of what the musician's playing – but exactly what it's going to do I do not have complete control over. I'm trying to show that it [AI] can be integrated in a beautiful, provocative and interesting way in a serious piece of music.”  

Metropolis reporter Anthony Paletta details how MIT’s inaugural Future Fest “brought together visionary leaders across design, technology, and art to address the world’s most pressing problems,” and also featured the public debut of the redesigned Metropolitan Warehouse. The festival featured discussions, exhibits and demonstrations on architecture, design and technology, including a new technique that utilizes knitted fibers as a flexible formwork for concrete, a discussion on how AI could be used to increase sustainability in construction and exploration of how “reef legos” can rebuild beaches and combat costal erosion. “There are no shortage of things going wrong in the world, and others likely to follow,” writes Paletta, “but MIT’s Future Fest offered reassuring proof that we’ve not run out of means to address these problems.” 

At the STAT Summit, President Sally Kornbluth joined Holden Thorp, editor-in-chief of the Science family of journals, for a panel moderated by STAT’s Anil Oza. During the conversation, Kornbluth emphasized the importance of curiosity-driven research and education at institutions like MIT, highlighting MIT for America, a new initiative aimed at ensuring learners and educators from Kindergarten through community college across the country have access to STEM education. “We want to both meet people where they are, give their kids the opportunity, and also make them understand us as people who care about their communities,” says Kornbluth.

Prof. Behnaz Farahi’s “Ocean of Dreams,” an interactive art installation currently on display in Kendall Square that features submissions from more than 400 international participants, is featured by Dezeen reporter Ben Dreith. “For me, design is ultimately a way of asking: what could be otherwise, and how might we help bring that possibility into being,” says Farahi. “That is also how I think about ‘Ocean of Dreams,’ as a space for collectively imagining and designing possible futures.”  

Boston Globe reporter Jon Chesto spotlights the fall fair event held as part of the MIT x GE Vernova Energy & Climate Alliance, during which, GE Vernova CEO Scott Strazik shared his enthusiasm for hiring MIT graduates. “Something we talk a lot about inside Vernova is the world is changing very quickly but we need to change quicker and even faster than that so we can lead in the world,” says Strazik. “Over the last year-plus on this campus, we see a lot of opportunities for us to get better through bringing you into the organization.”  

TechCrunch’s Amanda Silberling highlights Tony Fadell, the “father of the iPod,” and Designer in Residence at MIT’s Morningside Academy for Design, exploring what he learned from working with the first wave of agentic AI technology, in his presentation at the inaugural MIT Future Fest. “It took me a couple of years first to understand how best to utilize [an assistant], and then to trust them with the most sensitive data, and have them be an agent where they’re setting up meetings with people,” says Fadell. “Trust and safety are going to be paramount with anything that we turn over to some kind of intelligence.” 

Prof. Behnaz Farahi joins GBH’s, “The Curiosity Desk," to discuss “Ocean of Dreams,” a public art installation that projects participants’ collective hopes for the future into a “living ocean,” which is on display at Kendall Square Plaza as part of MIT Future Fest. “At the moment when we have so many conversations about the future that are shaped by uncertainty about AI, war, climate change, and displacements, I hope this work creates a space for something a little different,” says Farahi. “Before we can build a different future, we first have to be able to imagine one.” 

Star Trek’s original USS enterprise will be unveiled at MIT Future Fest this week, writes WBUR’s Nik DeCosta-Klipa for “Boston’s Morning Newsletter.” “The 33-inch model, which was used in the opening of each episode, has never been publicly displayed before on the East Coast. In fact, it was thought to be lost for decades before it popped up on eBay in 2023,” notes DeCosta-Klipa.  

The 33-inch original model of the ‘Starship Enterprise,’ from the 1960s “Star Trek” series, will be on display at the MIT Museum from Sept. 30 to March 28, writes reporter Mark Feeney for The Boston Globe. “We are thrilled to have the opportunity to show this unique model,” says MIT Museum Director Michael John Gorman. The model “is not merely a prop; it’s a time capsule of human aspiration.”  

Members of MassLive’s “25 Most Influential Innovators of 2026” list, which includes President Sally Kornbluth and a number of other MIT faculty and alumni, gathered at the MIT Museum to “discuss the forces shaping the future of innovation in Massachusetts,” writes reporter Tréa Lavery. “MIT Provost Anantha Chandrakasan said about half of undergraduate students at the school are studying some form of computing, and enrollment in those courses has gone up in recent years, prompting professors and administrators to rethink how they incorporate AI into their teaching,” writes Lavery.  

In a video short, The Boston Globe’s Daniel Kool spotlights “The Living Bucentaur,” a parade of 250 people dressed in repurposed sail cloth to celebrate the opening of the School of Architecture and Plannings’ new home in the Metropolitan Warehouse. “In 1916, when MIT moved from Boston to Cambridge, they built this elaborate barge called Bucentaur. It was white and it had this beautiful decoration with angels and stucco and everyone was wearing costumes and waving tea squares,” says Prof. Azra Aksamija. “This project is in a way a reenactment.”  

MIT’s School of Architecture and Planning (SA+P) Dean Hashim Sarkis speaks to WBZ News Radio’s Emma Friedman about “The Living Bucentaur,” the Sept. 8 procession made up of 250 people, to SA+P’s new home in the redesigned Metropolitan Warehouse. “This is really a very conscious reenactment of the moment that MIT decided to move to Cambridge from Boston,” says Sarkis. “After all, moving into this building is an act of renewal.” 

MIT’s inaugural Future Fest, a new festival exploring the future of science, technology, art, and design will be held across the MIT campus from Sept. 30 to Oct. 4, writes Mark Feeney for The Boston Globe. “More than 50 events looking at art, design, science, technology, and their interactions will be held on the MIT campus,” the staff write. “Those events held at the museum will be free throughout the festival, which concludes on Oct. 4 with the Cambridge Science Carnival.” 

MassLive’s Joshua Macht explains how the MIT Museum is a “fitting” setting to host the honorees of MassLive’s “Most Influential Innovators” list, which includes President Sally Kornbluth and a number of other MIT faculty and alumni. “The museum welcomes all to participate in MIT’s unique culture of problem solving and playful creativity,” writes Macht. “It is also producing the inaugural MIT Future Fest, a new, annual festival exploring the future of science, technology, art and design.”