Faculty

Prof. Tod Machover’s composition “already and not yet,” was performed by members of the Boston Symphony Orchestra along with an AI system that listens to musicians and adds improvisations, reports A.Z. Madonna for The Boston Globe. “Music is something that’s meant to plumb your soul, and have you discover things,” says Machover. The composition is “about my view of where we are, how to take a deep breath and figure out, gather strength to go somewhere else, and then what a possible future of democracy might be.”  

Prof. Tod Machover speaks to WBUR’s Andrea Shea about “already and not yet” an interactive composition he wrote for the Boston Symphony Orchestra and an AI instrument developed by Machover and graduate student Manaswi Mishra. Machover explains that they designed the AI tools so that they’re “always going to make a kind of variation, a coloration, an extension of what the musician's playing – but exactly what it's going to do I do not have complete control over. I'm trying to show that it [AI] can be integrated in a beautiful, provocative and interesting way in a serious piece of music.”  

Poets & Quants reporter Jeff Schmitt writes that MIT Sloan School of Management’s Assistant Dean Dawna Levenson has been honored as the “MBA Admissions Director of the Year,” by Poets & Quants. “Dawna brings a very human-first approach to MIT Sloan Admissions, deeply learning about our applicants as people and professionals, getting to know them through interviews, and understanding how they hope to make a difference in the world through their education,” says Sloan Dean Richard Locke. “She supports students throughout the admissions journey, providing guidance, helping them navigate the process, and pivoting, as needed, to support their matriculation.”  

In The Boston Globe’s “Starting Point Newsletter,” reporter Anna Kusmer features Prof. Sherry Turkle’s insights from her latest book “Artificial Intimacy: Who We Become When We Talk to Machines,” including the risks that AI companionship poses to school-aged children. “Children are bringing the world inside; they’re bringing the people around them inside them to create an inner life,” says Turkle. “And when you talk to a chatbot, there is nothing to bring inside. There is no caring person.” 

In an interview with Wired’s Steven Levy, Prof. Sherry Turkle discusses how she witnessed chatbots with human-like features becoming “dangerously enmeshed” with people, during research for her latest book “Artificial Intimacy: Who We Become When We Talk to Machines.” “In every serious interview I do, people invoke this myth about practice—that you use chatbots to practice for talking to your boss, your lover, your teacher,” says Turkle. “But when you’re bathing in the warm soup of total acceptance, talking to chatbots becomes the endgame.” 

Prof. Sherry Turkle joins The Boston Globe’s Anna Kusmer, host of the “Say More” podcast, to discuss how AI chatbots can significantly deskill school-aged children, as detailed in her latest book, “Artificial Intimacy: Who We Become When We Talk to Machines.” “People in the thick of this know it is not good for children, it’s a deskilling,” says Turkle. “If your chatbot reads for you, you don’t learn to read, you learn to listen to a podcast about a book, if your chatbot writes for you, you don’t learn to think, because thinking is writing, you learn to sort of edit your chatbots ideas: you learn to prompt.”  

Prof. Behnaz Farahi’s “Ocean of Dreams,” an interactive art installation currently on display in Kendall Square that features submissions from more than 400 international participants, is featured by Dezeen reporter Ben Dreith. “For me, design is ultimately a way of asking: what could be otherwise, and how might we help bring that possibility into being,” says Farahi. “That is also how I think about ‘Ocean of Dreams,’ as a space for collectively imagining and designing possible futures.”  

On The New York Times’ “Ezra Klein Show,” Prof. Sherry Turkle shares her insights on humans seeking companionship with AI chatbots, detailed in her latest book, “Artificial Intimacy: Who We Become When We Talk to Machines.” In relationships with chatbots, “on the one hand, people start to see the chatbots more like people,” says Turkle. “But I think, maybe more significantly, people start to be disappointed with people when they don’t behave like chatbots. They start to think of themselves as if they were computers.”  

Prof. John Urschel speaks with Wall Street Journal reporter Andrew Beaton about how he called an audible and pivoted from the NFL to a career in mathematics, delving into his time playing for the Baltimore Ravens, his graduate studies at MIT and the publication of his latest research, which proves a decades-old mathematical conjecture. “I feel like I bet on myself in a big way,” Urschel says. “I’m living my best life right now.” 

Prof. John Urschel found that the Gaussian elimination algorithm, used to calculate shared solutions to a group of equations, specifically linear equations, is close to 100 percent reliable, writes reporter Miriam Waldvogel for The Washington Post. “It just seems so interesting that the most fundamental algorithm we have in the field, we do not fully understand,” says Urschel. “I really love this question of why versus how, and this idea of understanding what’s going on.” Remarking on his previous career as an NFL player, he shares: “If a student thinks that’s cool and [it] gets them to come take my class, and they learn a lot of cool, numerical math, that sounds great to me.”

Prof. Eric So joins Bloomberg’s “Businessweek Daily” to discuss his debut book “The Collision: What AI does to us,” which explores the intersection of AI and human cognition. “I think of AI as being a force multiplier, something that can really make us productive, but too often people are focused on just really the capability enhancements of AI without thinking about the other side of the ledger which is: ‘what is it taking from us in that exchange,’” says So. “It matters how we go about using the tool.”  

“Structured around key stages in psychological development — childhood, adolescence, love, work, [and] death,” Prof. Sherry Turkle’s latest book, “Artificial Intimacy: Who We Become When We Talk to Machines,” “argues strongly that our new ‘posthuman conversational partners’ [AI chatbots] are inadequate companions for life’s journey,” writes reporter Becky Hogge for the Financial Times. “The more we recognize our vulnerability to the virtual, the more we’ll be able to commit to the real,” explains Turkle. We need to “reinvent sociality.”  

VulcanForms, a 3-D printing manufacturer that produces “complicated metal parts for a variety of industries, at speed and at scale,” founded by Martin C. Feldmann ’14 and Prof. John Hart, is expected to double its workforce within the next year, reports Jon Chesto for The Boston Globe. “We were born out of MIT, we’ve kind of got our DNA here,” says Kevin Kassekert, chief executive of VulcanForms. “Massachusetts is a place where you can attract the best talent in the world.” 

On Slate’s “What Next: TBD” podcast, Prof. Sherry Turkle explains the current “state of emergency” brought on by humans seeking connection with AI chatbots, detailed in her latest book “Artificial Intimacy: Who We Become When We Talk to Machines.” In conversations with chatbots “empathy is undermined and our capacity for relationships with other people is undermined,” says Turkle. “It’s an emergency because empathy and our capacity for relationships with other people is what makes us human, and you can’t just have that deteriorated.”  

Prof. Sherry Turkle joins Tracey Follows, host of “Me:chine Dialogues,” to discuss issues with AI companionship, as described in her latest book “Artificial Intimacy: Who We Become When We Talk to Machines.” “Chatbots are not interested that there's no water to drink, or that the weather is crazy, or we can't live in the heat, or the garbage isn't picked up,” says Turkle. “They don't live in that world. So the world needs you. Reality needs you. The idea that you're sitting there being told you're the greatest, you're wonderful, you're fantastic, by a thing that isn't a person: that's a corporate endgame.”