As an undergraduate at Princeton University, Jessica Myers MCP ’17 threw herself into writing a thesis on urban food markets in New Orleans. After many months of work, however, she was disappointed to see it filed away, virtually unread. For her graduate thesis in MIT’s Department of Urban Studies and Planning (DUSP), she was determined to resist that fate.
Interested in writing about the urban fabric of Paris, she spoke with members of DUSP’s Community Innovators Lab (CoLab), who suggested that she produce a podcast that could be disseminated online to a wider audience. She’d never created a podcast, Myers says, but as an avid podcast listener, she was excited about the challenge of figuring it out.
The result is “Here There Be Dragons,” a two-season, 13-episode (and counting) exploration of urban life in New York and Paris through the themes of race, class, and security. “I basically wanted to ask questions about fear,” says Myers, “looking at how people prepare themselves to be in a city and create mental maps and strategies.”
Myers isn’t from a big city herself; she grew up in the bedroom community of Plainfield, New Jersey. But she fell in love with Paris during a study abroad semester during which she held a number of jobs — washing dishes at a restaurant, translating poetry for a cabaret, and working as an archivist at the Centre Pompidou. “I was all over the city, working in a lot of different contexts, and that made me very interested in how it works socially and politically.”
At MIT, she took a class with DUSP lecturer Jota Samper on “conflict cities” that examined how policies around security affect the use of public space. While other students studied Teheran, Donetsk, or Medellin, Myers chose to focus on Paris. “With older Western cities, we typically look at them as historical case studies, seeing them as ‘developed’ rather than ‘developing,’” says Myers. “But on a neighborhood level, they are dealing with the same social and cultural issues as the global south.”
For her podcast, Myers honed her craft with a first “season” on New York, featuring interviews with seven people about how they constructed mental maps of where they felt safe and unsafe. “If I am a woman, where am I not going to wear a short skirt; if I am queer, where can I hold hands,” she says. “I wanted to look at all of these strategies people have and how they change over time.”
After developing her interview techniques and tweaking the software she used to weave together the program, she set forth on a second season on Paris, starting with reactions to the terrorist attacks of November 2015. “What was interesting was that white men were very shocked at the prospect of having to feel worried in a public space,” says Myers. “Whereas women and LGTBQ interviewees were more like, ‘This is another thing I need to add to my running ticker tape of public stress.’”
As she spoke to different groups — white, immigrant, middle class, and poor — about where they felt safe or unsafe in the city, the conversations took a surprising turn toward issues of gentrification. For middle-class Parisians, the introduction of a wine shop or brunch spot on a previously “unsafe” corner made them extend their mental map. For residents of poor neighborhoods, however, an influx of unfamiliar faces made them feel unsafe. “If you rely on the so-called ‘eyes on the street’ to keep your kids safe,” Myers says, “then all of a sudden that change breaks up your sense of community trust.”
Later episodes of the podcast address the contradictions of the French policy of mixité, a social housing program based on the ideal of mixing social classes that relocates poorer people such as immigrants from North and West Africa into more affluent arrondissements. “But what exactly is the support offered to those families?” Myers asks. Often even second- or third-generation African-French citizens are referred to as “immigrants” by white French people. “If they cook food with strong peanut sauces and neighbors smell it, will it be a nuisance? Will they feel hostility in a place that is supposed to be their home?”
For each episode, Myers created a script, transcribing the interviews in French and then translating them into English. She cast English speakers to closely match the original subjects in age, gender, and ethnicity, and overlaid the English audio onto the French. It’s an effective strategy in bringing the issues alive, says Myers’s advisor, professor of landscape architecture and planning Anne Whiston Spirn. “Hearing their voices and their words, it makes it so clear that the ideas are emerging from the data,” she says. “You often don’t get that as directly in a more conventional thesis.”
Since DUSP first offered students the option of a media-based thesis four years ago, Spirn has overseen several other students with backgrounds in film and photography who created multimedia explorations of urban planning. She hopes that in the future, more students like Myers, who didn’t arrive with a media background, can take that approach. “I am interested in promoting these theses and in giving students the support they need in order to do them.”
In telling the stories of her subjects, Myers had to balance between the academic demands of her thesis and the entertainment value of a podcast. “I think academics have lost a crucial audience because there is little emphasis on being engaging, and news has decided to become so much a part of entertainment, that there is no grounding in rigor,” she says. In addition to receiving guidance from Spirn, she’s worked with a producer from BuzzFeed France in maneuvering between those poles.
Her formula seems to be working. “I would say it’s as rigorous as any thesis I’ve seen, and at the same time it’s enormously engaging,” says Spirn. In recognition of the achievement, Myers was awarded honorable mention for the department’s outstanding thesis award.
Currently the podcast is downloaded 200 times a week by listeners in the United States and France, as well as from as far away as Iceland, Hong Kong, and Chile. “I hope that people take away from this the fact that Paris is still developing, and the conversation isn’t over about what it can become,” says Myers, who is thrilled with the wide reach of the work. “Someone in Medellin or Mogadishu might have something to contribute.”