Media Lab

Prof. Tod Machover’s composition “already and not yet,” was performed by members of the Boston Symphony Orchestra along with an AI system that listens to musicians and adds improvisations, reports A.Z. Madonna for The Boston Globe. “Music is something that’s meant to plumb your soul, and have you discover things,” says Machover. The composition is “about my view of where we are, how to take a deep breath and figure out, gather strength to go somewhere else, and then what a possible future of democracy might be.”  

Prof. Tod Machover speaks to WBUR’s Andrea Shea about “already and not yet” an interactive composition he wrote for the Boston Symphony Orchestra and an AI instrument developed by Machover and graduate student Manaswi Mishra. Machover explains that they designed the AI tools so that they’re “always going to make a kind of variation, a coloration, an extension of what the musician's playing – but exactly what it's going to do I do not have complete control over. I'm trying to show that it [AI] can be integrated in a beautiful, provocative and interesting way in a serious piece of music.”  

Washington Post reporter Ariana Eunjung Cha spotlights Prof. Pattie Maes’ research at the intersection of AI and memory, including her wearable AI devices designed to assist older adults that “capture pieces of everyday experience and make them retrievable later.” Maes’ research “takes on particular urgency for people with Alzheimer’s disease and other forms of dementia, diseases defined by memory loss that can rob a person’s ability to navigate everyday life independently,” writes Eunjung Cha.  

Prof. Behnaz Farahi’s “Ocean of Dreams,” an interactive art installation currently on display in Kendall Square that features submissions from more than 400 international participants, is featured by Dezeen reporter Ben Dreith. “For me, design is ultimately a way of asking: what could be otherwise, and how might we help bring that possibility into being,” says Farahi. “That is also how I think about ‘Ocean of Dreams,’ as a space for collectively imagining and designing possible futures.”  

Prof. Pat Pataranutaporn and graduate student Manuel Cherep speak to the Scientific American’s Mary Randolph about companies creating AI agents to assist users in personal tasks. “We have this narrative crisis about AI right now. There’s two opposite visions of the future, and while people worry about AI,” says Pataranutaporn, “there’s this cute AI tool that’s being released.” 

Prof. Behnaz Farahi joins GBH’s, “The Curiosity Desk," to discuss “Ocean of Dreams,” a public art installation that projects participants’ collective hopes for the future into a “living ocean,” which is on display at Kendall Square Plaza as part of MIT Future Fest. “At the moment when we have so many conversations about the future that are shaped by uncertainty about AI, war, climate change, and displacements, I hope this work creates a space for something a little different,” says Farahi. “Before we can build a different future, we first have to be able to imagine one.” 

In an opinion piece for The Wall Street Journal, Gabriele Mazzini, a research affiliate at the MIT Media Lab, explains why “policymakers and voters need to resist AI exceptionalism” amidst recent warnings of a potential AI apocalypse. “There is no sentient [AI] actor lurking in the weights to be reasoned with, feared or pacified,” writes Mazzini. “There are only human software engineers, product managers and corporate boards deciding which guardrails are worth the latency cost and which permissions can be skipped in the race to market.” 

Members of the MIT community speak to Boston 25 News reporter Lisa Gresci about how they use AI, and their concerns with regulating the technology. Developers should consider, “how AI can help communities so [they are] not just building things, but are also deploying it [with purpose] out in the world,” says graduate student Anku Rani.  

In a video, Visiting Scholar Ariel Ekblaw speaks to NBC News about floating, magnetic tiles that could be used to build structures in space. “We could self-assemble these [tiles] on the Moon,” says Ekblaw. “We could make habitats for the Artemis program. Once we have this idea of modular space tiles, there’s so many different things that we can do with self-assembly.”  

MIT researchers have created a microscope that can image electrical activity in neurons across the brain, writes Earth.com’s Eric Ralls. “We can now ask: Which neurons respond first?” says Zeguan Wang, first author on the study. “Where does a sequence begin, and how does activity spread to recruit the rest of the network?” 

MassLive’s “Most Influential Innovators” list, which celebrates inventors from across the Commonwealth, spotlights numerous MIT community members including President Sally Kornbluth, Prof. Russ Tedrake; Noubar Afeyan PhD ‘87 (a member of the MIT Corporation), Visiting Scientist Brandon Sorbom PhD ‘17, Visiting Scholar Ariel Ekblaw SM '17, PhD ‘20, Tye Brady SM '99, Maxim Lobovsky SM ‘11, and Andy Ory. “Kornbluth has been working hard to defend the university, which has long been a major economic engine not just for Massachusetts, but for the country,” writes reporter Scott Kirsner. 

MIT Media Lab researchers found that using large language models for writing assistance was associated with weaker recall and lower ownership of the work produced, writes Forbes’ Glenn Llopis. “Notice the pattern: when AI does too much, the person may retain too little,” writes Llopis.  

A study by researchers from the MIT Media Lab found up to 55% lower neural connectivity in participants who used AI for writing assistance, and flagged children as especially vulnerable, writes Forbes’ Dana Williams. “83% of participants who used a chatbot could not quote a single sentence from an essay they had finished minutes earlier, versus roughly 11% of those who wrote unaided,” Williams notes. “The words were produced, but they never entered a mind.”  

MIT researchers found that purchased AI tools succeed roughly twice as often as comparable in-house builds, Forbes’ Dennis Vorobyov highlights. “[S]o spend the engineering effort where you are genuinely differentiated,” writes Vorobyov. “Budget wise, none of this requires a moonshot, just clarity and sequencing.” 

Prof. Danielle Wood speaks to the Scientific American’s Tom Metcalfe about how the current models of space travel, that have created trash and debris in Earth’s atmosphere and orbit, are unsustainable. “Sustainability in space means that we are able to leave to future generations something like the natural state of the Earth, the moon and the solar system,” says Wood.