New York Times reporter Sam Lubell spotlights how Hashim Sarkis, dean of MIT’s School of Architecture and Planning, addressed the theme of how we live together through this year’s Venice Architecture Biennale. “We now have a different set of eyes for how we see the world because of the pandemic,” says Sarkis. “But the issues are still the same. The pandemic helped bring them into focus and accelerate the kinds of responses we had been reluctant to make.”
Hashim Sarkis, dean of SA+P and curator of this year’s Venice Architecture Biennale, speaks with Cajsa Carlson of Dezeen about how the field of architecture is transforming due to climate change, the Covid-19 pandemic, and efforts to increase diversity and representation. "Talent and imagination are not restricted to advanced development economically,” says Sarkis. “I hope this message comes across in this biennale.”
Fast Company reporter Mark Wilson writes that MIT researchers have developed a new light-sensitive paint, dubbed ChromoUpdate, that makes it easy for people to change the color and pattern on a variety of objects. Wilson notes there are a number of applications for ChromoUpdate, from testing out different colors on a product to “quickly projecting what is essentially data onto everyday objects could make smart homes even smarter, without the use of more screens in your house.”
MIT startup Graviky Labs is partnering with the fashion label Pangaia to create clothing featuring graphics made from pollution sucked out of the air, reports Elizabeth Segran for Fast Company. “It’s an entirely new approach to carbon capture,” says alumnus and Graviky Labs co-founder Anirudh Sharma. “We’re literally extracting carbon particles from the atmosphere and selling it to the consumer.”
Nobull, a direct-to-consumer fitness brand co-founded by alumnus Marcus Wilson MBA ’04, is releasing a line of apparel designed by Boston teens, as part of an effort with Artists for Humanity to help connect under-resourced teens with opportunities in arts and design, reports Anissa Gardizy for The Boston Globe.
Writing for the New York Daily News, Prof. Sandy Alexandre underscores the importance of having a role for the humanities in the White House. “Ultimately, presidents who are vocal about believing in science — the power of facts — should also be vocal about their belief in and support of the humanities — the power of history, language, the imagination, critical thinking and hope,” writes Alexandre.
Paul Ha, director of the MIT List Visual Arts Center, is serving as one of the advisors to Simone Leigh, the first Black artist selected to represent the U.S. at the Venice Biennale, reports Andrea Shea for WBUR.
Fast Company reporter Mark Wilson spotlights Prof. Ekene Ijeoma’s project, A Counting, which aims to capture audio recordings of the more than 1,300 languages that Americans speak. “The question for A Counting is how we can count to a whole using everyone’s voices to represent,” says Ijeoma, “not just languages, but voices and accents as a way of representing their cultural and ethnic identities.”
A new tool developed by MIT researchers sheds light on the operations of generative adversarial network models and allows users to edit these machine learning models to generate new images, reports Daphne Leprince-Ringuet for ZDNet. "The real challenge I'm trying to breach here," says graduate student David Bau, "is how to create models of the world based on people's imagination."
Boston 25’s Chris Flanagan reports that MIT researchers developed a website aimed at educating the public about deepfake technology and misinformation. “This project is part of an awareness campaign to get people aware of what is possible with both AI technologies like our deepfake, but also really simple video editing technologies,” says Francesca Panetta, XR creative director at MIT’s Center for Advanced Virtuality.
MIT researchers created a deepfake video and website to help educate the public of the dangers of deepfakes and misinformation, reports Mike Wall for Space.com. “This alternative history shows how new technologies can obfuscate the truth around us, encouraging our audience to think carefully about the media they encounter daily,” says Francesca Panetta, XR creative director at MIT’s Center for Advanced Virtuality.
Scientific American explores how MIT researchers created a new website aimed at exploring the potential perils and possibilities of deepfakes. “One of the things I most love about this project is that it’s using deepfakes as a medium and the arts to address the issue of misinformation in our society,” says Prof. D. Fox Harrell.
Boston Globe reporters Patricia Harris and David Lyon spotlight MIT’s public art collection. “A striking collection of modern sculpture, much of it tucked away in secluded courtyards and grassy quads,” they write. “Large-scale sculpture lives at the nexus of art and architecture,” adding that MIT, “has always been a school of imaginative can-do.”
Gizmodo reporter Andrew Liszewski writes that CSAIL researchers have developed “a new spray-on ink that can infinitely change colors, designs, and patterns when blasted with different wavelengths of light.”
New tools developed by CSAIL researchers allow users to design a pattern that can be used to 3D print knitted garments, reports Elizabeth Segran for Fast Company. “We’re exciting about how this can be used by everyday, nonexpert knitters,” says graduate student Alexandre Kaspar. “This lets anybody become a designer.”