MIT Museum

Boston Globe reporter Malcolm Gay spotlights the “AI: Mind the Gap” exhibition at the MIT Museum, “which explores the social, cultural, and political implications of deepfakes and other forms of generative AI.” The exhibit is “meant to address the idea that technology can manipulate what we perceive as true or false,” said Lindsay Bartholomew, exhibit content and experience developer for the MIT Museum. “But you also need to appreciate what you can do as a human, you have some agency here.”

Boston.com reporters Zipporah Osei, Alex Svenson, Annie Jonas, and Kristina DaPonte spotlight the MIT Press Bookstore in their guide to independent bookstores in the Greater Boston area. “In the heart of Kendall Square, MIT Press Bookstore is ‘one of the only retail bookstores owned and operated by a university press,’” they write. “Part of the MIT Kendall Gateway, you’ll also find the MIT Museum, which ‘seeks to demystify some of the school’s opaque inner workings.’”

Research Scientist Robert Ajemian, graduate student Greta Tuckute and MIT Museum Exhibit Content and Experience Developer Lindsay Bartholomew appear on The Economist’s Babbage podcast to discuss the development of generative AI. “The way that current AI works, whether it is object recognition or large language models, it’s trained on tons and tons and tons of data and what it’s essentially doing is comparing something it’s seen before to something it’s seeing now,” says Ajemian.  

Boston Globe reporter Malcom Gay writes that Michael John Gorman, “a museum professional who has created and run several organizations devoted to science and the arts,” has been named the next director of the MIT Museum. At the MIT Museum, "Gorman inherits a dynamic new cultural venue replete with gallery space, forum areas, learning labs, a public maker hub, and collection of some 1.5 million objects,” Gay writes.

Keelin Caldwell, director of engagement for the MIT Museum, speaks with GBH host Jared Bowen about the MIT Museum’s After Dark series, including their upcoming event, “Beyond The Fold,” which will allow participants to explore the art and science of folding. Caldwell explains that the After Dark series happens monthly, noting “there is always a different theme, and that theme is an opportunity to both narrow in but stay broad, and we really try to have activities that appeal to a lot of different people.”

Chronicle visits the new MIT Museum, highlighting a number of exhibits, including one exploring the research behind the hunt for gravitational waves and another that examines the impacts humans are having on the environment. “We try to be a window, going both ways, between MIT and the rest of the public,” explains Prof. John Durant, director of the MIT Museum. “We’re also trying to get people to have a glimpse of how a world-class research institution actually works.”

PBS host Jared Bowen highlights the scientific advancements on display at the MIT Museum. “We’re here to turn MIT inside out,” says Prof. John Durant, director of the MIT Museum. “We want people to understand what contemporary research and innovation are all about and what they mean for everyday life.”

A new exhibit at the MIT Museum, “To Look and Learn: The Creative Photography Laboratory at MIT,” documents a “varied and vital visual era” at MIT," writes Mark Feeney for The Boston Globe. One legacy of MIT’s Creative Photography Laboratory is “the tradition of rewarding photography shows at the MIT Museum," Feeney notes. "'To Look and Learn' is the latest example.”

Fast Company reporter Nate Berg spotlights the grand opening of the redesigned MIT Museum. “Braiding the science and the art together, I think it places the science into the context that it is part of our culture and our lives, it’s not a white tower experience,” says Ann Neumann, director of exhibitions and galleries at the museum.

GBH Open Studio reporter Jared Bowen explores the new MIT Museum in Kendall Square. “The reimagined MIT Museum looks at all the advances in technology and their positive – and controversial – effects on society, from genetic engineering to the increasing role that artificial intelligence is playing in art and media,” says Bowen.  

MIT Museum Director John Durant speaks with Boston Globe reporter Mark Feeney about the significance of the new location of the MIT Museum and what makes the museum such a special place. Of the museum’s new home in the heart of Kendall Square, Durant says, “I think MIT is committing itself here to the importance of its museum as a kind of gateway institution, as a way of helping the wider community understand what MIT is about.”

The new MIT Museum includes an exhibition by kinetic sculptor Arthur Ganson called “Gestural Engineering,” which features a collection of table-top sized kinetic sculptures. Boston Globe reporter Murray Whyte notes that “Symbionts: Contemporary Artists and The Biosphere,” an exhibition highlighting the collision of art and science, will premiere at the List Visual Arts Center on October 21 and run through February 26.

Prof. Tod Machover’s multi-sensory musical score, “Brain, Body + Breath,” will premiere at the MIT Museum the weekend of Oct. 14, reports Lauren Williams for WBUR. “The concert will explore how music affects our entire beings, whether we are performing or listening to it,” writes Williams.

The new MIT Museum, a “purpose-built exhibition and gathering space in the heart of Kendall Square,” writes Boston Globe reporter Malcom Gay, “seeks to demystify some of the school’s opaque inner workings, makes itself broadly approachable with expanded gallery space, forum areas, learning labs, and a maker hub where visitors can work on museum-led projects.” MIT Museum Director John Durant explains: “We want people to feel that this is their museum.”

The Engine has moved into a new building situated between Kendall and Central Square in Cambridge, reports Jon Chesto for The Boston Globe. “Katie Rae, chief executive and managing partner of The Engine, said having a physical place for startups to work was a crucial part of the original ‘tough tech’ concept,” writes Chesto.