Boston Globe reporter Jeremy Eichler spotlights Prof. Tod Machover’s new opera, “Schoenberg in Hollywood,” which looks at the life and work of the composer Arnold Schoenberg. Eichler writes that the opera is “at once an earnestly admiring tribute and an unconventional biographic fantasia.”
Boston magazine highlights Prof. Tod Machover’s new opera “Schoenberg in Hollywood” in their fall guide to the arts in Boston. Boston magazine notes that the opera is “about a brilliant composer fleeing the Nazis and landing in 1930s L.A.—you’ve never seen opera like this.”
Developed by MIT researchers, ConcertCue, an app that provides real-time program notes during live classical music performances, has received a $50,000 grant from the Knight Foundation’s Prototype Fund, reports Melissa Locker for Fast Company. The foundation awarded 12 grants to “innovative tech organizations and cultural institutions” that use technology to make the arts more accessible in the digital age.
Boston Globe reporter David Weininger highlights a recording of three new works by Prof. Peter Child. Weininger writes that the new pieces, “demonstrate the MIT composer’s remarkable stylistic diversity.”
Andrea Shea of WBUR writes about the life of retired senior lecturer and conductor John Oliver, who died on April 11. Oliver influenced “many music-making communities in Boston, Cambridge and beyond,” writes Shea.
Musician Miguel Zenón, who postponed a trip to Puerto Rico with the MIT Jazz Ensemble due to Hurricane Maria, will perform two concerts in the U.S., including one at MIT, to benefit the Puerto Rico Recovery Fund. Writing for The Boston Globe, Jon Garelick notes that both shows will feature a new piece commissioned by MIT, “En Pie De Lucha,” which Zenón translates roughly as “getting back up for battle.”
Prof. Martin Marks hosted a conversation with Audra McDonald, the 2018 Eugene McDermott Award in the Arts at MIT recipient, where she spoke about her personal experience as a Tony Award-winning actress and shared advice with the gathered students, writes Sophie Cannon for The Boston Globe. “Realize you have value and you have worth and what you maybe don’t have is experience but that is what you are here to get,” McDonald said.
Boston Globe reporter David Weininger spotlights Prof. Peter Child’s new work, “Lamentations.” Child explains that the piece focuses on, “the crisis we’re living through in terms of migrant people and refugees and undocumented people here in the United States . . . whole peoples being maligned and ignored who are suffering and are constantly stateless.”
Despite new discoveries regarding Henry Purcell’s opera “Dido and Aeneas,” mystery remains, writes Prof. Emeritus Ellen Harris in The New York Times. Even with the lack of certainty surrounding details that provide understanding of a piece of music, “the history of ‘Dido and Aeneas’ has only grown richer as we have discovered how little we actually know,” concludes Harris.
Boston Globe reporter Mark Shanahan spotlights Senior Lecturer Ken Urban’s new holiday song, “The Time of the Year.” “I had an idea to write a song that was truthful about the holidays — or at least more ambivalent than the stuff you hear in stores,” said Urban.
Six-time Tony Award winner Audra McDonald is the recipient of the Eugene McDermott Award in the Arts at MIT, which includes a residency and public talk by the singer-actress, reports Don Aucoin for The Boston Globe.
Senior Lecturer Ken Urban speaks with HuffPost reporter Michael Levin about the burgeoning theater program at MIT. “There is a lot of institutional support for the arts in all of its forms at MIT and I think it’s because that process of being creative and realizing that it’s super-important for engineers,” says Urban.
Senior Lecturer Mark Harvey speaks with Lisa Mullins on WBUR’s All Things Considered about the evolution of jazz in Boston. “It’s definitely more diffused and dispersed,” says Harvey about the current state of jazz in the city. “I think the music schools have filled the void that’s left by a lot of those older clubs.”
Boston Globe reporter Marc Hirsh writes about a performance of David Bowie’s final album “Blackstar” at Kresge Auditorium, conducted by Prof. Evan Ziporyn. Hirsch notes that the “orchestra’s approach took advantage of the rich, jazz-infused harmonic palette of ‘Blackstar.’”
Prof. Evan Ziporyn and Visiting Artist Maya Beiser speak to Arun Rath of WGBH about their work at MIT’s Center for Art, Science & Technology (CAST) and their performance of David Bowie’s final album. Ziporyn explains that CAST’s purpose is to “energize cross relations between those disciplines, which is something MIT has had going on basically since it was MIT.”