Making machines that can listen
Professor Paris Smaragdis develops computers with superhuman hearing for applications like speech recognition, music understanding, and environmental monitoring.
Professor Paris Smaragdis develops computers with superhuman hearing for applications like speech recognition, music understanding, and environmental monitoring.
The MIT composer’s inventive “already and not yet,” premiering at the Boston Symphony Orchestra, uses new AI tools to create interplay with musicians while thematically exploring the fortunes of democracy.
Associate Professor Anna Huang delivers the keynote address, “In Search of Human-AI Resonance,” to a capacity crowd.
Fourth-year PhD candidate Perrin Davidson studies the carbon cycle to understand how the planet responds to global disturbances.
The George Peabody Medal is the highest honor bestowed by the Peabody Institute of the Johns Hopkins University.
Based on the physics of how the instrument produces sound, the model could help violin makers in the design process.
Saxophonist Miguel Zenón, a Grammy-winning MIT faculty member, creates a distinctive blend of jazz and traditional Puerto Rican music.
Mariano Salcedo ’25, a master’s student in the new Music Technology and Computation Graduate Program, is designing an AI to visualize and express music and other sounds.
Through an interdisciplinary collaboration between MIT and the Museum of Fine Arts, Boston, researchers are creating playable physical and synthesized replicas.
An acclaimed composer and longtime MIT faculty member, Makan will direct the next act in MIT’s story of artistic leadership.
Leslie Tilley combines deep experience as a musician with cultural and formal analysis, to see how people refashion music anew.
The former department chair was an early innovator in the use of artificial intelligence to both study and influence how children learn music.
Media Lab PhD student Kimaya Lecamwasam researches how music can shape well-being.
Brain imaging suggests people with musical training may be better than others at filtering out distracting sounds.
Groundbreaking MIT concert, featuring electronic and computer-generated music, was a part of the 2025 International Computer Music Conference.